Spanish Love Songs will release their new album Schmaltz on March 30th. It’s one of the freshest and most honest punk rock records in recent memory. I recently had the pleasure of speaking with vocalist Dylan Slocum and he told me about the delicate art of opening a record and embracing dad punk.
Blink-182 performed two nights at Coachella as their first two shows back after reuniting with Tom DeLonge. I wrote about what the first performance meant to me in my newsletter:
Last night, Blink-182 returned to the stage to perform with Tom DeLonge for the first time in almost eight years. And the return at Coachella was live-streamed on YouTube. While I feel awful for the fans that had their shows postponed due to Travis’s injury, this being the return, to a massive hometown crowd and the entire thing being streamed so that fans across the globe could experience it together … was such a perfect treat. I texted a few friends to let them know it was happening, sat down on the couch, and experienced a new Blink-182 memory that I’ll carry with me for years to come with a whole bunch of fans in the Blink-182 thread on Chorus. It was an incredible evening. The band sounded as good as I think I’ve ever heard them with Tom. Mark sounded incredible. Tom sounded like he wanted to be there. Travis was an animal behind the kit. Seeing the smiles on the band’s faces, seeing how happy Mark was, and hearing the banter back and forth again was everything I could have hoped for. I sat there with a stupid grin on my face. Just an hour of being happy. An hour of hearing some of my favorite songs being played by one of my favorite bands and getting to nerd out with a bunch of like-minded fans just losing our shit like it was 2001. There’s a magic this band has always had that just hits different. A mixture of fun times with band members that we’ve grown up emulating and songs that we’ve spent countless hours listening to. And for those of us they’ve infected, it’s been an almost lifelong obsession now. Last night was a beautiful entry into the pantheon of Blink memories. With all the band drama, the health scares, and the years adding up on all of us, to see the band at this level deliver on that stage, with all of us experiencing it together, was truly special. Maybe it’s because I turned 40 a few weeks back. Perhaps it’s a combination of the collective trauma of the past few years. Or maybe it’s just an elder emo being over dramatic on a Friday evening, but I couldn’t help but be a little choked up seeing this all play out. The adoration for the songs that have meant so much to me over my life, the happiness radiating from the stage, and the shared experience with other Blink fans, was one more addition to the scrapbook of memories I’ve had with Blink-182. And they absolutely crushed it. Blink-182 for life.
Being able to experience this show, with other fans, really captured how much being a Blink-182 fan means to me and how the fanbase really is a wonderful community. I’m not usually a big bootleg, or even live album, listener. However, these two shows were so much fun to experience, and were two of the best performances I’ve heard from the band in ages, that I felt like they should live for posterity for all fans to experience over and over again.
I used the highest quality rip of the performance I could find, a direct from source download. Then I cut the files up into individual tracks, using The Mark, Tom, and Travis model of where to put the dialog and splice the songs. And then I used my, admittedly very novice, audio engineering skills to “master” the files in Logic Pro. I tried to clean up the audio the best I could, removing extra artifacts, trying to reduce the audible “hiss” that permeated weekend two’s vocals, and giving the entire thing a more clean and punchy EQ. It’s edited to my personal taste in what my ears find pleasing. Then I raised the volume to better match what I expect an album to sound like, and avoid any clipping, and exported all the tracks as 320 kbps MP3s.
I added the awesome artwork done by Danyel Saldanha Evangelista and am now sharing the entire thing with other Blink fans. Please feel free to share these as I believe everything deserves more Blink in their life. And, I’m crossing my fingers no one gets too mad at me for sharing live bootleg audio only files.
Y’all can keep the videos for your YouTube channel, let us share and experience the audio!
UPDATE • Apr 28, 2023Welp, Coachella’s lawyers are a bunch of party poopers:
God forbid people want to enjoy something and actually have a positive feeling about your festival. 🙄
Read More “Blink-182 Live at Coachella Bootleg”
Jonny Craig has been accused by multiple people of sexual assault and misconduct with a 16 year old fan. Please be aware that the links contain extremely graphic content.
Brian Fallon recently explained why “Have Mercy” didn’t make The Gaslight Anthem’s Get Hurt. A fan shot video of his answer can be found below.
Read More “Brian Fallon Explains Why “Have Mercy” Was Left Off ‘Get Hurt’”
Usually when you check into a new hotel, it has a funny way of changing your outlook and mindset for the days to come. Whether it’s settling down in a hotel for a vacation, work trip, or just a weekend getaway, these places tend to have their own unique personality attached to them. Broadside have this concept well on the top of their mind on their fourth full-length record, called Hotel Bleu. The interesting thing about this album is that it finds Broadside tinkering with their sound and exploring the depths of their songwriting. While their last effort, Into The Raging Sea, took listeners on a journey through the darkest of thoughts, Hotel Bleu may just be the polar opposite. The latest LP by Broadside (Oliver Baxxter [vocals], Domenic Reid [guitar], and Patrick Diaz [bass]) is vibrant, lush, and as colorful as the name implies.
Read More “Broadside – Hotel Bleu”
Recently I was able to connect with Lily Meola for a Zoom interview to discuss her uplifting new single called “Without You.” I asked Lily about her music upbringing, how she stays motivated as an artist, how she measures success as well as her breakthrough single “Daydream,” and what next year has in store for her promising musical career.
Read More “Lily Meola”
The National performed “Space Invader” on Colbert.
Read More “The National Perform on Colbert”
Let’s start with the new record – what’s the vibe like in the Fall Out Boy camp based on the reactions to the new song, the buzz around the viral campaign and so forth? Does it feel as big as everyone’s hoping for?
I guess there’s a question these days of “Why put out records anymore?” you know, like, “Why even bother?” I wasn’t really interested–I don’t think any of us were really interested in getting rich and famous–and, by virtue of putting out a new record, we will probably get more rich and famous, you know? [laughs] Which is not something I want really. So like, why really [put out an album], right? It’s because you want to say something. You want to express yourself. You have art that you need to get out. So that was really my only purpose in making a record and I’m totally stoked on it the way it is now, for sure.
Read More “Patrick Stump of Fall Out Boy”
Manchester Orchestra have released a live version of “The Way.”
Read More “Manchester Orchestra Share Live “The Way””
Thursday’s War All the Time has finally received a new vinyl re-press.
Also, if you sort this page by “new” there is probably a whole bunch of stuff you’ll be interested in.
Today is a great day to introduce everyone to the power pop band known as Diamond States. While some have classified their sound as “American Britpop,” this band features a nice blend of Alternative Rock, dream pop, and indie rock in a package that is sure to leave you feeling better about the prospects for new music today. “While You Were Sleeping” is a tribute to the band’s guitarist Bryan Frazier’s late friend, Rob Fisher, who passed away in 2016. As Frazier puts it, “‘While You Were Sleeping’ is sort of a one-sided conversation with Rob. Just imagining that he’s still out there somewhere, and that we’ll meet again someday.” The single was mixed by veteran producer/engineer Brian Reeves (U2, Sparks, Rooney), and sounds as heavenly as its likely intended to be.
Read More “Diamond States – “While You Were Sleeping” (Song Premiere)”
Travis Barker is on the latest episode of the One Life One Chance podcast with Toby Morse. (Overcast link.)
Three months ago, Christian Holden, vocalist/bassist of The Hotelier, posted on the band’s Tumblr a very personal essay reflecting on how their last album, Home, Like NoPlace Is There, affected the band’s lives and how they were going to proceed in the future. The essay also featured Holden coming to terms with being a public figure and exploring trust, art, and “realness.” Somewhere in the middle of the post Holden writes, “And I think this is what bums me out about the wishy-washiness of rock music and performance. Realness is a treasure in life. I don’t want to see uncritical postured realness. I want transparency.” And, well, you can use that declaration as the thesis statement for The Hotelier’s stunning new album, Goodness.
The new Apple TV interface, married with our own design touches, gives you the slickest navigation and search experience yet, showcasing all of your media in an elegant and intuitively organized way. Now, finding what you want is easier and more simple than ever before. And with Apple TV’s new top shelf, you can see your featured Plex content right on your Apple TV home screen.
I had tried Plex about six or so years ago and it didn’t seem for me. I liked the basic idea but this was before the wave of little pucks attached to TVs really took off and it was cumbersome to get it to work right. Instead, for the past few years, I’ve been using the old Apple TV with Home Sharing through iTunes. I used iFlicks 2 for adding metadata to any extra media I had in my collection, and, all-in-all it worked pretty well. However, recently I felt like I was spending more time managing and organizing the files while troubleshooting weird network issues (like stuff not showing up if the computer had been asleep too long). So, after hearing basically everyone gush about Plex over the past few weeks, and reading the reviews about the new native app for the new Apple TV (which I really love), I decided it was worth giving it another look.
I’m really glad I did.
This past week I was able to connect via a Zoom call with Nick Comanici of a band called Sadurday. We discussed his new single, “Out of Touch,” that features vocalist Mae Sexton (of WREX), and drummer Tucker Rule (of Thursday), and was produced by Jon Markson (Drug Church, Soul Blind). Also in this feature, I asked Nick about his plans for touring on the new material, other artists he’s influenced by, and how Sadurday’s sound continues to evolve over time. “Out of Touch” is available at all of your favorite streaming services now.
Read More “Nick Comanici of Sadurday”