If you hit read more you can see all the releases we have in our calendar for the week. Hit the comments to access our forums and talk about what came out today, what albums you picked up, and to make mention of anything we may have missed.
Read More “Albums in Stores – Apr 12th, 2024”
Recently I was able to schedule a Zoom interview with the leader of Emo Orchestra, Ben Mench-Thurlow, as well as the bassist from Hawthorne Heights, Matt Ridenour, to discuss the on-going tour. I asked both of them about what challenges this unique concert experience brings to the table, how the setlist came together, as well as what they each love about Emo music. This tour of Emo Orchestra wraps up on November 12th in Anaheim, California.
Read More “Emo Orchestra and Hawthorne Heights”
The Dangerous Summer and Cold Years are heading out on a UK Tour.
Read More “The Dangerous Summer / Cold Years UK Tour”
Fall Out Boy have announced a new tour. Alkaline Trio, New Found Glory, Four Years Strong, The Academy Is…, Royal & The Serpent, Games We Play, Daisy Grenade, and CARR will be playing select shows.
Read More “Fall Out Boy Announce New Tour”
We’ll start off with the dreaded question, how’d you get the name?
John: I suppose I’ll have to answer this one. Do you want the real answer or the fun answer?
Both!
John [Fake Answer]: It was a reference to a Smith’s single that was a b-side to “How Soon Is Now?”
Eddie: Taking Back Sunday is just a name that we came up with that was a song by a friend’s band. We used to go see them all the time but they broke up.
John: Derek from The Reunion Show was in the band.
Read More “Taking Back Sunday”
Lead singer Paul Meany details the four-year process behind Mutemath’s upcoming fourth album Vitals, continually chasing the euphoric feeling of finishing a record, why the band has come full circle creatively after 10 years yet still pushes forward, and how writing songs that embody a spirit of life has helped him navigate as he’s grown older.
The countdown to Record Store Day continues today with a look at Dead By Sunrise and their only LP, Out of Ashes, that will be released on “black ice” vinyl for the first time in North America. For those unfamiliar with the band, they were fronted by Linkin Park’s Chester Bennington and included Ryan Shuck and Amir Derakh from Orgy. This album was officially released on September 30th, 2009 and was produced by veteran hit-maker Howard Benson. This “RSD First” release is limited to just 7,500 copies and comes courtesy of Warner Records.
Read More “Record Store Day Countdown: Dead By Sunrise – Out Of Ashes”
Blink-182 performed two nights at Coachella as their first two shows back after reuniting with Tom DeLonge. I wrote about what the first performance meant to me in my newsletter:
Last night, Blink-182 returned to the stage to perform with Tom DeLonge for the first time in almost eight years. And the return at Coachella was live-streamed on YouTube. While I feel awful for the fans that had their shows postponed due to Travis’s injury, this being the return, to a massive hometown crowd and the entire thing being streamed so that fans across the globe could experience it together … was such a perfect treat. I texted a few friends to let them know it was happening, sat down on the couch, and experienced a new Blink-182 memory that I’ll carry with me for years to come with a whole bunch of fans in the Blink-182 thread on Chorus. It was an incredible evening. The band sounded as good as I think I’ve ever heard them with Tom. Mark sounded incredible. Tom sounded like he wanted to be there. Travis was an animal behind the kit. Seeing the smiles on the band’s faces, seeing how happy Mark was, and hearing the banter back and forth again was everything I could have hoped for. I sat there with a stupid grin on my face. Just an hour of being happy. An hour of hearing some of my favorite songs being played by one of my favorite bands and getting to nerd out with a bunch of like-minded fans just losing our shit like it was 2001. There’s a magic this band has always had that just hits different. A mixture of fun times with band members that we’ve grown up emulating and songs that we’ve spent countless hours listening to. And for those of us they’ve infected, it’s been an almost lifelong obsession now. Last night was a beautiful entry into the pantheon of Blink memories. With all the band drama, the health scares, and the years adding up on all of us, to see the band at this level deliver on that stage, with all of us experiencing it together, was truly special. Maybe it’s because I turned 40 a few weeks back. Perhaps it’s a combination of the collective trauma of the past few years. Or maybe it’s just an elder emo being over dramatic on a Friday evening, but I couldn’t help but be a little choked up seeing this all play out. The adoration for the songs that have meant so much to me over my life, the happiness radiating from the stage, and the shared experience with other Blink fans, was one more addition to the scrapbook of memories I’ve had with Blink-182. And they absolutely crushed it. Blink-182 for life.
Being able to experience this show, with other fans, really captured how much being a Blink-182 fan means to me and how the fanbase really is a wonderful community. I’m not usually a big bootleg, or even live album, listener. However, these two shows were so much fun to experience, and were two of the best performances I’ve heard from the band in ages, that I felt like they should live for posterity for all fans to experience over and over again.
I used the highest quality rip of the performance I could find, a direct from source download. Then I cut the files up into individual tracks, using The Mark, Tom, and Travis model of where to put the dialog and splice the songs. And then I used my, admittedly very novice, audio engineering skills to “master” the files in Logic Pro. I tried to clean up the audio the best I could, removing extra artifacts, trying to reduce the audible “hiss” that permeated weekend two’s vocals, and giving the entire thing a more clean and punchy EQ. It’s edited to my personal taste in what my ears find pleasing. Then I raised the volume to better match what I expect an album to sound like, and avoid any clipping, and exported all the tracks as 320 kbps MP3s.
I added the awesome artwork done by Danyel Saldanha Evangelista and am now sharing the entire thing with other Blink fans. Please feel free to share these as I believe everything deserves more Blink in their life. And, I’m crossing my fingers no one gets too mad at me for sharing live bootleg audio only files.
Y’all can keep the videos for your YouTube channel, let us share and experience the audio!
UPDATE • Apr 28, 2023Welp, Coachella’s lawyers are a bunch of party poopers:
God forbid people want to enjoy something and actually have a positive feeling about your festival. 🙄
Read More “Blink-182 Live at Coachella Bootleg”
Beau of Saosin posted in their Discord that the plan is for the band to work on a new album with Cove on vocals.
Read More “Saosin Working on Album With Cove”
There’s something to be said about going out on your own terms. Over time there have been plenty of athletes, actors, artists, and bands who have hung on too long to try and recapture that early spirit found in their careers, with mixed results. Sum 41 announced that Heaven :x: Hell, their eighth studio album, would be their final record in their career, and what a hell of a way to “call your own shot” by leaving behind a bulletproof discography. This double album plays out like a greatest hits compilation in the way that they touch on various stages of their career. The early songs, found on the Heaven side, lean closer to their pop-punk roots, while the back half (Hell) relies on heavy riffing and metal-tinged elements. By delivering what I consider to be their finest and most complete work of art to date, Sum 41 can look fondly back upon their legacy.
Read More “Sum 41 – Heaven :x: Hell”
American Hi-Fi’s debut album is getting pressed to vinyl for the first time.
Read More “American Hi-Fi’s Debut Coming to Vinyl”
What do you do when all the things you thought you could count on betray you? Your religion, your family, your significant other, your society, your own mind? On Mantras, Katie Pruitt finds herself grappling with precisely that question. It’s an album about trying to find a new way to exist and thrive – or maybe just cope – in a world that repeatedly insists on ripping the rug out from under you. It is provocative and relevant and unflinching and so very human. And it is the first genuine masterpiece of 2024.
Pruitt arrived on the scene four years ago with her debut album Expectations, a sublime disc about self-discovery, coming-of-age, and reckoning with a world that is a whole lot darker and crueler than you thought it would be when you were young. Pruitt, who is openly gay and making music adjacent to the infamously conservative and old-fashioned country music industry, wrote candidly on that album about her sexuality and how she’d navigated years of fear, guilt, and yearning for acceptance. Expectations ultimately seemed to sketch out a happy ending to that turmoil: Of the last three songs, one was about her parents accepting her for who she was and the other two were earnest love songs for the woman she was sharing her life with.
Read More “Katie Pruitt – Mantras”
Recently I was able to catch up with Anthony Raneri of Bayside to discuss everything that went into their new album, There Are Worse Things Than Being Alive, that just dropped today. The latest record, Bayside’s ninth in total, is a great mix of all the elements that made the band rise to fame in the genre, and as Anthony puts it in the interview, “It sounds like Bayside, but better.” Bayside are currently on tour in support of the new album, and tour dates are below.
Read More “Anthony Raneri of Bayside”
Blink-182 have released a new video for “She’s Out of Her Mind.” The video parodies their classic “What’s My Age Again?” video with a new spin and comes as part of Spotify’s new “Flash Frame” series.
The first studio album in three years from the “Pop Punk Queen,” Avril Lavigne, delivers on all of its potential. Her seventh album in total, Love Sux was produced by veteran hit-maker John Feldman (among others including Mod Sun and Travis Barker) and has a ton of aggressive and hard-hitting songs that are sure to grab your attention. In a recent interview with NYLON Magazine, Lavigne shared this about the direction of the new record, “This is the first one that’s just rock all the way through. There was a point in music where the label was like, ‘Radio don’t want to hear guitars anymore.’ Live drums went away. Live electric guitars weren’t getting played. There’s always been that fine line that I’m going to make my music that I’m feeling but also you have a company behind you who influences what you’re doing.” This dedication to making the music she was driven to create makes for one of her most accessible and rewarding albums to date.
Read More “Avril Lavigne – Love Sux”