The Ultimate Jimmy Eat World Setlist

For this week’s playlist I’m putting together what I call “The Ultimate Setlist.” This is a concept that my friend Mike came up with back when people still made mix CDs. The idea is to give someone a starting place in a band’s discography, basically a jumping off point to the artist’s best songs and biggest hits. The rules are fairly simple: arrange the playlist in such a way that emulates the perfect setlist for the band, and make sure that the playlist comes in under 80 minutes (that was the length for CD-Rs — remember those, from another life?). This week, I’m jumping in with Jimmy Eat World and you can find my picks on Apple Music and Spotify.

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My Life In 35 Songs, Track 18: “Growing Up” by The Maine

My Life in 35 Songs

Photograph, remembering the summer…

I could feel it in my bones.

Driving home from college after successfully completing my freshman year, something told me that I was in for a banner summer. The calendar hadn’t even flipped over from April to May yet, but the air was warm and the sun was beating down and my car windows were open and the music was blaring. Getting off the highway, it felt like my hometown was welcoming me back with open arms. Somehow, I just knew I was about to live the greatest summer of my life.

I’m no great believer in clairvoyance, but my premonition that day is absolutely the closest I’ve ever come to predicting the future. Because, as it turned out, the summer of 2010 was the summer I fell in love with the girl I was going to marry.

There’s a special gravity to the albums and songs you hear for the first time right around the start of any new relationship, but that counts for double when it’s the relationship that’s going to last for the long haul. Such was the case for me with Black & White, the second album from Arizona rock band The Maine.

The Maine had come up as part of the “neon pop-punk” wave of the late-2000s, a micro-movement defined by uber-poppy, glossily-produced rock songs that sounded so bright you could almost hear the saturated colors in the music. Fast-forward to 2025 and The Maine have outlasted every other vestige of that movement, evolving into a widely-respected independent rock band whose music folds in influences ranging from Third Eye Blind to new wave to Americana. These days, they are one of my very favorite bands. Back in 2010, though, they were only barely on my radar.

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Now Playing: My Raspberry Pi Weekend Project

Raspberry Pi

A few weeks ago I started working on a new weekend project. I wanted to build a mini-computer that could sit on my desk and display what I was currently listening to. A simple idea. After completing it, I figured I should write up the entire process, because if I don’t blog about it … did it really happen?

I’ve compiled everything I used in making the little device, and walked through the process below. Most of it is pretty straight forward if you’ve ever worked with a Raspberry Pi or Unix before, and I documented the tutorials I used as well as the actual code I used for the website.

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Jason Tate’s Top Albums of 2014

The Best of 2014

2014 ended up being one of my favorite years for music in a long while. It just seemed like every few weeks there was a new album to dive into and experience. There were times where it felt overwhelming, as if there was so much to listen to I felt ashamed I couldn’t give each album the time it deserved. But, here we are at the end of the year, and here we are tasked with trying to put numbers to the madness. I’ve done my best to put my favorite albums of the year in some kind of order … I hope you find as much to enjoy here as I have.

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Seth Swirsky – ‘Songs From The Green Couch’ (Album Premiere)

Seth Swirsky

Today I’m excited to bring everyone a talented songwriter named Seth Swirsky, who has written several #1 hits for artists like Tina Turner and Celine Dion, and his new album Songs From The Green Couch, a day early. This album of well-constructed indie-pop songs shines through the speakers majestically and leaves the listener in a better mood than they started their day with. Swirsky shared this about the new record:

We all have a ‘safe space’ — a place where we can go and escape from the world. The green couch in my art room in my house is such a space. It was there where most of the songs on this album were written, either on guitar or  with lyrics—thus, the title, Songs From The Green Couch. Rob Campanella, of Brian Jonestown Massacre — who engineered the album— introduced me to two guys in The Triptides: bassist Glenn Brigman and drummer Brendan Peleo-Lazar. The three of us (me on most guitars, pianos and mellotrons) became the core of the entire record. I sang all vocals and arranged the live strings. L.A. musicians, Kirk Hellie and Fernando Perdomo contributed their talents on some songs as well. But, as I said, the core was myself and the Triptides, which added a certain ‘toughness’ to my natural pop sensibilities. The record was a two year process: I started writing and recording the record at the beginning of a serious new relationship I was having — it continued during a very painful breakup. Thus, the album oscillates between many hi’s and lo’s for me personally, which are reflected in the lyrics.

If you’re enjoying the exclusive album stream, you won’t have to wait long to purchase the album that releases officially tomorrow.

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