Blink-182 drummer, solo artist and producer Travis Barker has signed a worldwide administration deal with Warner Chappell Music, it was announced Thursday (July 22). In a statement, the California-born pop-punk star said he’s “stoked” to be working with everyone from WCM.
Man Overboard have announced three anniversary shows.Read More “Man Overboard Announce Anniversary Shows”
Today I’m thrilled to share the exclusive video premiere of Flight Club’s latest single called “High Roller” from their upcoming record, Until The Sun Drowns, out everywhere on July 30th via Open Your Ears Records. Flight Club’s vocalist Charlie Mahoney shared this about this great new single, “With ‘High Roller,’ we wanted to make a song that felt like a late night. Something fun but with a bit of attitude to get you feeling yourself.” Your next musical obsession has arrived.Read More “Flight Club – “High Roller” (Video Premiere)”
Some songs just linger in the cultural bloodstream. It’s impossible to predict, in the moment, which songs those will be. Occasionally, it’s the big hits, but it’s also often those same world-conquering smashes that end up sounding the most dated in retrospect. Usually, you have to wait years or even decades to see which songs have truly become songbook classics, once all the context and narrative and hype and promotion has drifted into distant memory. You have to get to the point where all that remains is the song itself and the mysterious, beguiling hold it somehow continues to have over people.
There’s a spectacular cover band in my hometown that mostly plays songs from the classic rock era. It’s not hard to see why: Those songs have been proven staples for so long that building a setlist around them is just a smart business decision. You can’t miss with “Bohemian Rhapsody” or “Don’t Stop Believin’” or “American Girl.” You can’t miss with The Beatles or The Stones. There are precisely two post-2000 songs that I remember regularly hearing in the setlist from this particular cover band. The first one was “Mr. Brightside.”
The second was “The Middle.”Read More “Jimmy Eat World – Bleed American”
This past week, I was able to get a hold of Brendan Kelly of The Lawrence Arms before he embarks on a full US tour, including an expertly planned “troll job” of a gig on August 21st at the Four Seasons Total Landscaping venue with Laura Jane Grace. In this interview, we talked about the circumstances that led to this show, the things he admires most about Laura, his songwriting process, and how the pandemic delayed a lot of his creativity and motivation. Brendan’s “Here Goes Nothin'” tour begins on July 30th in Milwaukee, Wisconsin and will wrap up in Cleveland, Ohio on August 22nd. Merchandise for the Four Seasons Total Landscaping show is now on sale.Read More “Brendan Kelly of The Lawrence Arms”
When Underoath took their brief intermission on their 2016 Rebirth Tour, the banner behind Aaron Gillespie’s drum kit fell to floor, revealing the wind-swept dunes of 2006’s Define The Great Line as 2004’s They’re Only Chasing Safety’s final notes still reverberated around the venue. I stood on the delightfully shaky floors of Atlanta’s The Tabernacle, my favorite venue, and felt all of the memories of the upcoming album wash over me. Five years later, they’re still just as vivid.
The weekend before Define came out, my high school sweetheart and I ended our relationship. I “lost” my best friend, her sister, in the same fell swoop. I handled it all with the maturity of a sixteen year old boy, which is to say, I threw myself headfirst into very loud, very angst-ridden music. “In Regards to Myself”’s refrain of “What are you so afraid of?” became a rallying cry when I could bring myself to stop listening to Emery’s “The Ponytail Parades”… I know my flaws.
Like many of you reading this and reminiscing with me on this album, I’d already heard the leaked version of Define. I knew that something immensely more huge than Safety was coming. By this point in the album rollout, I’m pretty sure MTV had also already premiered the whole album on their website, “Writing on the Walls” played nonstop on Steven’s Untitled Rock Show, and I’d (probably) set streaming records on Underoath’s PureVolume page if things like that were tracked back in the aughts.