Certain Women. It’s there in the title. This is a film about certain women. Their lives are interconnected in certain ways, large and small, always existing simultaneously. Their stories share some themes, but their stories are different in other ways. This is a slice of life film where the lives we’re witness to are so fully realized that even the mundane, routine, and unspectacular are rich and layered. It is a precisely made film, with art in every frame, presented with masterful control. Kelly Reichardt has crafted something fascinating, something special.
There isn’t much to the plot of the film, which feels weird to say about a story that involves a hostage situation. Yes, a disgruntled man holds captives with a gun, but this is no action movie. Just as tense as the sequence featuring Laura Dern in a bulletproof vest approaching a gunman is a sequence in which a lonely rancher drives four hours to see the woman she has a crush on but barely knows, unannounced. In a similar vein to films such as Margaret and Boyhood, we’re witnessing situations that mean very specific things to certain people, but the world around them continues to move forward, Earth still spinning, lives continuing on. Just three stories, each elevated by the context of their surroundings.
