Ireland Makes Basic Income for Artists Program Permanent

Money

Ashley King, writing for Digital Music News:

After launching a trial in 2022, Ireland is due to make its basic income for artists program permanent starting in 2026. Under the program, selected artists receive a weekly payment of approximately $350, for around $1,500 per month. Applications are due to open in September 2026, with 2,000 spots available. Eligibility criteria has yet to be announced, but the Irish government expressed that it may expand the program to additional applicants in the future, if funding permits.

Yellowcard Talk With LA Times

Yellowcard

Yellowcard talked with the LA Times about their new album:

Key says he was initially intimidated singing in front of Barker in the studio and had a few moments where negative, self-conscious thoughts were getting the better of him in the vocal booth during recording. Instead of getting annoyed, he says Barker helped ease his anxiety with a few simple words.

“Travis came into the booth, closed the door, put his hand on my shoulder, and he said, ‘You’re gonna do this as many times as you need to do it. I’m gonna be here the whole time.’” Barker was truly speaking from experience. He told Key at the time that he’d just recorded 87 rough takes of his parts on “Lonely Road,” his hit song with Jelly Roll and MGK. “That was a real crossroads for me,” Key said.

Recommendation: PowerBug

PowerBug

I’ve purchased a few things from TwelveSouth over the years (Hannah’s laptop stand, a couple chargers, etc.), so when I saw the new PowerBug pop-up on Instagram I knew I needed to give it a try. It’s a simple idea, executed perfectly. A MagSafe charger built to be minimal and plug into a wall socket. Attach phone, charge phone. No extra cords.

I’ve wanted something like this in our bathroom for a while and after it came I immediately bought a second one for the kitchen.

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My Life In 35 Songs, Track 30: “The Days” by Hailey Whitters

My Life in 35 Songs

Instead of counting up the days, I just want to make ‘em count

In books and movies, it’s easy to spot the foreshadowing – the little details in the narrative that hint at something bad coming around the corner. In real life, you often only spot those warning signs in retrospect, when you’re looking back after some catastrophe transpires and wondering whether you could have known what was coming. Such is the case when I look back on the music that was dominating my life in 2019, right before the world went into a tailspin. And it is especially true about “The Days,” an achingly wistful summer song by country singer-songwriter Hailey Whitters, about making every good moment count lest they run dry a whole lot sooner than you expect.

In the moment, the good times seemed to be in endless supply in 2019, at least in my life. By the time that summer rolled around, I felt like I’d reached a state of total contentment. I was 28 years old and things were finally falling into place with my career. As a runner, I was getting back into racing after having not run competitively since high school, and my training had me feeling like I was in the best shape of my life. Most importantly, by moving back to our hometown, my wife and I had reignited our social life, which had mostly fallen by the wayside since our college years. We reconnected with old friends, made new ones, and spent a lot of time with family that we’d seen too little of in our years away. Everything felt just about perfect.

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Ben Folds on Hayley Williams’s Fallon Performance

Ben Folds

Ben Folds has a newsletter and he recently wrote about Hayley Williams’s performance on Fallon:

Something that’s striking from the start of “True Believer” is Hayley radically singing in her lower register. It ain’t indie baby voice and it’s not rock chick affectation.  It’s assertively at the bottom of her speaking range.  She’s not hiding.  She’s serious. This is a human being speaking her mind without blinking – taking ownership for what she’s saying.

In terms of musicality, in a world where we all assume it must be all dumbed down, especially when it’s taking up valuable ad time(!) Hayley brought the eloquence of a proper string section (arranged by Doug Peck), but she didn’t use them as props.  They occupied their own space (there were blocked upstage of her.). They had a voice, and a turn to be featured.  They weren’t buried or used like a synthesizer.  In 2025 when each symphony orchestra still might only have a small handful of black musicians (until the 80s it was ALL men, no women), this stunning section of black and brown players was as good as you’ll ever hear.

Interview: Alex DeLeon and Alex Marshall of The Cab

The Cab

This past week I was able to schedule a Zoom call with Alex DeLeon and Alex Marshall of The Cab to discuss what went into their thrilling new EP called Road To Reign: A Prelude, which is their first taste of new music in over ten years. I asked the two band members about what brought them back to playing music together again, their memories surrounding their previous albums of Whisper War and Symphony Soldier, and their upcoming tour dates with All Time Low. You can stream Road To Reign: A Prelude here.

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Review: Wolves At Bay – Dissolve

Wolves At Bay - Dissolve

The first new taste of music in more than ten years from Connecticut post-hardcore band, Wolves At Bay, showcases the band’s sense of urgency in re-capturing the magic from their earlier material. Dissolve is an eight-song album that adds in some textural and electronica sounds to round out the band’s attack and approach to their songwriting. Wolves at Bay shared: “This chapter marks a true rebirth. The connection between us has only grown stronger with time, and that bond is felt in every chord and lyric. Dissolve isn’t just about returning—it’s about starting again with purpose.” By putting a strong step forward in their “rebirth”, Wolves at Bay waste little time in returning to the rock scene at full speed ahead.

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