Today I’m thrilled to bring everyone an early listen to the new single by Taylor Acorn called “Burning House.” The track comes from the recently announced deluxe version of Survival In Motion that hits streaming services tomorrow. “When I was dreaming up Survival In Motion, I always envisioned it having an extended life and so I’m so excited to be able to continue the story,” Taylor reflects. “I am so proud of the whole body of work that we have created and it was such a pivotal project for myself as a writer, as an artist, and as a human. It was something I truly needed at that time and I’ll forever cherish the experience of getting to create it.” If you’re enjoying the early listen to the single, please consider pre-saving Survival In Motion (Deluxe) here.
Read More “Taylor Acorn – “Burning House” (Song Premiere)”Review: Twenty One Pilots – Blurryface
The game-changing fourth studio album by rock band Twenty One Pilots is turning ten years old over the weekend, so it’s only fitting for us to take another look at what made Blurryface so special. The Fueled By Ramen release was an immediate success. The record debuted at the top of the Billboard 200 in its first week of release, it was the first album in Billboard history for every song on the record to be at least Gold certified, and it has since been certified as 4x Platinum by the RIAA. Putting a fresh pair of ears on Blurryface in 2025 brings back a flood of good memories for me. I had become a fan of the band from a friend sharing the band’s third record, Vessel, with me, but I was floored by the artistic development found on Blurryface. Tyler Joseph had a hand in co-producing each of these tracks with a handful of other producers gently adding some insight and their experiences to make sure the songs really shined. From the frenetic opening drum sequence by Josh Dun on “Heavydirtysoul” all the way to the somber reflection of “Goner” that slow-builds to a dramatic crescendo, Blurryface has a little bit of everything in it for fans of all genres to enjoy. Fueled By Ramen would happily release six singles from the 14-track effort, and each of these infectious songs are as immediately gripping as the first time I heard them.
Read More “Twenty One Pilots – Blurryface”After Ours – “Different Now” (Video Premiere)
After Ours, the musical project of Kayla Janowitz, is releasing her music video today for a key song called “Different Now.” From the After Ours new LP of Imaginary Friend that releases on June 6th, this single dances around self-reflection and the realization that we can all find solace in self-healing. I was also able to catch up with Kayla for a brief interview below. If you’re enjoying the music video, please consider pre-saving Imaginary Friend here.
Read More “After Ours – “Different Now” (Video Premiere)”Interview: MOVIESTARZ
Recently I was able to connect with self-described “hyperpop” band, MOVIESTARZ, to discuss what went into their new single called “Invited.” The song comes from the duo of Alex Pombar and Tyler Nichols who channel their love for Blink-182-type pop-punk paired with club ready anthems similar to Charli XCX.
Read More “MOVIESTARZ”Interview: M.A.G.S.
About two weeks ago, I was able to sit down with Elliott Douglas, better known as M.A.G.S., during his recent tour stop in Washington D.C. to discuss his recently announced plans to take a hiatus from the project. I asked him about the factors that led to this decision, his recent collaboration with American Football, and what the future looks like for him.
Read More “M.A.G.S.”Review: The Starting Line – Based On A True Story
Most bands wouldn’t survive the label turmoil that went on during the promotional period of Based On A True Story, the sophomore record from The Starting Line. Despite reaching as high as #18 on the Billboard 200 upon its release in May of 2005, the album was basically shelved once Geffen Records decided that they were not going to make the LP one of their priorities. It’s a shame that only one single (“Bedroom Talk”) was released from this album since there really are a lot of gems to be found in The Starting Line’s songwriting here. Tim O’Heir produced the majority of the songs on Based On A True Story, but the label wasn’t thrilled with the sound found on the songs they were hoping would take off on radio, so they recruited veteran hitmaker Howard Benson (My Chemical Romance) to provide some guidance on “The World” as well as “Bedroom Talk.” A third producer, Eric Rachel, was enlisted for “Making Love To The Camera”, which would explain some of the unbalanced production elements when played from front to back. The Starting Line battled with their label to the bitter end to ensure they could release the record that the band wanted to make, even if it led to them forfeiting the rights to the recordings themselves. Ultimately, this is what happened, leaving some uncertainty to the future of the album for vinyl represses and so forth. With so much drama going on behind the scenes, it’s truly a miracle that this record saw the light of day, yet fans have adored Based On a True Story for a reason: the songs are really great.
Read More “The Starting Line – Based On A True Story”Review: Out Of Service – Devastation Awaits
The fifth LP from Out Of Service, called Devastation Awaits, finds the band expanding upon their unique sound while still finding ways to add new elements to their music. The set was produced, mixed and mastered by vocalist Mike Capuano, and the now-independent New Jersey band is self-releasing the record today. One of the first things that longtime fans of Out Of Service will notice on Devastation Awaits is the addition of more screamed vocals from Capuano, as evident on the aggressive opener of “Devastation” as well as the second track, “Secrets and Daggers and Mirrors.” After the more somber and acoustic-driven effort found on Reflections & Refractions Volume One, Devastation Awaits is the polar opposite to that previous record by providing a direct reaction to the world around us.
Read More “Out Of Service – Devastation Awaits”Review: Catbite – Doom Garden
The ska genre may have fizzled out a bit over the past few years, but Philadelphia’s own Catbite is injecting some serious new life into the genre with their latest EP called Doom Garden. Catbite manage to simultaneously break down the walls of what can be considered ska, while also furthering their own artistic development. When I last caught up with the band for an interview, I could tell that they were poised for breakout success on this record. Of course it doesn’t hurt to have an excellent cameo on “Tired of Talk” by Fall Out Boy’s Patrick Stump to boost their own streaming algorithm and alert new fans to the magic that comes through the speakers when Catbite play their captivating music. Doom Garden is brimming with new possibilities for this band that continues to improve on their songwriting.
Read More “Catbite – Doom Garden”Review: Lyn Lapid – Buzzkill
There will be times in our life when we discover an undeniable talent in our music rotation. That type of artist who makes you say, “Well, of course this person was meant to do this for a living!” I’ve had that feeling with several key artists in my music discovery, and I think I’ve just found the next great one. Lyn Lapid is a 22 year old music sensation from Baltimore, Maryland who started to gain a loyal social media following with her ukulele and acoustic guitar-driven covers of popular songs. Her original song of “Producer Man” in 2020 was her first taste of fame, but given the breathtaking vocals and production found on her debut album, Buzzkill, it certainly won’t be her last brush of notoriety. Lapid’s sound is somewhere in the realm of the quieter moments of Billie Eilish, paired with a starry-eyed vision for her music like Olivia Rodrigo, and the vocal range of Amy Winehouse. Lyn Lapid shimmers all over Buzzkill and cements herself as a marquee artist to watch.
Read More “Lyn Lapid – Buzzkill”U.S. Girls – “Bookends” (Video)
The latest single and video from U.S. Girls (the experimental pop project from Meghan Remy), called “Bookends,” signals a new and exciting direction for the project. Today, U.S. Girls announces her latest LP called Scratch It that will be released on June 20th via 4AD. I was able to catch up with Remy for a brief interview below. If you’re enjoying the video for “Bookends”, please consider pre-ordering Scratch It here.
Read More “U.S. Girls – “Bookends” (Video)”Review: The Ataris – “Car Song”
The new single by The Ataris, called “Car Song”, is a touching tribute to Kristopher Roe’s late father (William Roe), who passed away in 2014 due to complications from alcoholism. “My dad was always the biggest supporter of The Ataris. He was a regular on our original website’s message board, sending out VHS bootlegs of live sets he would film and interacting with everyone—everyone knew him. He truly lived and breathed our music,” Roe shared. The song has a feeling of a band being re-energized and re-focused on unlocking the magic that the band captured on their earlier material. “Car Song” opens with the vivid lyrical imagery of “Now you rest amongst the rust of these roadside monuments / In all their former glories / The drive-in nights that came and went / You fought on hard through rain beaten nights / Past the shadows of state lines / Now this victory dance, it belongs to you and I,” as Roe’s vocals remain warm and passionate.
Read More “The Ataris – “Car Song””Review: Samantha Crain – Gumshoe
There’s something very comforting about Samantha Crain and her warm vocal delivery found on Gumshoe, her seventh album to date, and first in nearly five years. Much like that sort of feeling of listening to an old friend recounting the best days of your lives together, Crain puts a delicate emphasis on her experiences that led to this record. As recounted in the press release, ”Gumshoe is a deconstruction of the false premonition that [Crain] was destined to always be an outsider. It’s all about curiosity for the things that shape you as a partner, a friend, a neighbor: a clarity Sam found in her experiences and challenges these last few years helping her partner navigate their addiction, immersing herself within her community in Oklahoma while working at a wildcare rescue and a liquor store, and discovering how to love and be loved.” They don’t make artists like Samantha Crain much anymore, but when they do come along, you treasure these musicians with a full and open heart.
Read More “Samantha Crain – Gumshoe”Review: Beach Bunny – Tunnel Vision
The third full-length record from Chicago Alt Rock band, Beach Bunny, is a breezy set of songs that play out well from front to back. Tunnel Vision is the band’s first release since the departure of guitarist Matt Henkels, and sees Beach Bunny getting into a comfortable groove as a three-piece band. The band’s primary songwriter, Lili Trifilio (vocals/guitar), remains as captivating as she’s ever been, and Beach Bunny re-establish themselves as a key artist to watch in the Alternative Rock scene. Over the course of the ten songs found on Tunnel Vision, Beach Bunny firmly showcase why they have such a strong and loyal following of fans with their slick songwriting, paired with memorable and plentiful hooks.
Read More “Beach Bunny – Tunnel Vision”Review: Luke Spiller – Love Will Probably Kill Me Before Cigarettes and Wine
The debut solo album from The Struts frontman, Luke Spiller, is a vulnerable collection of songs about falling in and out of love, and documents his experiences about when he first moved to Los Angeles. Love Will Probably Kill Me Before Cigarettes and Wine is filled with great string arrangements, slick production, and a 70’s flair that mirrors early James Bond scores. Luke Spiller’s star shines ever so brightly on his first venture away from The Struts to create a record that is both a departure from the sound that he established with his bandmates, and a welcomed throwback to an era of smoke-filled jazz clubs that featured captivating singers.
Read More “Luke Spiller – Love Will Probably Kill Me Before Cigarettes and Wine”Review: Acceptance – Phantoms
The debut album from Acceptance will be turning 20 over the weekend, so it’s only fitting for us to take another look at the cult favorite record known as Phantoms. The band’s strength came from the great partnership between lead guitarist Kaylan Cloud and dynamic vocalist Jason Vena, and their ability to convey a wide range of emotions through their unique brand of rock. The set was produced by veteran hit-maker Aaron Sprinkle, who leaves his great blueprint all over this shimmering album. The promotion cycle Phantoms included only two singles, “Different” was the lead single, while the more upbeat “Take Cover” followed up on the modest success of the debut single. The band would follow the release of Phantoms with tours with bands like Vendetta Red, Head Automatica, Anberlin, Saosin, and more to work on their live show that had steadily improved since Acceptance formed in 1998. Acceptance would take a lengthy hiatus in 2006, only to reunite and re-capture their spark in 2017’s equally great Colliding By Design. Phantoms signaled a key moment in Acceptance’s rise in the crowded emo scene, and it’s a shame that the record didn’t take off as much as it clearly should have.
Read More “Acceptance – Phantoms”