Review: The Lumineers – Brightside

Coming off their perplexing third studio album, the aptly titled III, The Lumineers have returned with a more radio-ready sound on Brightside. On this record that feels almost like an EP, since it clocks in at just over 30 minutes over a nine-track span, the indie folk rockers relocate some of that early magic they captured on their debut record and Cleopatra, as well. This set of songs was recorded in Sun Mountain Studios by producer David Baron, with some additional producer credits by Simone Felice. What the band does best on Brightside is coming to terms with who they are as musicians and songwriters for one of their most accessible albums to date. Led by the trio of singles including the title track, “A.M. Radio,” and “Big Shot,” The Lumineers feel like they’re ready to take the next steps forward.

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Ben Auld – “O Athena!” (Music Premiere)

Ben Auld

Today I’m excited to share the latest single for indie folk songwriter Ben Auld for the song, “O Athena!” The track comes from his upcoming debut LP Lemongrass, that hits the streets on February 15th. Auld shared this about the song:

This is possibly the oldest song on the album and it stuck around because I could imagine an audience singing along to it. Sufjan’s Illinois is one of my favorite albums ever and I wanted to create something that had a similar feeling of exultation. I can’t remember where the chorus lyrics came from, I guess I felt they fit this theme of praising or elevating people. Making a new friend or founding a new relationship can make people so elated and joyous. This song tries to express that period of time before things settle back to normality. The recording process for each song is slightly different and with this I wanted it to feel like it had depth without it being drenched in reverbs. So I recorded the bass, drums and rhythm guitars to cassette and then used an 8 track to layer the keys and picked guitars. Then I bounced that all to another 4 track and recorded the vocals. Each time a layer was bounced it got pushed down in the mix and so you have this sort of stratification effect.

Your next indie singer-songwriter obsession has arrived.

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Review: The Weeknd – Dawn FM

The Weeknd

Fresh off a well-received fourth album in After Hours, paired with a brilliant performance at last year’s Super Bowl halftime show, The Weeknd has returned with his next thrilling opus called Dawn FM. The set of 16 songs, interspersed with dialogue and various interludes, plays out like a futuristic radio show meant for the dance floor. The album features a litany of producers, that includes The Weeknd, Max Martin, and Calvin Harris among many others, yet this record never strays from its utmost purpose of being a beacon of light towards its theme of being a metaphor for purgatory. In a recent interview with Billboard, The Weeknd expanded on this concept by explaining, “Picture the album being like the listener is dead. And they’re stuck in this purgatory state, which I always imagined would be like being stuck in traffic waiting to reach the light at the end of the tunnel. And while you’re stuck in traffic, they got a radio station playing in the car, with a radio host guiding you to the light and helping you transition to the other side. So it could feel celebratory, could feel bleak, however, you want to make it feel, but that’s what ‘The Dawn’ is for me.” The styles of new wave, to dance pop, all the way to funk and EDM thrown into the mix, make for an ultra-refreshing listening experience. The first major release of 2022 has arrived in a big way.

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Summer Years – “Small World” (Video Premiere)

Summer Years

Today I’m thrilled to share the exclusive premiere of the new single by San Diego, California’s pop-punk band Summer Years, called “Small World.” The latest single comes from their brand new EP, You Can’t Live There Forever, which was released today via Enci Records. Band member Noah Rabe shared this quote about the first ballad they have written in their discography:

Small World is the first ballad from Summer Years. Nick wrote the lyrics about his home town and the desire to keep the things you love sacred and the same, but knowing that things always change is the best way to value what you have. If it doesn’t last forever, when ‘it’ is happening, that’s the time to enjoy it. As for the video we got to enjoy a couple hot August summer days near Joshua Tree filming. We loved the cast and crew we worked with. Everyone was motivated to put together something special, and I think we did just that.

If you’re enjoying the single as much as I am, you can purchase the recently released EP here.

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Interview: Kitten

Kitten

A couple of weeks ago, I was able to connect with Chloe Chaidez and Parker Silzer IV of the band Kitten before they released their latest album called Personal Hotspots. In this interview, I asked the band about what this recording process unique, their core musical influences, as well as a fun question about other artists they admire in today’s music scene. Personal Hotspots is available now wherever you stream your music.

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Adam Grundy’s Top Albums of 2021

Best of 2021

This year was overwhelming in a lot of ways, right? Overwhelming with the possibility of another full year of dealing with a never-ending pandemic, and the overwhelming amount of content (in all mediums) that came out this year that helped us get through another crazy year. The music was fantastic, the TV shows that were being released were equally thrilling on various streaming platforms (as the networks quickly caught on to everyone “cutting the cord” of cable), the movies coming out were being simultaneously released at home as they were hitting theaters while they re-captured our imaginations, as well as several great books were released rekindling my love for the glory days of our scene. This year really had a lot of everything to it, and since this year was so unique, I expanded my year-end blog this year to cover a lot of those mediums that I don’t usually have enough time to talk about (besides a quick plug in the Chorus.FM forums). 

On top of my favorite 30 albums from this year, I’ve also dedicated key sections of this blog to an “honorable mention” category, my Top 10 EPs, my Top 10 Interviews I conducted, as well as my Top 5 Books, TV Shows, and Movies I really enjoyed during this year. Thanks again for all of the kind words you have shared about my writing, and I hope I have helped you discover new bands, and/or revisit records from a past life, as it makes contributing to this site such a labor of love. I wish everyone a very Happy New Year as we look ahead to more great content ahead.

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Review: Sarah and the Safe Word – “Solstice”

You have to love a band that maps out their content just perfectly. On the first day of the winter solstice, Sarah and the Safe Word have returned once again with an expansive and heavy single called “Solstice.” From the opening lines of, “A little crow, he came to me / And asked what to do with the snow / We tried and tried to sweep it clean, but the cold / It continued to blow,” the band immediately transports the listener to the world created by them, and it matches the cover art nicely. It also ends up being one of the longer songs in Sarah and the Safe Word’s discography, and yet it makes for a thrilling listen for every single beat.

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Review: Nathan Gray – Rebel Songs

Just when you thought all the great releases were done for the year, Nathan Gray (of BoySetsFire) is back with a great-sounding collection of punk rock tracks ready for your ears. Nathan Gray and The Iron Roses have released Rebel Songs today, and it features some pulsating songs filled with marksmanship passion and poise. The title track features Rise Against’s Tim McIlrath, and there really is so much great material to be found on Rebel Songs. When asked about the direction he went with on this record, Gray mentioned, “Well for one, it is wildly more vulnerable and nerve wracking to sing these lyrics as opposed to screaming them. There’s no place to hide the words. It’s no longer range induced. It is a very exposed feeling, but it is exactly what I needed, and what my music needed – to be stripped back down to its core, and put a focus on the message itself. In my own journey through healing, I started to understand that no one can influence change in the world without turning that inward to heal themselves first. As such, what we do in our own lives influences our political leanings and world view.” His improved songwriting pays major dividends as Gray has released yet another career-defining album in his discography.

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Interview: Aeon Station (Kevin Whelan)

Aeon Station

This past week I had a great conversation with Kevin Whelan (of The Wrens) who has created a solo album, entitled Observatory, under the moniker of Aeon Station. In this in-depth conversation, we chatted about his inspiration for the new album, how he stayed busy as well as creative during the pandemic, and we had some fun discussing the legacy of Sub Pop Records, too. Observatory is available now on all streaming services, or you can purchase the physical version here.

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Review: Tempoh Slow – “Villains In Love”

I’d like to introduce you to a great pop, rock and rap-based band out of L.A. called Tempoh Slow. The band, who reminds me the emo-tinged rap/rock of Twenty One Pilots and the atmospheric feel of The Neighbourhood, are onto some great things on “Villains In Love.” The performance-based music video features vocals from LUNA AURA, and the band rallies around the catchy chorus to make for a memorable single.

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Broken Field Runner – “Save You” (Video Premiere)

Broken Field Runner

Today I’m thrilled to share the latest single from Los Angeles’ own Broken Field Runner, for “Save You.” In this great sounding track, that sounds like a blend between Jimmy Eat World and Hey Mercedes, the band explodes out of the speakers with an emotive force not usually seen with this much urgency. Vocalist/guitarist Tony Bucci shared this about the new single:

‘Save You’ is one of the best songs I’ve ever written. Every so often I write a song and every song I write after it I’ll ask myself, ‘When am I going to write another <fill in the blank>?’ ‘Save You’ is an example of that. It’s one of the only songs in the trilogy of releases that we were able to play live before the pandemic hit, and it has an urgency and energy to it in the live setting. I wrote it for two good friends of mine who experienced a devastating loss and when I shared the demo with them it brought them to tears. In fact, when I sent initial mixes of the song to Dane at Jetsam-Flotsam he replied, ‘If the rest of Runner sounds like this, I’m going to lose my shit.’ It also includes some of my favorite recent lyrics at the end of the song: ‘You are the sun in my horizon / the moon is a lighthouse watching over the cliff / there’s a shore / in the distance a few miles more / called acceptance.'”

If you’re digging this song as much as I think you will, consider pre-ordering the trilogy here.

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Interview: Again In May

Again in May

Recently I was able to chat with a band from Annapolis, Maryland called Again In May, whose new EP Feels Like Home came across my inbox and I was immediately hooked. The band consists of vocalist Liam King, guitarist Daniel Contreras, bassist Sean Anderson, and drummer Noah Doney, and their sound is similar to a mix between Saosin and the pop sensibilities of The Format. In this interview, I asked the band about their goals for their music, what other artists they look to for inspiration, and the rapid, grassroots feel of winning their audiences over one show at a time. Feels Like Home is available now on your favorite streaming service.

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Interview: The Maguas

The Maguas

A few weeks back, I had the chance to chat with a band called The Maguas, who recently premiered their single “Release Me” with us. The band is comprised of Erik Miller (Vocals), Luke Prusinski (Bass), Matthew “Jenks” Jenkins (Lead Guitar), Daulton Rissinger (Rhythm Guitar), and Brandon Ossont (Drums). In this conversation, I asked about the band’s songwriting process for the new single, the music influences they bring into their group, as well as the lessons they have learned from being best friends making music together. In this interview we also discussed the band’s goals for the future and where they see themselves in this music landscape.

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Review: Zebrahead – III

The changing of lead vocalists almost never works for a band. Lucky for us, Zebrahead are all too familiar with shuffling this key cog in the band machine, and sound as re-energized as ever with their third lead vocalist, Adrian Estrella (formerly of Assuming We Survive), who has this beloved band back on the right track. When I last chatted with Adrian and Ali, you could tell that they were sitting on a great collection of music that they have since aptly branded III to mark the third chapter in their storied history. With such a refreshing take on their sound, it’s no wonder why it’s easy to get excited for what the future holds for Zebrahead.

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Review: Hoobastank – Hoobastank

In a music landscape filled with some odd band names, Hoobastank may have taken the prize for strangest moniker. On their self-titled major label debut, the band came roaring out of the gate with a strong debut single in “Crawling in the Dark” that rose as high as the top three on Billboard’s Modern Rock chart. One thing that many people don’t know about the band is that this record is actually their second full-length record with the independently released They Sure Don’t Make Basketball Shorts Like They Used To, that featured a horn section and not too much material within the same realm as Hoobastank. I discovered this band in a similar way as others, by seeing their first music video on MTV2 and then promptly buying my first concert ticket to see them at the 9:30 Club. Their live show was filled with pulse-pounding drums (courtesy of Chris Hesse), the brilliant riffing from guitarist Dan Estrin, and anthemic vocals from Doug Robb. During this concert, they played two tracks from their independent debut, “Earthsick” and the song closest to the sound they would go for on their Island Records’ debut on “Stuck Without a Voice.” This concert made me a life-long fan of the band, and they would go on to achieve remarkable success on their subsequent record called The Reason, where the title track made them a household name. This meteoric rise made the radio ready rock band Hoobastank something that ironically everyone would know exactly what you’re talking about.

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