Review: Ratboys – Singin’ To An Empty Chair

Ratboys - Singin' To An Empty Chair

There’s a lot to love about the direction Ratboys took on Singin’ To An Empty Chair, the Chicago-based indie pop band’s sixth studio album. While the title of the record and artwork seem to imply that there’s an element missing, instead it is the beginning of an important dialogue with a close loved one lead vocalist Julia Steiner finds herself estranged from. Singin’ to an Empty Chair also marks the first Ratboys album written since Steiner began therapy, which the singer/lyricist credits for the clarity found in the lyrical material that is a vivid investigation of self-reflection and the importance of healthy relationships. While some of these conversations had within Singin’ To An Empty Chair may feel difficult, messy, or at times even bleak, Ratboys take it all in stride and leave signs of hope and clarity in the end. “It’s not all doom and gloom,” Steiner says. “The experience of making this record definitely gives me hope for whatever happens next.” By putting her full self into this album, Steiner and her bandmates live up to the hype surrounding this band that continues to get better on each release. If The Window was Ratboys telling the world, “We’ve arrived,” Singin’ To An Empty Chair emphatically states, “We’re here to stay.” I promise it will be worth the visit, and this wonderful record exceeded all of my expectations.

Read More “Ratboys – Singin’ To An Empty Chair”

Interview: Dan Marsala of Story Of The Year

Story of the Year

A couple of weeks ago I was able to schedule a Zoom call with the lead vocalist of Story of the Year, Dan Marsala, to discuss the band’s newest album, A.R.S.O.N. that releases on February 13th, 2026 via SharpTone Records. In this interview, I asked Dan about the songwriting process on key tracks from the new LP, where the album title originated from, and upcoming touring plans. If you’re enjoying the interview, please consider pre-ordering Story of the Year’s seventh studio album, A.R.S.O.N., here.

Read More “Dan Marsala of Story Of The Year”

Review: The Format – Boycott Heaven

The Format - Boycott Heaven

I had almost made peace with the fact that The Format would likely never make music again. The statement put out by the band on February 4, 2008 hit like a gut-punch from one of my favorite indie bands of all time, and now, almost 18 years to the exact day of the indefinite hiatus, The Format have returned. The roadmap that led to The Format making new music featured a few detours. fun. had formed shortly after the announced hiatus and would make a household name of vocalist Nate Ruess, and earn him his first Grammy Award for Song of the Year for the unstoppable “We Are Young.” The Format’s other half, Sam Means, would release a solo album called 10 Songs (which is definitely worth a listen if you never checked it out), while he watched his bandmate blossom in fun., and Nate’s own solo album entitled Grand Romantic. Much like the Interventions + Lullabies song of “On Your Porch,” Sam Means and Nate Ruess have always been drawn to making music together. The lyrics of, “So, now here I sit in a hotel off of Sunset / My thoughts bounce off of Sam’s guitar / And that’s the way it’s been / Ever since we were kids, but now / Now we’ve got something to prove,” feel a bit more emphatic now that The Format have reunited and released their third studio album of Boycott Heaven. Nate mentioned that he started to teach himself guitar during the pandemic, which seemed to unlock a key ingredient in the catalyst that brought him back to Sam. Shortly after the band had planned to reunite for a few returning shows, they re-discovered their love of creating art together, and I’m so happy The Format are back in full swing now.

Read More “The Format – Boycott Heaven”

Review: Goldfinger – Nine Lives

Goldfinger-Nine Lives

The aptly titled ninth studio album from ska-punk legends, Goldfinger, features a litany of guest spots and a recharged, yet reflective sound from the band that is releasing their first taste of new music since 2020. Nine Lives was produced by band leader and scene stalwart, John Feldmann, who rounds out this era of Goldfinger with a powerhouse lineup of Charlie Paulson (guitar), Mike Herrera (bass), Nick Gross (drums), and Moon Valjean (guitar). The set was preceded by two great singles in “Freaking Out A Bit”, that featured Mark Hoppus, and “Chasing Amy.” The result is a pleasing collection of songs that showcase Goldfinger show little signs of slowing down and hit the listener with a blast of Summer vibes.

Read More “Goldfinger – Nine Lives”

Review: Yellowcard – Lights and Sounds

Yellowcard - Lights and Sounds

On the surface, Lights and Sounds had all the makings of a big rock record. Yellowcard paired up with a trusted producer in Neal Avron, who also worked with the band on their breakthrough, Ocean Avenue. The album had an incredible lead single out of the gate with the aggressive title track, and was mixed by veteran Tom Lord-Alge. What left fans most perplexed by what their heard from Yellowcard was the near abandonment of the sound that made the band a household name with Ocean Avenue. Instead, Yellowcard leaned into a darker-tinged alternative rock approach to their music that led to a bit of confusion and lukewarm critical reviews of the material. Lights and Sounds would debut at number five on the Billboard 200 charts, and would eventually achieve Gold certification from the RIAA in March of 2006. My memories surrounding this particular album were the polarizing affect it had on Yellowcard’s trajectory as an artist, how it would lead to confusion in the band’s fanbase, and then the biggest of swings back in the right direction with the 2007 successor of Paper Walls. At the end of the recording process, lead guitarist Ben Harper would leave the band and would be replaced with the now-permanent member of Yellowcard, Ryan Mendez. This rollercoaster of emotions surrounding Lights and Sounds would’ve been enough to break the spirit and desire of most bands, but luckily for us, Yellowcard would take this detour in stride and rise once again.

Read More “Yellowcard – Lights and Sounds”

Pearl – “Party” (Video Premiere)

Pearl

Today I’m thrilled to re-introduce everyone to Baltimore-based punk band, Pearl, who are returning with their newest single and video for “Party.” On this energetic song, Pearl showcase their wide range of influences that range from metal bands like Black Sabbath to punk-tinged rock like early-Nirvana and Bad Brains. The four piece band was founded in 2018 by Sienna Cureton-Mahoney (vocals) and Tommy Rouse (guitar), who were shortly thereafter joined by Jesse Hutchison (bass) and Flynn DiGuardia (drums) in 2019. In true nature of “Party,” Pearl have also announced their new album, Love and Grief, will be released on April 20th via 20/20 Records. If you’re enjoying the music video, please consider pre-ordering Love and Grief here.

Read More “Pearl – “Party” (Video Premiere)”

Nick Flessa – “Medicine Hat City Slogan” (Song Premiere)

Nick Flessa

Today is a great day to share the latest single and visualizer video from LA-based songwriter and multi-instrumentalist, Nick Flessa, called “Medicine Hat City Slogan.” The song comes from Flessa’s forthcoming new album, A Different Kind of Energy, that will be released everywhere on April 17th via Anxiety Blanket Records. The fully instrumental album showcases Nick Flessa’s ability to convey a wide range of emotions without uttering any vocals. If you’re enjoying the new song, please consider pre-saving A Different Kind of Energy here.

Read More “Nick Flessa – “Medicine Hat City Slogan” (Song Premiere)”

Review: Greywind – Severed Heart City

Greywind - Severed Heart City

Greywind is the brother and sister duo of Steph and Paul O’Sullivan, and they prove that emo was never just a phase on Severed Heart City. Their latest full-length record was produced by Sam Guaiana (Neck Deep, Silverstein), and features a very professional sound, rich with big hooks and solid musicianship all around. When I last chatted with Greywind, the band shared, “We’ve always wanted to create our own world that people can escape into. Severed Heart City is basically what we went through in the last few years after being dropped <by a record label> to losing family members to health issues It’s a lot of all of that pain. But then it has the positive of, there is a light at the end of the tunnel.” While their last EP of Antidote was the band figuring out what worked well in their sound, Severed Heart City finds Greywind at their most confident, and they are successful at fulfilling their most complete vision for their music.

Read More “Greywind – Severed Heart City”

Review: Panic! At The Disco – Death of a Bachelor

Panic! At The Disco - Death of a Bachelor

During an interview in mid-2015, Panic! At The Disco leader, Brendon Urie, was asked what his next record sounded like. Urie replied, “It’s going to be a little bit different, it’s this mix between Sinatra and Queen, if that makes any sense…Every time we do a new album, for me, it’s always evolving and changing—in the best way.” Death of a Bachelor does have a little bit of everything going for it, including four solid singles that preceded the album release in January of 2016, and the summary of Frank Sinatra meets Queen does sound about right looking back on the record’s 10th anniversary. Urie was already breaking out in a big way as a solo star as more and more band members took steps away from the spotlight, but Death of a Bachelor was technically the first album completely written, recorded, and performed by Urie. Armed with a trio of producers in Jake Sinclair, J.R. Rotem, and Imad Royal, Urie leaned heavily upon his vocal prowess to make for another standout moment in his trajectory as an artist. Brendon Urie’s solo star burns brightest on Death of a Bachelor, and it remains one of the clearest realizations of his vision for Panic! At The Disco’s music.

Read More “Panic! At The Disco – Death of a Bachelor”

Interview: Greywind

Greywind

This past month I was able to schedule a Zoom call with Irish emo band, Greywind, to discuss their upcoming new album called Severed Heart City. The band has a sound similar to the style of My Chemical Romance, Jimmy Eat World, and Paramore, and their quickly catching on with audiences worldwide. I asked the band about timing the vinyl with the digital release, their writing process on some of the key singles released so far, and how they’re staying grounded given the viral success of so many of their music videos. If you’re enjoying the interview, please consider pre-ordering Severed Heart City here.

Read More “Greywind”

Hallie Grace – “WASTE IT” (Song Premiere)

Hallie Grace

Today I’m so excited to bring everyone an exclusive early listen to the new single from the ultra-talented singer songwriter, Hallie Grace, called “WASTE IT.” The song comes from Grace’s forthcoming album, MOTIVATION, that will be self-released on March 20th. I was able to connect with Hallie Grace for a brief interview below. If you’re enjoying the premiere, please consider pre-ordering MOTIVATION here.

Read More “Hallie Grace – “WASTE IT” (Song Premiere)”

Adam Grundy’s Top Albums of 2025

Best of 2025

Another year has come and gone, but the tunes will remain. And what a year it was! 2025 thrilled with key reunions of bands like The Starting Line, Yellowcard, and Motion City Soundtrack, while some solo albums from Hayley Williams, Luke Spiller, and Taylor Acorn all made their way onto top spots in my personal list. In this blog, I’ve hyperlinked to my past work on this site in ’25, and added in some new blurbs if I didn’t get around to writing about the record during the year. I hope everyone had a peaceful and relaxing holiday season, and 2026 seems poised to be just as strong in the music front.

Read More “Adam Grundy’s Top Albums of 2025”

Dwight + Nicole – “Only You” (Song Premiere)

Dwight + Nicole

Today I’m thrilled to bring everyone the new Yaz cover song performed by Dwight + Nicole called “Only You.” The song comes from the band’s forthcoming LP, Day or Night, that will be released on March 20, 2026 via WestWalk Records. Nicole Nelson shared, “I found the process of creating Day or Night to be about looking inward – reflecting my inner and not outer world. It was a deeply healing process creating this music. We always head into recording sessions with a bunch of songs and song ideas in hand. Often, we run out of time before we can finish everything we set out to record. Other times, we have finished recordings that don’t fit with the album we’ve built. Day or Night is the product of whittling down a collection of 163 compositions, demos, and studio recordings.” If you’re enjoying the single, please consider supporting the band here.

Read More “Dwight + Nicole – “Only You” (Song Premiere)”

Jordan Maye ft. Rebecca Soul – “The Puppeteer” (Song Premiere)

Jordan Maye

Today is a great day to share the new single from Jordan Maye that takes classic rock and symphonic elements, and builds on a modern indie singer-songwriter foundation layered with Maye’s powerful vocals. “The Puppeteer” features guest vocals from Rebecca Soul, and showcases a sound similar to Foxy Shazam paired with the classic rock leanings of The Rolling Stones.

If you’re enjoying the new single, please consider streaming Jordan Maye’s music here.

Read More “Jordan Maye ft. Rebecca Soul – “The Puppeteer” (Song Premiere)”