Apolar. – “Stargazer” (Song Premiere)

Apolar

Today I’m pleased to share the single premiere from the Chicago-based, Rock/Post-metal duo named Apolar. called “Stargazer.” The track comes from their third EP, STS-51-I, that is a concept record based around NASA’s Challenger mission in 1986, where the shuttle exploded on its way into orbit. The song reminds me of bands such as Explosions in the Sky and Align In Time, and makes for a great listening experience. If you enjoy what you hear, you can pre-order the new EP on Bandcamp.

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Review: Sarah and the Safe Word – Good Gracious! Bad People.

Sarah and the Safe Word - Good Gracious! Bad People.

Every now and then I come across a band who is able to mix so many of the elements I enjoy about music and present it in a pleasing package. Much like my discovery of My Chemical Romance opening up for The Used back in the year 2002, it’s hard to describe the feeling of when you know that a band has that “it” factor. Enter Sarah and the Safe Word, who have crafted their sophomore record called Good Gracious! Bad People that has a blend of Panic! At the Disco theatrics, My Chemical Romance thematic elements, and the Gothic cabaret of the Nightmare Before Christmas soundtrack. The sextet band from Atlanta, Georgia appear poised to take the next dramatic leap into the limelight as their new record delivers all over the board.

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Review: Fear No Empire – Fear No Empire

Fear No Empire - Fear No Empire

In the midst of a global pandemic and social unrest going on in the United States, Fear No Empire were inspired to form to give another voice to the protests and amplify their message through their music. The band is comprised of vocalist Ali Tabatabaee (Zebrahead), bassist Ben Ozz (Zebrahead), guitarist Dan Palmer (Zebrahead, Death By Stereo), and drummer Mike Cambra (The Adolescents, Death by Stereo and Common War). When I last spoke with Ali about this new project, his passion for providing a call to action for others to fight back was apparent. The topics covered on their self-titled EP are extremely topical and relevant. The COVID-19 pandemic and the lack of action from leadership, kids in cages, and discrimination across the board forced the hand of these musicians to do their part to spread awareness and provide a musical outlet for their politically-charged attack.

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Review: I Don’t Know How But They Found Me – Razzmatazz

I Don't Know How But They Found Me - Razzmatazz

Dallon Weekes and Ryan Seaman were facing some extremely high expectations and unanticipated buzz surrounding their debut LP, Razzmatazz. Under the band moniker, I Don’t Know How But They Found Me (which originates from a Back to the Future quote) the two musicians found some unexpected success early on in their career. Weekes, who once was a touring and contributing member to Panic! At the Disco, found himself at a crossroads of sorts since he had written tons of solo material and needed an outlet to release it under. The band’s first single, “Choke,” from the 1981 Extended Play record skyrocketed the band to the tip of everyone’s tongue and made naysayers take notice of what some were calling “Panic-lite.” The EP debuted at the top of the Billboard Heatseekers chart, and the single peaked at #7 on the iTunes Top 100 Alternative music charts. With the spotlight firmly on the band, Weekes and Seaman crafted a unique set of tracks that would become their debut full-length record. The material is similar to the introductory tracks found on the EP, but the band begins to realize their vision for their sound on Razzmatazz.

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Review: Give Me A Reason – Vice Versa

Give Me A Reason - Vice Versa

The Swiss-based pop-punk band Give Me A Reason have created a solid debut record in Vice Versa. Produced by Blake Roses (Oh, Weatherly), the band comes storming onto the pop-punk scene with vibrant guitars, bouncy vocals, and solid songwriting. The band’s sound is reminiscent of early All Time Low, with a mix of Boys Like Girls and Cartel thrown into the mix. While the band doesn’t stray too far from their influences, the music that comes pouring through the speakers is undeniable ear candy.

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Review: The Struts – Strange Days

The Struts - Strange Days

The circumstances surrounding The Struts third album, Strange Days, were unique, to say the least. The band had just come off the success of two popular records and had established themselves as one of the “must-see” live acts coming up in the music ranks. The Struts, who had not been together since February, all got COVID-19 tests before moving into producer Jon Levine’s home for the ambitious task of recording a new album in just ten days. The result was a collection of ten songs that include a ton of A-list collaborators in Albert Hammond Jr (The Strokes), Robbie Williams, Tom Morello, and Def Leppard’s Joe Elliott & Phil Collen. The material that the band was able to come up with under the pressure of a deadline still lives up to the hype of their earlier material and plays out like a love letter to the glam rock of the ’70s.

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Review: Seaway – Big Vibe

Seaway - Big Vibe

After releasing three albums firmly planted in the pop-punk genre Seaway were ready to try something new with their sound. Their fourth album, Big Vibe, takes a stab at 80’s style pop rock filled with big sing along choruses and crowd pleasing hooks. Released under their longtime label in Pure Noise Records, the record’s timing in the fall season seems a little curious, as the sound that comes through the speakers is fully entrenched with summer vibes. The benefit of releasing shimmering music during the rain-soaked season of autumn is to have some new tunes to brighten up our outlook on life and what comes next. Seaway have created their best record to date on Big Vibe, and the band seems poised to take the next big step in their quest for world domination.

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Review: Kulick – Yelling in a Quiet Neighborhood

Kulick - Yelling in a Quiet Neighborhood

Fresh off the success of his debut EP, Hydroplane that featured a hit single called “Ghost,” Kulick has released his proper full-length record called Yelling in a Quiet Neighborhood. The 28-year old singer songwriter from West Penn, Pennsylvania is poised for some breakout success with this collection of deeply personal songs. In regards to the material translating to the live setting, Kulick mentioned in a recent interview that, “I am ready to tour as soon as it is safe to. I miss my friends and everyone who shares these songs with me. I miss their energy. When we’re able to tour again, look forward to hearing the first record that is truly a Kulick record. I look forward to sharing it with everyone.” It’s easy to share the optimism that he has in respect to his debut album, as he has crafted a unique brand of songs filled with personality.

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Review: Madina Lake – The Beginning of New Endings

Madina Lake - The Beginning of New Endings

It feels great to have Madina Lake back in the fold. With their first taste of new music since 2011, The Beginning of New Endings is an aptly titled EP as the band starts the latest chapter in their discography. Madina Lake came up through the Warped Tour scene in the latter part of the 00’s decade and released three fairly solid LPs along the way. When the group disbanded in September 2013, many people thought we had heard the last from the Chicago-based rock band. The Leone brothers announced their reunion in 2017, added a new drummer in Chris Mason, and re-connected with their longtime guitarist Mateo Camargo to complete their comeback. Madina Lake has come back stronger than ever with an EP that lives up to the legacy of their earlier work.

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The Inevitables – “The Weight of the Worry” (Song Premiere)

The Inevitables

Today I’m pleased to premiere the latest single from The Inevitables called “The Weight of the Worry.” For those unfamiliar with this ska/punk supergroup project, they are featuring current and former members of a bunch of incredible bands including Vinnie Fiorello (Less Than Jake), Obi Fernandez (Westbound Train), Matt Appleton (Reel Big Fish), Billy Kottage (the Interrupters), John DeDomenici (Jeff Rosenstock, Bomb The Music Industry!), Alex Stern and Jon Degen (Big D And The Kids Table) and Sean-Paul Pillsworth (Nightmares For A Week).

If you like what you hear as much as I do, you can pre-save the song here. Also, pre-orders are now live.

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Review: Luna Aura – Three Cheers for the American Beauty

Luna Aura - Three Cheers for the American Beauty

On the latest EP from Luna Aura, she explores the female identity and the relationship to American culture and society. Three Cheers for the American Beauty is a hard-hitting record that leaves you wondering whether it’s time to dance, take notice, or join her army of followers. With the pompous stomp of electronica acts such as NIN, to the riot girl approach of bands such as Hole and Garbage, Luna Aura is starting to emerge as a true artist to watch as the year unfolds. With a voice that is equally sweet as it is powerful, she tackles an array of topics on this record that hits its mark more often than not.

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The Most Successful “Scene” Records Over the Past Three Decades

The commercial appeal of emo and punk records is undeniable. In this article, I dove into the most commercially successful albums of the past three decades in our scene. First, I wanted to provide a couple of quick notes about how I pulled this data. I took a look at the most popular pop-punk and emo albums from a Wikipedia article and cross-referenced it with other bands that I knew would be in the vicinity of receiving a Gold (500,000 albums sold) or Platinum (1 million albums sold) RIAA certification. From there, I used the Wikipedia articles on the individual album pages to see if they mentioned any certifications of Gold or above. I then confirmed those totals on the extremely helpful RIAA website. In some cases, I either rounded up or down on the number of albums sold to make the organizing of this list a little bit easier to follow, and these totals are for US sales only. I have organized this list into the three different decades of the 90’s, 00’s and 10’s, and I found it interesting that the vast number of eligible albums occurred during the 00’s era. I hope that you will find this information as enlightening as I did, and there are plenty of surprises to be found in these lists as well.

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Review: Guardrail – Yikes

Guardrail - Yikes

The Chicago-based band Guardrail has self-described themselves as “Diet Punk” since they are heavily influenced by punk bands, yet their sound doesn’t stray too far into that genre. Lucky for them, genre lines continue to get blurred in today’s scene and it matters very little what category a band gets placed in as long as they continue to write good music. The band is comprised of Kevin Andrew (vocals), Ken Ugel (guitar), Alyssa Laessig (bass, vocals), and Doug Brand (drums) who each bring their own strengths directly back into their sound. Guardrail reminds me of the melodic, guitar-driven rock of bands such as Autopilot Off, The Bouncing Souls, and Fenix TX. Comparisons aside, they have delivered a well-crafted new EP called Yikes that directly examines the pitfalls of growing up.

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Review: Good Charlotte – Good Charlotte

Good Charlotte - Good Charlotte

Flash back to the year 2000, and a group of awkward young 20-ish-year-olds were looking for their own voice in a crowded punk field. What made Good Charlotte so charming was their ability to speak to the misfit youth of America by connecting directly to the underdogs of the world. They made this clear on their first radio single, “Little Things” with the spoken introduction of, “This song is dedicated / To every kid who ever got picked last in gym class / To every kid who never had a date to no school dance.” The band made it clear that they were making this type of music for the outcasts of the world, and they had the musical chops to back up what they wanted to accomplish. It never came across as a “gimmick” or an act, and their authenticity is what led to a lot of their future success.

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Review: AFI – The Art of Drowning

AFI - The Art of Drowning

It’s amazing to think how much things can change in just 20 years time. Bands form and can run their course over that period, whereas some of the best bands can stand the test of time by reinventing themselves over and over again. Enter AFI, who would continue to evolve and release some of the best melodic punk rock of this decade with this record. The Art of Drowning feels just as immediate, punishing, brooding, and essential as it did on its release via Nitro Records in the start of 21st century. Black Sails in the Sunset marked a smaller musical turning point for the band, as they began to explore some darker elements, and featured some new band members in Jade Puget (guitar) and Hunter Burgan (bass). But The Art of Drowning would remain the album that changed this band’s life for the foreseeable future. This core lineup would go on to record some of the more quintessential Gothic punk rock that future bands would try to emulate for years to come.

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