Review: Various Artists – Red Scare Industries: 20 Years of Dreaming and Scheming

Starting a record label isn’t for the faint of heart. So much can go wrong, really fast, if you’re not equipped with the right people around you to make it thrive. Luckily, Red Scare Industries isn’t in this category of failing labels, as they are now celebrating 20 Years of Dreaming and Scheming, the cool new compilation that features key artists like The Menzingers, Laura Jane Grace, Sludgeworth, Heart & Lung, No Trigger, and so many more great bands on this 17-track disc. Red Scare Industries has reliably introduced fans near and far to bands that they feel are worth their time, put on killer live shows, and have the musical chops to make you want to reach for that repeat button. While some various artists compilations are good for a spin or two to discover a new band every now and then, this particular collection of songs feels like a punk rock party that is sure to make you wonder just how Red Scare was able to pull this off.

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Review: Walking Disaster: My Life Through Heaven and Hell – Deryck Whibley

Walking Disaster

Trauma can come in many forms. Whether it’s watching a loved one going through a tough time, or experiencing the difficulties in our own lives, this trauma is never easy to face head on. Deryck Whibley bravely comes forward in sharing his multiple instances of trauma on his gripping new memoir entitled Walking Disaster: My Life Through Heaven and Hell. Whibley is a gifted songwriter, and while most of us know him for his lifelong work in Sum 41, I was surprised to hear just how deeply involved he was as the primary songwriter for the band. He mentions several times in the book instances where he recalls many fans and critics alike crediting Dave “Brownsound” Baksh as the main writer of Sum 41’s material, when that couldn’t be any further from the truth. Whibley remains poised and positive as he weaves an epic tale of the rise of Sum 41, the backstage shenanigans, key relationships he made in his life, all with an overarching narrative of the alleged abuse of his band’s former manager Greig Nori. The memoir is told in chronological order, while Whibley hints at the future tales that led to his highest of highs (Heaven) and the most dramatic of lows (Hell). Much like a Ying and Yang, Whibley needed to experience both polar opposites in order to determine what he values most in his young life that is starting to regain momentum for the next steps in his blossoming career.

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Review: October Man – “Dandelion”

October Man - "Dandelion"

I’d like to introduce everyone to a cool new indie rock band called October Man. The band features Ethan Bodner (guitar), JD Leidersdorff (guitar/vocals), Ian Neill (bass), Anthony Abboud (keys/drums), and Joey Murphy (keys/drums). Most of the band has been playing together for nearly a decade, with Neill being a recent addition. Their latest single, called “Dandelion” is a catchy blast of indie rock that would be perfect for fans of The Strokes, Cold War Kids, and the guitar groove of Franz Ferdinand.

The song opens up with a steady beat courtesy of Anthony Abboud while the dual-guitar attack embraces the groove of the track with a poise not usually seen in a band this young. Vocalist JD Leidersdoff has a great croon throughout the song and he remains as captivating as possible. October Man have created the perfect launch pad to success in the indie rock genre with this song that is sure to be added to many playlists for the foreseeable future.

Review: Hippo Campus – Flood

Over the course of music history there have been several cases of a band not being happy with the material they are creating, and then in turn deciding to scrap that material in favor of a different direction. This exact situation happened to Hippo Campus. The band were sitting in the green room of a sold-out amphitheater show at the start of the Summer of 2023 when they realized their fourth LP simply wasn’t good enough. This realization led to them re-thinking their approach to what would be the sessions for Flood, their latest studio effort that comes pouring through the speakers with the most polished, professional, and ultimately most complete version of the band to date. Hippo Campus had reportedly penned over 100 songs during the five-year span between LP3 and Flood, with only the best material making the cut for the 13-track fourth studio album. What we’re left with is a completely realized vision for the band’s music that shimmers as much as it makes their audience think about what they’ve listened to. Flood is an appropriate title in that it took a complete brainstorm of ideas all at once to see what stuck and the aftermath is a brilliant collection of songs that play off of each other in a cohesive work of art.

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Review: Alice In Chains – Black Gives Way To Blue

Black Gives Way To Blue proved that grunge was still alive and well in 2009. Alice In Chains decided to reboot themselves after the tragic death of original lead singer Layne Staley (in 2002) by beginning to play shows again in 2005 and start crafting what would be the material found on the band’s fourth studio album. Now getting the 15th anniversary vinyl re-press treatment via Craft Recordings, Black Gives Way To Blue gets another fresh makeover as audiences new and old can rediscover what made this band so legendary. The record was the first one to feature co-vocalist/guitarist William DuVall and he does a nice job of complementing the lead vocals from founding member Jerry Cantrell. The set would spawn four singles, with two of them earning Grammy nominations for Best Hard Rock Performance. Picking up the pieces after losing a band member is sadly all-too-common in the music industry, but Alice In Chains were able to honor the legacy of Staley in this vivid collection of songs that still highlight their staying power to this day.

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Review: Sophia Dashing ft. Manda Malina – “Raindrops (On Your Pillow)”

The latest single from Sophia Dashing featuring Manda Malina, called “Raindrops (On Your Pillow),” has that classic 90’s pop sound that is reminiscent of Destiny’s Child paired with TLC. The track was produced by Jason Quinones and co-written between Malina, Dashing and Quinones. The collaboration pulls off as each artist/writer shines on the track that is built for those heartfelt evenings of longing for a better relationship.

Sophia Dashing commands the song throughout her dynamic vocal performance while Manda Malina adds in some great vocal takes of her own. The song reminded me a bit of the style of TLC’s “No Scrubs” and hits its intended target more often than not. The final bars of music highlights the two vocalists trying to outshine each other through some great vocal highs that mesh well together for a crowd-pleasing pop single.

Review: Neon Trees – Sink Your Teeth

Consistency is hard to come by in the music industry. Times change, sounds change, and stylistic choices over time can evolve into something completely different than what was popular a decade ago. The great thing about music, however, is that if you can write good songs you can find sustainable success in the music business, regardless of genre. Neon Trees have been one of the most consistent pop rock bands since they debuted in 2010 with Habits, and found early success in singles like “Animal” and the karaoke favorite of “Everybody Talks.” Having now released their fifth studio album, called Sink Your Teeth, Neon Trees’ sound still feels as refreshing as ever as they return to the music scene. The band released the first taste of the new record back in June of 2023 with lead single “Favorite Daze.” As great as Neon Trees are at writing a catchy chorus, this particular single features some of the best verses of their career to date. The rest of the material that surrounds the track feels like a sonic evolution of the band that continues to showcase their staying power in the pop rock scene.

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Review: Smallpools – Ghost Town Road

There comes a time in all band’s musical trajectory when they realize when things were lacking a bit of the magic they found early on in their career. That feeling of being “locked in” when the band is firing on all creative cylinders can provide the spark they need to carry on. Smallpools found early success with their debut self-titled EP that had a legendary single called “Dreaming” that was as infectious as it was refreshing. “I feel like our debut EP was a definitive body of work…we were dialed in,” vocalist Sean Scanlon muses. “With this project <Ghost Town Road>, we’re dialed back in.” Guitarist Michael Kamerman views it less like a sequel and more like a franchise reboot as he mentioned, “The other music exists and you’re free to revisit it. But we’re back and we mean it.” Ghost Town Road was preceded by an EP <Ghost Town Road (East)> and while the original songs that were released from the EP are still here, and remain strong material, the other tracks that round out the vision that Smallpools were going for define a band completely locked in creatively. The band appear re-energized and poised for the next big leap in their musical career.

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Review: Taylor Acorn – Survival In Motion

Every now and then in our lives we will discover an artist that checks all of the boxes of our music interests. This happened to me this past Friday when I hit play on Survival In Motion, the debut album from Taylor Acorn. The powerhouse vocals, crisp songwriting, and the overall feeling of good vibes coming through the speakers washed over me from the opening notes all the way to the dramatic conclusion of the album. Taylor Acorn shared, “I feel like I’ve been waiting a lifetime to be able to say ‘I’m putting out a debut album’, but in all honesty I’m so glad I waited for as long as I have, I feel like I’ve finally found my sound — I’ve fallen in love with every single song in it’s own right, the writing process was truly something I’ll never forget — and to top it off I got to share the experience with my best friends and some of the most amazing and talented people I know. I’m not sure what will come next, but this chapter is something that I am so unbelievably proud of and I can’t wait to share it with everyone. I hope you love it and I hope you find peace in knowing that no matter what we go through, we are all walking representation of survival in motion and life is a gift no matter how crazy it can be.” Taylor Acorn has a voice that fits somewhere between the emotive vocals of Hayley Williams, the range of Kelly Clarkson, and the punk brashness of Charlotte Sands, while her warm delivery still feels refreshing and new.

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Review: Senses Fail – Let It Enfold You

Senses Fail - Let it Enfold You

I’m sure many of us have a memory or two surrounding Let It Enfold You, the debut full-length record from the emo band Senses Fail. The memories we tie to music releases can get a little hazy over time, much less after 20 years. My best recollection of the release of Let It Enfold You was a combination of confusion, a whole lot of scene hype, and plenty of coverage in Alternative Press magazine. The confusion came in the form of Let It Enfold You being in record label limbo for quite some time, after Geffen Records (whom had absorbed Drive-Thru) lost interest in putting out the album, and Senses Fail deciding to leak the record after the trouble of finding a home for it. Vagrant Records eventually stepped up to the plate, and the hype behind this emo band steamrolled them to selling over 600,000 copies in the U.S. The album was frequently in the “Reader’s List” of top trending albums on Alt Press, while the band still was getting mixed reviews from most outlets unsure of where to best place the music that Senses Fail had created here. Let It Enfold You achieved commercial success, mostly by word of mouth, as Vagrant would only officially release two singles from the set in “Buried A Lie” and “Rum Is For Drinking, Not For Burning.” Senses Fail would cement their status as screamo heavyweights on their subsequent releases and showcase their staying power in the genre.

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Review: Atreyu – The Curse

The sophomore album from metalcore band, Atreyu, took advantage of the momentum the band built on their debut (Suicide Notes and Butterfly Kisses), and saw them adding in more melodic elements to connect with larger audiences. The Curse was produced by veteran producer GGGarth (Red Hot Chili Peppers, Rage Against the Machine) and the set would go on to achieve RIAA Gold status with over 500,000 copies sold in the U.S. With a rockin’ trio of singles released during the promotion cycle that included “Right Side of the Bed,” “Bleeding Mascara,” and “The Crimson,” Atreyu were gaining fans at a speedy rate, and were able to back up the music found on the record effortlessly live. Now celebrating its 20th anniversary with a slew of vinyl re-presses via Craft Recordings, The Curse deserves another moment of reflection.

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Review: Charity Bliss – Joy Algorithm

Music has an otherworldly connection to us all. Whether it’s playing that one song or album that brings comfort to us each time we play it, or a stellar song that comes on the radio at just the right moment in time to boost our mood, it’s no secret why so many of us adore the key artists we’ve learned about over our lives. Charity Bliss has returned with a cool-sounding third album, entitled Joy Algorithm, that has this concept top-of-mind. Brendan Machowski writes music as Charity Bliss, and he described the inspiration behind Joy Algorithm: “On July 6th 2021, I drove home from my day job. For whatever reason, the task of picking music for the commute felt more akin to waiting for a theme park ride waiting to take off. My anxious trigger finger accessed the entirety of my library and pressed the shuffle button. I’m used to this action resulting in me skipping past 10-15 tracks before settling begrudgingly on a universal song…Except this time, around 20 seconds before the end of ‘Song 2’ by Blur, I thought it’d be nice to hear ‘Angel Flying Too Close to the Ground” by Willie Nelson. Sure enough, there was Willie. My phone would go on this telepathic song and dance two more times. This was the catalyst behind Joy Algorithm.” By using a relatable concept of music finding us right when we need it the most, Charity Bliss offers up a fresh take on the importance of sharing music with others.

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Review: Lily Meola – Heartbreak Rodeo

The latest EP from ultra-talented singer/songwriter Lily Meola offers a fresh take on her heartfelt pop songs with more of an Americana and country vibe to them on Heartbreak Rodeo. Leading up to the release of her latest record, Meola showcased her depth as an artist with several key singles like the vulnerable break-up anthem “Without You,” the self-reflection found on “Over the Moon,” and the personal song about her mother who passed away on “Postcards to Heaven.” Heartbreak Rodeo leans heavily into the country genre and still has that unique charm that Meola commands in her warm vocal presence. Lily Meola shared, “Each song I write is like a therapy session for me. Making music is the way I respond to whatever is happening to me, and my goal is to help people feel a little less alone, whether they’re going through a breakup or grieving the loss of someone.” Living through her personal experiences offers Meola a unique perspective on the world, and yet she manages to make each song universally appealing and relatable.

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Review: Oso Oso – Life Till Bones

There’s a comforting feeling in Jade Lilitri’s voice that everything can turn out to be okay. Much like a warm embrace through the speakers, Oso Oso have returned with their latest studio effort titled Life Till Bones. Lilitri opens the band’s fifth album with “Many Ways,” a somber reminder of mortality as he still grapples with the loss of his past guitarist, Tavish Maloney. The opening lyrics of, “I love you, but life is a gun / Do you remember when you used to have fun? / Keep in my mind when you turn to run / There are no ‘directions’, there is only one,” are well-crafted and hit their intended tone as each piano key echoes in the mix. The production on this LP by Billy Mannino is top notch throughout, and he puts the right emphasis on each lyric, guitar chord, and percussion to get the most out of each track. Oso Oso are the kings of lo-fi emo rock and they wear their crowns proudly on Life Till Bones.

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Review: Foster The People – Paradise State Of Mind

The fourth studio album from Foster The People is their first new LP in seven years and finds the band exploring the depths of their sound in a disco-infused collection of songs. Paradise State of Mind features a vibrant cover image that meshes well with the overall aesthetic of the music that comes pouring through the speakers. The set was produced by Chrome Sparks, Paul Epworth, Isom Innis, and band leader Mark Foster. Foster The People also went through a couple of band member changes since this album has released, including the departure of drummer Mark Pontius (who left in 2021) and guitarist Sean Cimino (who departed three months prior to the LP release). With all of these changes going on, it’s truly a wonder of how Foster The People were able to still craft a cohesive record that hits its intended target more often than not.

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