Review: Vincent Fiorello – 6/19

Vincent Fiorello - 6/19

Vincent “Vinnie” Fiorello is a man of many talents. Readers on our site may know him best as the co-founder and a prominent lyricist of Less Than Jake, however, Fiorello has also made a name for himself in the business world by founding the record labels Fueled By Ramen, Sleep It Off Records, and most recently Paper + Plastick. In Fiorello’s second book, 6/19, he comes to terms with what he self-describes as “being lost and being found.” The book is a collection of short stories that read very quickly and have a lyrical bounce to it in this part-memoir, part-brain attack of thoughts poured out affectionately on paper.

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Review: Lady Gaga – Chromatica

Lady Gaga - Chromatica

”This is my dance floor, I fought for” Lady Gaga proclaims on the Chromatica track, “Free Woman.” With this collection of club-ready anthems, it’s hard not to take her statement more seriously than right now. Coming off of a successful acting stint in the A Star is Born film, the interest in her music couldn’t have been any higher. Lady Gaga has answered the call in a big way with one of her more immediate records to date and has taken full advantage of the spotlight. This album was produced by BloodPop (Michael Tucker) and Gaga herself, and the singer’s return to pop music feels as refreshing as ever. The record also features several A-lister collaborations with Ariana Grande, Elton John, and BLACKPINK that further enhance the synth-pop direction Gaga was going for.

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Review: The 1975 – Notes On A Conditional Form

The 1975 - Notes...

Now that we’ve had some time to digest the latest album from The 1975, I thought it was about time that we started the discussion on everything that makes up Notes on a Conditional Form. I’ve seen several posts online about the album being too long, and at 22 tracks, it’s a warranted argument. Some people have even gone as far as cherry-picking individual songs from the album to make their playlist that better fits their tastes and listening preferences. While I am usually against the idea of skipping tracks during the listening experience that the artist intended, I found myself just as guilty as everyone else with navigating around some of the songs that didn’t seem to flow in the full album. Typically when there is an album that invites so much dissecting to enjoy the material, it’s a clear sign of an imperfect record. The 1975 had a lot going for them leading up to this LP, having already released three bona fide classic records before NOACF. This album is arguably their most polarizing to date, and while some may write off this record as a rare miss, the good far outweighs the bad in their latest artistic statement.

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Review: Vinnie Caruana – Live At The Black Heart

The new live album from Vinnie Caruana is a career-spanning set of 15 songs that covers material from his great new solo release Aging Frontman, as well as material from his other projects such as The Movielife and I Am The Avalanche. The album was recorded live in the UK at The Black Heart on December 15th, 2019, and the record is a full sounding listening experience to it, making it seem as if Vinnie is performing these songs just for you. Caruana had a nice remark regarding this album by saying, “It was the last show of a life-affirming tour. We took in many a Christmas market, and we drank around 100 Guinness each. Being able to travel around a foreign country, only to see friends, some of whom I met nearly two decades ago, will never be something I take for granted. Every show was special in its own way, and this one was just the cherry on top. The crowd didn’t know we were recording, and the result is a real and organic experience. I fucked up a few songs, but, as you know, that is par for the course. Long live the UK. Long live the connection we share together. Somebody in New York loves you (it’s me). Please enjoy.” The album is streaming now on Bandcamp for a “Pay What You Want” price that directly benefits the artist, or you can pre-order the vinyl here.

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Review: Off Road Minivan – Swan Dive

Off Road Minivan - Swan Dive

Let me introduce you to Tooth & Nail Records’ latest great find in Red Hook, New York’s own Off Road Minivan. This five-piece band is led by charismatic bassist/vocalist Ryan Tuck O’Leary and features a triple-guitar attack of Melvin Brinson, Dave Trimboli, and Miles Sweeny. Rounding out the band is an underrated drummer in Evan Garcia Renart. On their debut full-length album, Swan Dive, Off Road Minivan described this record as a love letter of sorts to the bands that influenced their sound. “For us, this album touches on the sounds that made us want to play in the first place – an alternative rock landscape from early 00’s emo to grunge influence,” the band shares. “We aren’t here to teach any defining life lesson, just trying to sing about the ones we’ve experienced.” Their debut features flashes of greatness and is reminiscent of bands such as Anberlin, Hawthorne Heights, and Young Guns.

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Review: Loyalty To Me – Clash // Coexist

Loyalty To Me - Clash Coexist

New Jersey emo quintet Loyalty To Me have burst onto the scene with their debut EP Clash // Coexist. With vibes and styles that range from pop punk sensibilities of Cartel to the punchy guitars of New Found Glory, this band has made a catchy collection of songs on their introductory record. Led by charismatic vocalist Wil Jackson, Loyalty To Me created a solid mix of alternative rock, emo and pop punk that is sure to give them a loyal following in the months to come. While not covering too much new ground in the scene, they still hone in on their influences and work with their strengths as artists for a pleasing and breezy set of five songs on this EP.

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Review: Rock Bottom at the Renaissance: A Mixtape Memoir – Mike Henneberger

Rock Bottom at the Renaissance: A Mixtape Memoir by Mike Henneberger

Mike Henneberger just wants you to listen. Whether that entails listening to that voice inside your head that tells you what’s right from wrong, the music blaring through the headphones that connect with you on a deeper level than you could ever begin to describe to someone, or by taking some of his advice so eloquently written in the new memoir he has affectionately titled Rock Bottom at the Renaissance: An Emo Kid’s Journey Through Falling In and Out of Love in and With New York City. We process our journeys through this crazy thing called life in all different shapes and forms, and that’s the beauty of it. No one has the perfect pill or cure for navigating through life, but music seems to be the closest miracle for a lot of us to deal with the shit that comes up daily.

In this “mixtape memoir,” Henneberger carefully crafts his thoughts on living in New York City and how it’s easy to fall somewhere in the void of being in love with the city and loathing it just as often. Henneberger also shares his struggles with mental illness and the music that kept him alive throughout it all. By connecting each of these chapters in his book to a different song in this mixtape, he has created a clever work of art in his own right by making sense of how music can truly save us from the darkest of thoughts. I feel that everyone will be able to take something special out of this memoir by reading how Henneberger describes his emotions in painstaking detail in his quest for understanding what makes him tick. Not to mention, the music he outlines each chapter with is very near and dear to my heart as well, and I’m sure it will hit the right notes with many of us who frequent this site. The playlist can be found on Spotify and Apple Music. Pre-orders are now up, and the book will be available everywhere starting on June 9th.

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Review: Diet Cig – Do You Wonder About Me?

Diet Cig

Coming off of a successful debut album brings a lot of added pressure and attention towards your next effort. Luckily for us, Diet Cig are well up to the task at hand as they pick up right where they left off on Swear I’m Good At This with some more self-described “slop pop” here on Do You Wonder About Me? When I last spoke with guitarist/vocalist Alex Luciano and drummer Noah Bowman in regards to what they had in mind for their next album, their optimism infectiously carried over into the recording process for this record. The dynamic duo of Luciano and Bowman has crafted a satisfying sophomore album that expands upon the ideas introduced on their debut, and they fully realize their potential as artists on this LP.

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Review: The Used – Heartwork

The Used - Heartwork

There were a lot of moving parts that came together to make Heartwork, the eighth full-length studio album from The Used. For starters, the band made the conscious effort to reconnect with their longtime collaborator/producer John Feldman. The Used also welcomed a new guitarist, Joey Bradford, into the fold for this album as a permanent band member. Lastly, the band decided to use some outside collaborations, including Travis Barker, Mark Hoppus, Jason Butler, and Caleb Shomo, to enhance their sound on this album further. All of these efforts paid off as The Used have created one of their strongest and most cohesive albums in years.

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Review: Conversation – Realization / Release

Toronto post-hardcore rockers Conversation are set to release their second EP in the “Honesty EPs” collection called Realization / Release. It’s on this new EP that they continue to expand upon their influences that range from scene heavy-hitters such as the Deftones and Underoath, with the pop sensibilities of Silverstein. The record was produced by Sam Guaiana (Silverstein, Hundred Suns), who brings out the best in the Canadian band. With intricate guitar parts, soaring vocal melodies, and post-hardcore elements thrown into the mix, Conversation has made a dramatic artistic statement on their latest record.

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Review: City Mouth – Coping Machine

I want to introduce you to your next favorite band: City Mouth. Running out of the gate with shimmering synths, infectious harmonies, and melancholy lyrics with a tint of hope, this Chicago-based band is on to something special on their latest LP that they have affectionately titled Coping Machine. Drawing comparisons to the synth-pop sensibilities of Motion City Soundtrack and clever songwriting of The Format, City Mouth has carefully crafted a collection of songs dealing with thematic elements such as preserving one’s mental health and staying true to yourself. The album was mixed by Marc McClusky (Weezer, Motion City Soundtrack), and his dedication to bringing out the best in the band comes shining out of the speakers from the very first listen.

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Review: Papa Roach – Infest

Papa Roach - Infest

“Cut my life into pieces / This is my last resort!” With those loaded words, Papa Roach immediately gained the attention of an army of misguided teens looking for their way in a confusing world. Infest was a massive record for a lot of reasons. In essence, it had a great lead single in “Last Resort,” fantastic marketing, perfect timing in the rap-rock scene, as well as ultra-talented musicians backing up what they wanted to accomplish in their sound. The music landscape in 2000 was littered with tons of rap-rock bands looking for their breakthrough in a crowded, and at times, confusing rock scene. What made Papa Roach stand out from the pack was their ability to grab their audience from the first listen and give them a feeling of belonging to something bigger than themselves. I’m sure many of us can remember the first time we heard the guitar riff of the lead single on the music video that seemed to be airing on MTV more often than not, and how it made us all feel something.

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Review: Incubus – Trust Fall (Side B)

Incubus - Trust Fall

With their first new music released in three years, Incubus has returned with an expansive EP called Trust Fall (Side B). Much like their last release, 8, the music presented on this EP tackle a wide range of emotions and styles. What I have always appreciated about this band is that they never make the same record twice, and they continue to push the boundaries of their expectations on what their music is and can be. This record is no exception to this rule, as Incubus continues to cover new ground on this collection of songs.

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Review: The Strokes – The New Abnormal

The Strokes

When I first listened to the new album from The Strokes, I wasn’t quite sure what to think of it. It had everything that I have come to expect from a Strokes release, but I felt like it was missing some ingredient to it that made it feel complete. These feelings quickly evaporated the more I listened to The New Abnormal as it has become my favorite Strokes album since their incredible debut. This odd transition of uncertainty to favorability speaks a lot to the bands’ character and approach to songwriting. The New Abnormal is The Strokes’ first new album in seven years, their sixth studio album in total, and was expertly crafted under the tutelage of legendary producer Rick Rubin. There is plenty to unpack on this latest release that features plenty more ups than downs.

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Review: The Wildfires Projekt – From Which We Came

On the latest EP from The Wildfires Projekt, the wide range of emotions felt while listening to the record only further showcases the tragic beauty of the world we are all living in right now. This band is comprised of Johnny Zirkel and was co-written/produced by Ronnie Winter (The Red Jumpsuit Apparatus), and the duo of artists work very well together. The record teeters on the edge of post-hardcore in the same vein as Circa Survive and Saosin, with plenty of newer elements thrown into the mix as well. With a wide range of themes such as tackling depression, anxiety, and addiction, The Wildfires Projekt has crafted a well thought out collection of songs worthy of your attention.

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