I’ll always contend that the most exciting part of consuming music is discovering something new – an artist or band or record that just completely enraptures you – like you found the world’s greatest secret and can’t wait to share it with anyone and everyone. That’s Respire – the Toronto sextet that’s turning heavy music on its head. The band’s new record, Black Line, is 41 minutes of pummeling drums, jazzy time signatures, and swelling horns. It’s exhilarating blackened screamo with the ethos of Broken Social Scene – Respire burns down the boundaries of what extreme music can be. Below, the band walks us through their impactful new record track-by-track.Read More “Respire – ‘Black Line’ Track-by-Track Break Down”
Hey remember AbsolutePunk.net? Once upon a time I used to write a lot of reviews. Hard to believe, I know. Jokes aside, Twitter and Jason’s “Re-Ranking The Decades” series dialed up the nostalgic side of me. I wanted to see if I still had some of the reviews I’d written over the past decade or so. Turns out, my iCloud Drive has a lot. Now I won’t be re-publishing every thing I’ve ever written (some of these documents deserve to stay buried in the depths of my hard drive), but I wanted to share the reviews that brought about a ton of lively discussion and debate on the records that defined that site and a lot of our musical interests. Cool? Cool. Now to see if I can bring back scene points….
- Bon Iver – Bon Iver, Bon Iver
- Every Time I Die – Ex Lives
- Frank Ocean – Channel Orange
- Fun. – Some Nights
- Sufjan Stevens – The Age of Adz
- Thursday – No Devolución
- Underoath – Ø (Disambiguation)
It’s crazy to think another mid-year list is in the books – the first six months of 2019 have flown by. Thankfully, there has been plenty of music for us to discuss, debate, love, and share. Once again, the Chorus.fm is an unique list – a diverse one that beautifully shows off the collective, eclectic taste of our staff and contributors. So without further ado here is our favorite twenty albums of 2019 thus far – we’re excited to see what the next six months have to offer.
Note: You can share your own lists in the forums and clicking the artist name and album title will take you to the album’s streaming page featuring quick links for all streaming services.
On the latest edition of Drew’s Untitled Review Roundup (or DURR), I dive into some of the more underrated emo records of the year plus a surprising addition to the metalcore canon from an unlikely group of musicians. As always, thank you for reading. Enjoy Volume 2 of DURR.
A few weeks ago I got burnt out. Good-to-great records have been releasing at such a rapid pace (never a bad thing!) and I wouldn’t be able to write a quote-unquote traditional review for every single one. It overwhelmed me to the point of an incredibly paralyzing writer’s block. Then the idea hit me. It’s not an original one as round-ups have existed since the dawn of blogging, but every week or two weeks I’ll do these roundups where I write 1-2 paragraphs about 3-6 albums that’ve released over the past few weeks. I’ll still do the occasional “longer” form of reviews, but primarily I just want to write something about an album I really enjoy without feeling like I have to write 400-500 words every time. So with that out of the way and a hat tip to Steven, welcome to Drew’s Untitled Review Roundup (or DURR). Thank you.
I think I say this every year but fuck it – the music 2018 has blessed us with in its first six months has been extraordinary. With all the insane shit happening around us and to us in this day and age, it feels like music is the only sane thing we have. So below we have our top 20 favorite releases of the year thus far. If you can’t find something to love on this list then you just aren’t trying hard enough – this is an eclectic list that encompasses multiple genres and styles. I can’t wait to see what the next six months brings to our ears.
Note: You can share your own list in our music forum.
I’ve been listening to Jimmy Eat World for over half my lifetime. Crazy enough, the last (and only) time I attended a Jimmy Eat World show was in 2005 when they were opening for Green Day on the American Idiot tour. That’s pretty sad! Fortunately, I made some sort of amends this past Thursday when the Arizona quartet made their way through Indianapolis. Headlining one of those radio station holiday shows, the band played a 20+ song set that included a well balanced mixture of hits, deep cuts, fan favorites, and new songs.
To say that Taking Back Sunday is a polarizing band is an understatement. For nearly 15 years now the Long Island-based band have gone through it all – inter-band drama, outer-band drama, more member changes than they’d like to admit, and the transition from emo darlings to bonafide rock stars. And while not every fan has always enjoyed every change the band has gone through musically and professionally, Taking Back Sunday has always stuck to their vision. And the same can be said about the band’s latest song, “Tidal Wave,” the first single from the band’s upcoming seventh LP of the same name.
I’m lucky. I’ve never lost anyone close to me during my adult life. My grandfather died when I was very young and my six-year-old brain really didn’t understand what was going on. I’ve never gone through what Jeremy Bolm has. The Touché Amoré frontman lost his mother to cancer in the fall of 2014 and much, if not all of his band’s upcoming new album, Stage Four, revolves around processing her death and remembering their life together. The album’s first single, “Palm Dreams,” is a soaring piece of post-hardcore that showcases the continual growth of the band’s songwriting while Bolm attempts to learn even more about his mother even after her passing. In the song premiere’s accompanying article, Bolm tells NPR that “’Palm Dreams’ was written around the realization that I never had a full understanding why my mother moved from Nebraska to California in the ‘70s.”
Another year, another 100 bands hand-picked by the AbsolutePunk staff for you to check out. Seeking out and discovering new music is one of my favorite things to do – not only as a writer but also as a passionate fan of the art form. Last year we introduced to you some bands that are tearing up 2013 thus far (Pity Sex, Chelsea Wolfe, and Pentimento for example) and we are poised to do the same in 2013. It’s kind of like having a jumbo book of Where’s Waldo?, only in this case our list is the book and Waldo is your new favorite band. We don’t buy into buzz, hype, or whatever – this is a list of one hundred musical acts that we as a staff truly love and support. Enjoy this year’s list (revealed in four parts over four weeks) and let us know which ones are your new favorites.Read More “The Absolute 100 (2013)”