About halfway through “Note To Self,” the third track off Modern Baseball’s new album Holy Ghost, Jacob Ewald earnestly proclaims: “There will be no more fucking around today.” On this particular song it’s mostly about Ewald taking control of his life, but that line can be applied to the Philly quartet’s evolution as well. The band’s first two releases (Sports and You’re Gonna Miss It All) catapulted the band from humble beginnings into playing shows with punk stalwarts like The Wonder Years, The Menzingers, and Say Anything. This rise set them up as the premier band on Run For Cover’s roster. But there was also plenty of fucking around on those albums while they blurred the lines between pop-punk and emo. On Holy Ghost, there are no more assholes with iPhones or songs about Chloe’s Twitter handle. Rather, Modern Baseball’s third LP works as a split release – Ewald writing and leading the first six tracks while Brendan Lukens undertaking the last five. On the surface this may seem like a recipe for an uneven listening experience; however, Holy Ghost rolls through its eleven tracks beautifully while touching on topics like finding love, battling depression, fighting addiction, and coping with mental illness.
Wrong will be releasing their massive self-titled debut album on April 29th through Relapse Records. Luckily, you don’t have to wait until then to stream all eleven aggressive, noisy tracks — you can stream the album right now below. Featuring former members of Kylesa and Torche, Wrong will crush you with their Helmet/Unsane heavy riffage. Check them out on their current tour with Nothing and Culture Abuse.
Half Hearted Hero will be releasing their (very good) new LP, Isn’t Real, on May 27th via Animal Style Records. Today we are premiering one of my favorite songs from the album: “Same Old Same.” It contains an upbeat vibe that’ll make you want to roll down the windows and sing along while maintaining the edge that gets the band compared to peers like Polar Bear Club and Motion City Soundtrack.
It’s been well-documented how tumultuous the nearly 30 year career of Sacramento rock band Deftones has been. From the tragic loss of original bassist Chi Cheng, to the in-fighting, to the passive approach the band took to recording their mid-2000’s records – it’s somewhat remarkable that Deftones didn’t break up years ago. Instead, the band has unleashed Gore, their most fascinating release since 2001’s breakthrough White Pony.
I know that the “six degrees of separation” is commonly linked to actor Kevin Bacon, but I think it’s time we made an exception to the theory and include Evan Weiss. Whether it’s through the seemingly hundreds of side projects he’s a part of (most recently Pet Symmetry and Their/They’re/There) or the handful of records he’s produced (ranging from bands like You Blew It! to Xerxes), it’s no wonder someone who’s definitely not me nicknamed the Into It. Over It. mastermind “the emo mayor” (consider this review my official apology for that, Evan). But a funny thing happened during the writing and recording sessions for his third album – turns out Standards isn’t an emo record after all.