When a Once Great Band Gets a Forever Pass

Arcade Fire

Chris DeVille, writing at Stereogum, talks about how since Arcade Fire released great music in the past, they have become too big to fail:

The mighty would have fallen by now, but their reputation is propping them up. That’s how it goes when your rock band becomes too big to fail. You grab enough people by the heart when they’re young and impressionable, you get to be a big deal forever, whether your moment of excellence lasted well over a decade (like U2 or the Rolling Stones) or just for an album or two (like Weezer and the Strokes). Call it brand loyalty, wishful thinking, whatever. It’s a fact of the music business. Creative death can’t kill the world’s biggest rock bands — only actual death, and sometimes not even that.

I’ve only heard a couple songs on the new Arcade Fire album, so I can’t comment on that directly, but I do think this is an interesting phenomenon in general. When an artist’s prior work creates an unstoppable gravitational force of fandom.

Blue Apron Files for IPO

Food

Matthew Lynley, writing for TechCrunch, details Blue Apron’s plan to go public:

The company is showing a rather incredible amount of growth. Blue Apron said it generated nearly $800 million in revenue in 2016, up from $341 million in 2015. For the first quarter this year, Blue Apron said it generated $245 million in revenue, up from $172 million in the first quarter last year. Despite all this, Blue Apron said it lost $55 million in 2016, though it said it lost $52 million in the first quarter this year.

A better way to IPO.

Thom Yorke Breaks Silence on Israel Controversy

Thom Yorke

Thom Yorke of Radiohead talked with Rolling Stone about the Israel controversy earlier this year:

I’ll be totally honest with you: this has been extremely upsetting. There’s an awful lot of people who don’t agree with the BDS movement, including us. I don’t agree with the cultural ban at all, along with J.K. Rowling, Noam Chomsky and a long list of others.

There are people I admire [who have been critical of the concert] like [English film director] Ken Loach, who I would never dream of telling where to work or what to do or think. The kind of dialogue that they want to engage in is one that’s black or white. I have a problem with that. It’s deeply distressing that they choose to, rather than engage with us personally, throw shit at us in public. It’s deeply disrespectful to assume that we’re either being misinformed or that we’re so retarded we can’t make these decisions ourselves. I thought it was patronizing in the extreme. It’s offensive and I just can’t understand why going to play a rock show or going to lecture at a university [is a problem to them].