Before The Blackout, Allister’s third full-length album, refers to the many drinking binges lead man Tim Rogner went through before completing this album. It’s been three years since the Drive-Thru Record veterans released Last Stop Suburbia, and, after lineup changes, frustrations, and painful breakups, they are ready to give us a new offering of their pop-punk. Rogner, along with guitarist Kyle Lewis, bassist Scott Murphy, and drummer Mike Leveranz, wanted to add a more rock and roll style to this batch of songs this time around. What we get is a solid album that incorporates sing-along choruses, fist-pumping riffs, and persevering vocals.
Read More “Allister – Before the Blackout”Review: Nightmare of You – Nightmare of You
What do At The Drive-In, Taking Back Sunday, and The Movielife all have in common? Other than releasing genre-defying albums, they’ve also have broken up and each have produced two new bands. At The Drive-In gave us The Mars Volta and Sparta, Taking Back Sunday gave us a new TBS and the John Nolan-led Straylight Run, and the Movielife spawned I Am The Avalanche and Nightmare Of You. While TBS and Sparta have tried to recreate their older sound, TMV and SLR have drifted away from their previous band’s sound and have gave us something more original and fresh. When The Movielife broke up, Vinnie Caruana formed I Am The Avalanche and guitarist Brandon Reilly formed Nightmare Of You. While IATA began where The Movielife left off, Nightmare Of You follows in the vein of Straylight Run; a mellow indie band that features more accomplished and mature songwriting than before. Reilly is the lyricist, vocalist, and guitarist for NOY, while the rest of the band is rounded out by guitarist Joe McCaffrey, bassist Ryan Heil (although he joined NOY after the album was recorded, Lader played bass on most of the album) and drummer Sammy Siegler. Produced by Jason Lader, Nightmare Of You offers 11 dark pop songs that burst with memorable melodies, sarcastic lyrics, and great emotion.
Read More “Nightmare of You – Nightmare of You”Review: Chiodos – All’s Well That Ends Well
To be honest, when I got “All’s Well That Ends Well” in the mail, I didn’t know what to expect. First known as the Chiodos Bros., they had a variety of styles show up in their earlier work, but with their Equal Vision debut, they tried to categorize their sound a bit more with duel-guitar riffs and better lyrics. While there is still a melting pot of styles on this release, it’s more defined. Chiodos is a sextet featuring vocalist Craig Owens, Radley Bell on keyboards and backing vocals, guitarists Pat McManaman and Jason Hale, and Matt Goddard on bass. Chiodos has a nice-sized fan base and has toured with the likes of Coheed and Cambria and Yellowcard. With musical influences from Saves The Day to Queen to At The Drive-In, Chiodos covers a lot of genres in their music. Filled with electronic beats, piano, metal riffs, screaming, and vocals that rival Anthony Green, this is one fun album. At times melodic and at times in your face, this is one album that will definitely intrigue you.
Read More “Chiodos – All’s Well That Ends Well”Interview: Hawthorne Heights
This interview was conducted with Matt, Eron, and JT of Hawthorne Heights on November 18th, 2005 in Atlanta, GA at the band’s show at the Masquerade with Aiden, Bayside, and Silverstein.
Also, please make sure you go to the show and give your support to Anthony and Jack of Bayside. I know they appreciate every fan that comes up to them and gives them a hug; it really does mean a lot.
Read More “Hawthorne Heights”Interview: Ryan Ross of Panic! at the Disco
How exactly did the band come about and what made you want to start one in the first place?
Well I have known Spencer, our drummer for most of my life, and I met Brent in high school, he transferred schools in his junior year, and met Brendon in their senior year. We had him come to a band practice to try out for guitar, I actually started out as the singer, and in one of those early practices we had him sing for some reason and found out he had a much better voice than I did.
Read More “Ryan Ross of Panic! at the Disco”JamisonParker Are No More
JamisonParker has officially disbanded:
Read More “JamisonParker Are No More”over and done with….
the band is officially broken up. i apologize for not posting this sooner but in all honesty this is the first chance that i’ve had. as far as reasoning goes, i felt that it was time to move on. there will be new music, new bands, and more touring in the near future… just not together and not as jamisonparker. i want to thank everyone who bought the album, stole the album, wore the shirts, came to shows, sent us emails, spread the word, and just allowed the music to become a part of your life. i can’t put into words how much i appreciate every day that you all helped this band stay alive. i can only hope to have that same support in the future.thanks again…. see you soon….
Review: Thrice – Vheissu
Have you ever finished watching a particularly moving film or completed a strikingly emotional book, only to sit in your plush-leather seat — dumbfounded? There is that split second of realization that nothing you ever accomplish in your life will come close to the intellectual and emotional genius you just experienced. I have had such a feeling on only a few rare occasions; however, after each listen of Thrice’s Vheissu, this numbness pummels the skin around my chest.
It is perfect.
Interview: Mike Green
Thanks to Mike Green for taking the time out of his day(s) to answer these questions for me. I highly suggest reading all of the text below because it’s extremely informing, especially to those who are interested in pursuing careers in the music business.
How long did it take you to build up your name to the point where you were able to make production your full time job? In other words, when did you realize, “This is my career and this is what I will be doing to pay my bills and survive”?
I always loved recording and have played guitar for 13 years, but never really had any formal training. My formal education was in Electrical Engineering and Computer Science at UC Berkeley (Go Bears!) class of 2002. I was designing computer chips for a living when I went to a show and saw a then-unsigned band called The Matches play. I loved the band the first time I saw them and told them that I would record them for $100.00. So we ended up working together for nine months for $100.00!! And those sessions are the ones that are on the Epitaph release of their album!
I was very fortunate that The Matches album on which I worked received a lot of recognition. I’m also very appreciative of The Matches because they also took me to a lot of their A&R meetings where I made some of my best contacts. I had so much fun working on the Matches record that I decided to tell my dork boss to “shove it” and I decided to be a producer/engineer/songwriter full-time. It’s like this: if you have no wife, no kids, no mortgage, and no responsibilities, why not do something you love for the rest of your life?
In response to “how long did it take to make a name”, my first real album came out mid 2004 (The Matches), but I’m too shy to say whether or not I’ve “made a name” for myself, so once I’ve made a good enough name you’ll do the math.
Read More “Mike Green”Review: Cartel – Chroma
Ever since this debut full-length was first played in my car stereo on the drive home from The Militia Group’s home office, I’ve had one goal in mind: review this before Rohan does.
Okay, I’m only half kidding.
I’m reviewing this CD for one reason: I believe in this band. I think my faith in Cartel is evidenced through my desire, and utmost excitement, to ‘leak’ the band’s album on this very website. I’d never do such a huge promotion with a band I wasn’t 100% behind. There’s a variety of aspects to the band’s music that touch me in a way few bands are able. I hope to convey these feelings as best I can through the following words; however, there are things that you will only discover through sitting down for a good hour with this album, alone, in your room, and with the volume turned up very loudly. My conviction and sharp pose on this band are apparent from any visitor’s every day visit to this website, and this is exactly the review you expected me to write.
Interview: Kaylan Cloyd of Acceptance
So Phantoms came out a few months ago.
About five months ago. Well, April 26th.
Ok, yeah, that’s five months. So how has life been since then? How has life changed?
How has it changed? I don’t know necessarily that it’s changed. For us, I think, we’ve all been anticipating finally having a full length record out and having it, since we had the EP out and we toured on it for so long. That was like a collection of songs, I mean, some of those were really, really old songs, even at that time we recorded them. For us, the change is just being able to get out there and play stuff that we feel, that we wrote together as a band. With that record, everybody in the band now was there when we made it. Our other songs before, people came into the band after the fact and stuff. We’re just excited that we get to play something that we created. As far as life, I’m not sure how much life has changed. We’re still living in the RV, living in here and on tour all the time. It’s kind of similar, we just get to play different songs now.
Read More “Kaylan Cloyd of Acceptance”Interview: Andrew McMahon of Jack’s Mannequin
So, you are in a few bands (Something Corporate/Jack’s Mannequin). How did you first start getting involved in music?
Since I was little I was always fascinated by music. Whether I could play or not, I would grab every musical instrument I could get my hands on. Eventually around the age of nine on the heels of my uncle passing away, I found myself at the family piano, writing my first song. From there I never stopped and spend most of my time thinking about music and those rare perfect songs.
Read More “Andrew McMahon of Jack’s Mannequin”Interview: Daryl Palumbo of Glassjaw
First of all, everyone of course wants to know, how are you doing with your illness?
I mean, I feel pretty good. I feel pretty good today but I definitely have some days where I don’t feel that good. I mean, I feel pretty good and I’m trying to keep my head in a good spot and eat healthy, you know. I just can’t let anything stop me.
Read More “Daryl Palumbo of Glassjaw”Interview: Acceptance
Is there any significance behind the name Acceptance?
We are suppose to have a better story. But we actually played our first show without a name. And then someone just said acceptance and it stuck. We tried to change it but its hard to get all of us to agree on one thing, so we decided it wasn’t a big deal even though there was a lot of cliché band names coming out.
Read More “Acceptance”Interview: Amber Pacific
For all the people reading this interview, can you first introduce yourself and tell us what you do in Amber Pacific.
Justin Westcott and I am a guitarist in Amber Pacific.
Greg: I’m Greg and I play bass and do a bit of writing.
Will: I’m Will.
Read More “Amber Pacific”Review: The Starting Line – Based on a True Story
Okay, so let’s start with what we know:
- I’m a huge pop-punk kid. It’s the musical style I started listening to back in the day with MxPx and Blink-182. As much as musical purists will complain and moan, it’s the truth, and it’s my roots.
- I have been a pretty big fan of The Starting Line from their We the People Sessions back a few years now; however, everyone knows I was let down by their first full-length (Say It Like You Mean It) because I loathed some of the production by Mark Trombino.
I know, I know, so many people disagree with me on that one – but this is my vindication. The Starting Line return May 10th with their new full-length, Based on a True Story, produced by Tim O’Heir – and after hearing this album, it makes me bitter to think how the band’s last album may have sounded without Trombino on the dials. Yet, it makes me incredibly happy to finally have a CD that maximizes everything I’ve wanted this band to be for the past 4 years.
Read More “The Starting Line – Based on a True Story”