Review: R.E.M. – Chronic Town

Coming up in the early part of next week is the 40th anniversary of the debut EP from R.E.M. called Chronic Town. The band is celebrating this momentous occasion/birthday with a re-issued CD, cassette, and vinyl picture disc that is releasing today. Featuring pop gems like The Smiths-esque “Gardening At Night,” to The Cure-sounding “Stumble,” and “1,000,000,” the five-track EP solidified R.E.M. as a name to watch in the early part of the 80’s. As lead vocalist Michael Stipe puts it on the detailed liner notes in the package, “We started like a lowly caterpillar, a pupa stage, then a chrysalis, into something resembling a pop band.” It’s a fairly accurate depiction of the sound that comes shining through the speakers on this endearing debut EP. You can definitely hear traces of where the band would take their sound on their debut LP Murmur that began to make R.E.M. a recognizable name.

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Cooper Kenward – Cooper Kenward (Album Stream)

Cooper Kenward

Today I’m excited to share the latest full-length record from Cooper Kenward. It showcases the singer-songwriter’s quick development in this medium of art. Kenward shared, “This album is me noodling with my anxieties and exploring the weirder corners of my brain and heart.” If you’re enjoying the vibes being put through the speakers, please consider purchasing the self-titled record here.

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‘PussyCake’ – Exclusive Clip/Music Performance

Pussycake

Imagine if Evil Dead 2 and Josie and the Pussycats merged into one single movie. You’d likely be left with something that resembles this Pablo Parés directed horror film called PussyCake. In this exclusive clip, a struggling all-girl rock band kicks off a new tour, hoping to rekindle their popularity. Things are off to a bad start, however, when they show up to their first gig to find the town deserted. After they catch the attention of horrors from beyond our reality, the band realizes that being forgotten by their fans is the least of their problems. Maca Suárez (The Accused), Anahi Politi (Crystal Eyes), and Flor Moreno (The Talking Guts) star alongside newcomers Aldana Ruberto and Sofia Rossi. If you’re interested in learning more about the film, be sure to check out their website here.

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Liner Notes (August 20th, 2022)

Beach

This week’s newsletter has first impressions of the upcoming Death Cab for Cutie album, a realization I’ve been tying my shoelaces the “wrong” way, and some other thoughts on music and entertainment I consumed over the past week. There’s also a playlist of ten songs I enjoyed, and this week’s supporter Q&A post can be found here.

If you’d like this newsletter delivered to your inbox each week (it’s free and available to everyone), you can sign up here.

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Review: Blindside – Silence

Usually you can point to certain moments in time when your taste in music changes to broader categories. For me, it came in the form of Blindside and their aggressive, yet melodic, third studio album Silence produced by veteran hit-maker Howard Benson (Hoobastank, Papa Roach). For quite a long time in high school, and even parts of the beginning of college, I was stuck in an Alt Rock and pop-punk phase that was tough to break free from for other genres of music. Enter Blindside and their hard-nosed guitar approach, semi-screamed vocals paired with melodic breakdowns, and my music world was turned upside down. Going down the rabbit hole of post-hardcore music led to my discovery of bands like Underoath and Thursday, and prepared me to be more open to different stylistic choices in our scene’s wide umbrella of artists that would appear on a Warped Tour lineup.

Silence is anything but a silent-sounding record. It’s aggressive, pulsating, and the tones of the guitars, bass, drums, and searing vocals made for a dynamic and sonically interesting band in Blindside. Whereas their previous effort A Thought Crushed My Mind left little room for melodic breakdowns, Silence had just the right combination of punishing guitars and screamed vocals mixed with a more radio-ready sound. The record would end up peaking at #83 on the Billboard 200.

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