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Record Store Day Countdown: Paramore – ‘Re: This Is Why/Burning Down the House’

CD, Record Store
Adam Grundy

The countdown to the annual Record Store Day observance continues today by taking a look at Paramore and their three vinyl releases. Paramore will be releasing their remix album, Re: This Is Why on red vinyl, as well as the comprehensive reissue of This Is Why plus Re: This Is Why on red/tan vinyl. This year’s Record Store Day Ambassadors are also releasing a 12″ vinyl single of their cover of a Talking Heads classic “Burning Down the House” with David Byrne contributing a cover of Paramore’s “Hard Times” from After Laughter on the A-side.

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Review: Motel Breakfast – I Promise I’m Having Fun

Adam Grundy

The sophomore album from Chicago’s Motel Breakfast, called I Promise I’m Having Fun was produced by R. Andrew Humphrey (Twin Peaks) and captures an indie rock spirit in the same vein of bands like Cold War Kids, Dr. Dog and The Menzingers. These emo-tinged songs were written by all five band members, and showcase a band starting to come into their own identity. Motel Breakfast is Conor Brennan, Drue deVente, Jimmy Drenovsky, Mick O’Donnell, and Jesse Nasadowski, and their band chemistry pays off on I Promise I’m Having Fun.

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Record Store Day Countdown: Dead By Sunrise – Out Of Ashes

CD, Record Store
Adam Grundy

The countdown to Record Store Day continues today with a look at Dead By Sunrise and their only LP, Out of Ashes, that will be released on “black ice” vinyl for the first time in North America. For those unfamiliar with the band, they were fronted by Linkin Park’s Chester Bennington and included Ryan Shuck and Amir Derakh from Orgy. This album was officially released on September 30th, 2009 and was produced by veteran hit-maker Howard Benson. This “RSD First” release is limited to just 7,500 copies and comes courtesy of Warner Records.

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Record Store Day Countdown: Filter – The Very Best Things (1995-2008)

CD, Record Store
Adam Grundy

Today we are launching the first day of a Record Store Day countdown to the annual vinyl celebration of indie record stores, that occurs this year on April 20, 2024. Each day you can look forward to a different vinyl release that I will dive into with exclusive pictures, reviews of the packaging and material, as well as a brief write-up of what to expect on the recording. Kicking things off is Filter with their Craft Recordings compilation known as The Very Best Things (1994-2008).

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Review: Katie Pruitt – Mantras

Katie Pruitt - Mantras
Craig Manning

What do you do when all the things you thought you could count on betray you? Your religion, your family, your significant other, your society, your own mind? On Mantras, Katie Pruitt finds herself grappling with precisely that question. It’s an album about trying to find a new way to exist and thrive – or maybe just cope – in a world that repeatedly insists on ripping the rug out from under you. It is provocative and relevant and unflinching and so very human. And it is the first genuine masterpiece of 2024.

Pruitt arrived on the scene four years ago with her debut album Expectations, a sublime disc about self-discovery, coming-of-age, and reckoning with a world that is a whole lot darker and crueler than you thought it would be when you were young. Pruitt, who is openly gay and making music adjacent to the infamously conservative and old-fashioned country music industry, wrote candidly on that album about her sexuality and how she’d navigated years of fear, guilt, and yearning for acceptance. Expectations ultimately seemed to sketch out a happy ending to that turmoil: Of the last three songs, one was about her parents accepting her for who she was and the other two were earnest love songs for the woman she was sharing her life with.

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Interview: Anthony Raneri of Bayside

Bayside
Adam Grundy

Recently I was able to catch up with Anthony Raneri of Bayside to discuss everything that went into their new album, There Are Worse Things Than Being Alive, that just dropped today. The latest record, Bayside’s ninth in total, is a great mix of all the elements that made the band rise to fame in the genre, and as Anthony puts it in the interview, “It sounds like Bayside, but better.” Bayside are currently on tour in support of the new album, and tour dates are below.

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Review: Sum 41 – Heaven :x: Hell

Sum 41 - Heaven :x: Hell
Adam Grundy

There’s something to be said about going out on your own terms. Over time there have been plenty of athletes, actors, artists, and bands who have hung on too long to try and recapture that early spirit found in their careers, with mixed results. Sum 41 announced that Heaven :x: Hell, their eighth studio album, would be their final record in their career, and what a hell of a way to “call your own shot” by leaving behind a bulletproof discography. This double album plays out like a greatest hits compilation in the way that they touch on various stages of their career. The early songs, found on the Heaven side, lean closer to their pop-punk roots, while the back half (Hell) relies on heavy riffing and metal-tinged elements. By delivering what I consider to be their finest and most complete work of art to date, Sum 41 can look fondly back upon their legacy.

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Review: Barely Civil – I’d Say I’m Not Fine

Adam Grundy

The third studio album from Barely Civil, called I’d Say I’m Not Fine, takes a dramatic leap in their artistic growth and highlights the young band’s ability to fully realize their vision for their music. When I last caught up with the band to discuss the new record, they explained that the title of the record, and the song titles themselves, complete the statement of “I’d say I’m…” This creative approach to each of the tracks connects the LP in a way that is sure to keep longtime fans of the band engaged, and for new fans to discover one of the best albums to be released this year. I’d Say I’m Not Fine is a gripping listening experience, it takes listeners on a thrilling ride, and still leaves plenty of room for people to make their own interpretations on these songs. While Barely Civil did an outstanding job of paying homage to the artists they were influenced by on their sophomore record, I’ll Figure This Out, this album blows away all expectations from this talented band and cements them as one of the marquee acts in the emo scene.

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Review: Zaq Baker – “Treadmill”

Zaq Baker - "Treadmill"
Adam Grundy

The latest single from pop singer Zaq Baker, called “Treadmill,” is a stripped down pop song that features the artist Corzine and is a piano-laced ballad in the style of artists like Ben Folds, Billie Eilish, and Clairo. Baker’s harmonies with Corzine are well-constructed and shimmer off the speakers with ease. Zaq Baker shared, “In just one madcap year, my catalogue has enjoyed many wardrobe changes — piano rock, pop-punk, synthpop, musical theatre, a piano-and-strings album, even a McCartney send-up — made possible by dozens of incredible collaborators. “Treadmill” reflects the fact that now it’s time for something new. Hayley [Corzine] makes all the words sparkle.’” The single brings in some other instruments, like the cello and some programmed drums, to provide a landscape for the introspective lyrics. While a treadmill may not take us anywhere, Zaq Baker is well on his way to making his mark in the crowded music scene.

Review: Tokyo Police Club – Forcefield

Tokyo Police Club - Forcefield
Adam Grundy

Have you ever felt like an album compelled you to buy it? That strange, out of body experience that lures you towards the record in hopes that you’ll take a chance on listening to it? Funny enough, that seemed to happen to me in the case of Tokyo Police Club and their third studio album, Forcefield. I was browsing the record bins at my local shop when I saw behind the counter a white-covered LP that simply said “Tokyo Police Club – Forcefield” in a faded-stylized stamp. Having heard of the band through my friend at work, there was something in the world that told me I needed to have that record. What I wasn’t expecting when I first let the needle hit the vinyl was for Tokyo Police Club to quickly become one of my favorite bands in the world. Forcefield takes your breath away, from the early opus of “Argentina” to the cautious closing of “Feel The Effect,” the 9-song LP hits all the intended targets and still left room for future growth on subsequent releases. I would later backtrack through the band’s catalog of their debut EP, A Lesson In Crime, their first full-length of Elephant Shell, and the brilliance found on their breakthrough record, Champ. Forcefield still holds its own to this day, albeit ten years down the road from its release, and I’m just as drawn in to its magic.

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Review: Bleachers – Bleachers

Bleachers - Bleachers
Adam Grundy

The atmospheric rise of Jack Antonoff continues on the latest full-length record by Bleachers. The same man that kicked his career off with Steel Train, showcased his songwriting prowess with fun., re-established himself as a solo artist with Bleachers, and along the way became a Grammy winning producer, Antonoff is certainly no stranger to the bright lights. The pressure seemed to be on this ultra-talented artist on Bleachers (his first album on Dirty Hit), and yet Antonoff delivers in more ways than one in his most fully realized record to date. With a sound that feels like a modern take on Bruce Springsteen, paired with the atmospheric elements found in the brooding synths of The 1975 and The Midnight, Bleachers does the near-impossible task of paying homage to where he came from while simultaneously moving the needle forward in his artistic growth. Jack Antonoff is a man of many talents, and they are all on full display on the fourth studio album from Bleachers.

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Review: Luke Middleton – nothing ever after

Luke Middleton - nothing ever after
Adam Grundy

The debut EP from Luke Middleton, a rising Alternative singer-songwriter, tackles heavy themes such as depression and mental health, while still navigating towards the light. nothing ever after was produced by Nathan Darmody (Allstar Weekend), and rocks along with great pacing and memorable moments. This EP, in particular, draws from Middleton’s time as an infantryman in the US Army and tackles some pretty heavy topics ranging from the process of him readjusting to life post-service, the emotional trauma and mental health challenges that he’s faced and has been working to overcome. With a sound that ranges somewhere between the brooding rock of Stabbing Westward paired with the vocals of Post Malone, Luke Middleton’s future looks incredibly bright.

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Review: Laura Jane Grace – Hole In My Head

Laura Jane Grace - Hole In My Head
Adam Grundy

Against Me! frontwoman Laura Jane Grace has never been afraid to push the envelope in her music and artistic growth. Hole In My Head gets its title from Grace taking it upon herself to tattoo the last remaining part of her body she had yet to ink up, and that was her head. The artwork showcases an explosion of colors and images from Grace’s scalp, and it’s fitting, since she paints with wide and vivid colors on her latest LP. The topics found on Hole In My Head range from her mental health, to the early days of her music career, all the way to coming to terms with her gender identity. Grace’s ability to tell vivid stories over an acoustic (or electric) guitar, and remain captivating, is a remarkable talent not to be taken lightly in a songwriter. It’s a gift that keeps on giving to her fans both old and new, and Hole In My Head ends up being Grace’s finest work since the instant classic of Transgender Dysphoria Blues.

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Review: Amigo The Devil – Yours Until The War Is Over

Amigo The Devil - Yours Until The War Is Over
Adam Grundy

The latest album by Danny Kiranos (aka Amigo The Devil) called Yours Until The War Is Over is a great exploration of what it means to live through the hardest of times. While Amigo The Devil is known for its “murderous folk rock,” given the violent nature of the lyrical material, what shouldn’t be lost in the message is the powerful songwriting being brought forth. This album tackles a tragic fight between good and evil and all of the casualties that can get in the way of the bloodshed of war. Kiranos is a top-notch storyteller, and each song plays out like a chapter in a book meant for a bigger purpose than itself. These tracks are sequenced together majestically, purposefully, and sound like a mix between the epic storytelling of Coheed & Cambria, paired with the obscure folk rock of Modest Mouse, and set on blend with the lyrical wit of The Decemberists. Amigo The Devil is showcasing his brilliance in more ways than one on Yours Until The War Is Over.

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