After recently celebrating the anniversary of their debut album, With Love & Squalor, with a comprehensive and successful tour of the states before the pandemic hit, We Are Scientists have returned with their seventh studio album. Huffy sounds like a band refreshed, re-focused, and re-energized for the future that lays in front of them. Filled with lush pop hooks and brilliant harmonies, We Are Scientists are doing their best to use this momentum to continue to stick around in the limelight. If this band can capitalize on this great-sounding record, it may be time for more of us to put our trust back into scientists.
Read More “We Are Scientists – Huffy”Hey, Hi, How’s Your Weekend Going?
I try not to be too heavy-handed when it comes to pitching our upgrade membership program. I try and keep the big sell to once a year, and as we walk into October, it’s that time again.
As I wrote about last year, things are bizarre in the online space. Ad revenue has still not recovered to pre-pandemic levels. The place for a small independent, primarily text-based music website and community is extremely not in the mainstream of where the internet is these days. But, tens of thousands of people still come and read our homepage daily, and thousands of people hang out and talk in our forums as well. And, like so many of you, I still have a passion for music that bursts from my seams.
So, if you’d like to see us continue to do what we do, please consider becoming a supporting member of the website. Doing so gives you awesome perks like a dark theme for the website and removes all of the advertisements. I built the website to be extremely fast to load, and without ads, it’s almost unbelievable how speedy it feels. I know many of you use an ad-blocker, and I could be far more hostile to those that have them installed to incentivize either uninstalling them or becoming a member, but I don’t. But if you do use an ad-blocker, please consider just signing up for our smallest package. For pennies a day, you can get a better experience on the website and can be absolved of any ad-blocking guilt because without the ads and the supporting members, we simply could not exist.
There are three packages, all of them have the same perks, and you can choose what tier fits with you. The truth is, I’m bad at selling myself but built the kind of system I wish more online businesses had. I think we have a great core product, and we have an easy way to remove all ads and help keep us online. That’s really the entire pitch.
As always, thank you for reading. In a world dominated by YouTube or hot-take chasing SubStack personalities, it’s often hard to know where we fit into the landscape. But every week, I see how many people still check out our little corner of the internet. And every week, someone tells me they’ve discovered a new band they love because we wrote about them. And every week, I laugh at a joke posted somewhere in our community. So, I remain happy we’re still online, and if you feel the same, please consider becoming a member.
Thank you.
Review: Noah Gundersen – A Pillar of Salt
Sometimes you can lose something that is still right there in front of you. A city you called home; a person who once felt as close to you as the wind on your face; a chapter of your life that still seems fresh in your memory, even if it’s long gone. These are the people and places and things that seem to form the beating heart of Noah Gundersen’s sublime fifth album, called A Pillar of Salt. It’s an album about bright little lost things; about flickers of memory so vivid that they seem like they’re happening now; of recollections or fragments of dreams that hurt like a dagger in your side because they remind you how much things have changed. Gundersen has always been good at conveying that type of loss: Of writing songs about lost loves that feel like cigarette smoke in your chest, or of capturing the very rhythm of autumn in his words and music. But it’s possible he’s never assembled a set of songs as stunningly beautiful and as disarmingly visceral as the 11 tracks that make up A Pillar of Salt. It’s an album that blindsides you, and that might just leave you gasping for air. I have not been able to go more than 24 hours without listening to it since I first heard it three weeks ago.
Read More “Noah Gundersen – A Pillar of Salt”Review: Dave Grohl – The Storyteller
Dave Grohl is a fucking legend. That’s not hyperbole. He literally has made some of the most recognizable rock songs in my generation, and still continues to crank out memorable tracks, whether it be with Foo Fighters, Them Crooked Vultures, guest spotting with Queens of the Stone Age, or releasing an opus of instrumental bliss under his own name, called Play. New to the stage is Dave Grohl the author, who has crafted an equally brilliant memoir entitled The Storyteller: Tales of Life and Music. What you may not know about Mr. Grohl is his ability to convey such a wide range of emotions in his writing. From the heartbreaking loss of close friends in his life, to the exuberant highs of getting married and having three daughters, all mixed in with his unique ability to write about his time in music with such fervor and passion for being a part of music history. I was not planning to read this memoir in one sitting from cover to cover, but that’s exactly what happened. And much like the stories outlined beautifully in The Storyteller, everything packs purpose, and lessons are learned along the way that makes the journey more important than the end or the start.
Read More “Dave Grohl – The Storyteller”Review: New Found Glory – Radiosurgery
Coming off of the moderate success of their sixth studio album, Not Without A Fight, the veteran pop-punk rockers chose trusted producer Neal Avron to oversee these sessions that would become Radiosurgery. New Found Glory released this album under Epitaph Records and would be their last studio album with their disgraced, original guitarist. Radiosurgery, for whatever reason, seems to get unfair treatment when comparing it to other NFG albums in their discography. While most wrote it off as standard fodder from the Florida pop-punk band, there really are some true gems on this album that is a satisfying listening experience from start to finish. The album received generally positive reviews from music critics, but only sold under 11,000 copies on the Billboard 200 charts (opening at #35). Radiosurgery would eventually peak at #26 on the Billboard 200 charts, and still contains many set staples in NFG’s live performances due to its upbeat nature.
Read More “New Found Glory – Radiosurgery”Review: Ducks Ltd. – Modern Fiction
There aren’t many bands like Ducks Ltd. (formerly known as Ducks Unlimited) around anymore. That’s it, that’s the pitch. Just kidding, Ducks Ltd. are excellent because their music transcends genre, time, and space. After releasing an expanded reissue of their debut EP, Get Bleak, in May this year, the pair – Tom McGreevy (vocals, guitar, bass, keyboards) and Evan Lewis (guitar, bass, drum programming) – prioritised lively music and warmth with self-aware critiques of living under capitalism. The duo later somehow managed to release their debut album, Modern Fiction. At the same time, McGreevy was in Toronto and Lewis in his native Australia, unable to travel anywhere due to COVID-19 and Australia’s harsh border closures.
Read More “Ducks Ltd. – Modern Fiction”Review: The Way Down Wanderers – More Like Tomorrow
Coming off of the success of their 2019 breakthrough record, Illusions, folk rockers The Way Down Wanderers have returned with their sophomore effort entitled More Like Tomorrow. This five-member band from Peoria, Illinois have made an album worthy of the heart that they affectionately used to cover this collection of ten songs brimming with purpose and professional poise. The band is unique in that they have two lead songwriters/vocalists in Collin Krause and Austin Krause-Thompson, and yet their combination of tackling core themes like addiction, relationships, and living life to the fullest never seems forced or appear to be a struggle between the two core songwriters. More Like Tomorrow is a nice encapsulation of this period of time in our lives where we search for our “true north” and let go of the outside noise that distracts us from living our best lives.
Read More “The Way Down Wanderers – More Like Tomorrow”Interview: Isa Holliday of Slow Crush
Today I’m happy to share the interview I conducted with the lead vocalist of a band called Slow Crush, and Isa Holliday and I’s conversation on the band’s new album Hush, that will officially hit the streets on October 22nd. In this interview, I asked her about the contrast between the two singles the band has released including “Swoon,” the differences in their approach to performing as an opener versus a headlining stint, Slow Crush’s songwriting process, and what her and bandmates look to for inspiration in their music. The band plans to headline the United States next spring in April and May.
Read More “Isa Holliday of Slow Crush”Review: PHNTMS – “Paper Flowers”
I’m thrilled to introduce everyone to PHNTMS, a great female-fronted pop-rock band from Philadelphia, PA that seems poised for breakout success. Their latest single, “Paper Flowers,” is a bombastic blast of alternative rock with a pop polish that is ready for radio dominance. The band has opened for huge bands like Kings of Leon, The 1975, and Bastille, and it’s clearly evident of why these bands would chose PHNTMS to get their crowds ready for a great night. Their yet to be announced EP should only further solidify the direction the band is going for on this great-sounding song.
Read More “PHNTMS – “Paper Flowers””Review: The Slang – Divide
The funny thing about debut albums is that they’re filled with so much promise, blissful ignorance, and a full beating heart filled with the utmost purpose. Washington, DC’s The Slang are able to capture that early magic that bands would kill for at this stage of their career. Divide, in a lot of ways, investigates where we are as a society today, but it’s vibrant guitar tones and uplifting choruses keep the material from sinking into the abyss. When I last caught up with the band for an interview, the band appeared to be completely flattered by my early praise of their album that I got an advance copy of. After explaining to The Slang (comprised of John Bobo and Felix Nieto) just how great their debut is, I hope I was able to instill some new-found confidence in this band that I feel everyone should turn their immediate focus onto.
Read More “The Slang – Divide”Review: Thrice – Horizons/East
The word that most closely comes to mind when talking about Thrice is consistency. The second word that I most closely associate with this legendary band on their 11th studio album, Horizons/East, is variety. They simply do not make the same record twice; a true marking of an artist that is uncomfortable with the comfort that comes with creating similar sounding material. On Horizons/East, Thrice are able to embrace the change that comes with pushing themselves to their artistic limits, and much like that famous Lindsay Lohan meme; the limit does not exist.
This picturesque record opens with the sprawling “The Color of the Sky,” as Dustin Kensrue sets the stage with, “My first and foremost memory / Is staring up in wonder at the wall / It circumscribed the city / They said beyond it nothing dwelt at all / But I came to wonder if the stories all were true / So one night I made my mind up / I resolved that I would find a passage through” before drummer Riley Breckenridge explodes into one of my favorite drum fills in recent memory. Kensrue’s closing lyrics of “I don’t know the way, but I know that I belong out here / On this journey that I never thought I’d make / Setting out across a new frontier / A new horizon with each eager step I take,” seems to encapsulate everything that I love about his top-notch storytelling on my favorite opening tracks in their discography since Vheissu’s “Image of the Invisible.”
Read More “Thrice – Horizons/East”Review: Right On, Kid – Life Is A Movie
If you’re looking for solid pop-punk with a heartbeat, you’ve come to the right place. Right On, Kid are a five-member band from Albuquerque, New Mexico, and have crafted an album worthy of early recognition and praise. Their first EP called When Words Are Enough announced their arrival to the scene, whereas Life Is A Movie welcomes them into the fold with open arms. This album is filled with everything we all love about the genre: great sounding hooks, uplifting vocals, well thought out lyrics, and plenty of excellent drumming. With a sound similar to Hit the Lights, Mayday Parade, and All Time Low, you may need to thank us later for introducing you to your latest pop-punk obsession.
Read More “Right On, Kid – Life Is A Movie”Review: January Jane – Your Drug
The circumstances that led to New York City’s-own January Jane being signed to a major label record deal, and also getting the stamp of approval from veteran music guru Matt Pinfield are quite unique. In the interview I conducted with vocalist Pat Via, guitarist Mitch Mitchell, and Pinfield, they described the path that led them to each other, and their bond continues to be a major success story to this day. Their debut EP, Your Drug, is a solid blast of energetic pop rock built for instant radio success. The lead single, “Versions of You,” has already charted on the Adult Top 40 National Airplay Billboard barometer of popular music. Rounded out by keyboardist Peter Scalia, January Jane might just be the band that we need to get us through this dark period in history.
Read More “January Jane – Your Drug”Interview: Ben Liebsch of You, Me, and Everyone We Know
Recently I was able to connect with Ben Liebsch of You, Me and Everyone We Know for an interview discussing his band’s great new album called Something Heavy. The album hits the streets this Friday, and Ben and I discussed his unique writing process for this record, the choice to bring in outside collaborators, as well as his advice for others struggling with their mental health during this ultra-tough period of time.
Read More “Ben Liebsch of You, Me, and Everyone We Know”Interview: Hannah Joy of Middle Kids
This past week, I was able to connect on Zoom with lead vocalist and guitarist of Middle Kids, Hannah Joy, before her band got set to leave for a comprehensive headlining tour of the United States. In this interview, we talked a lot about each of the songs from Today We’re The Greatest, the songs that she felt will most connect with fans on this tour, and the cool story behind playing with right-handed guitars even though she is left-handed. Middle Kids will be starting their headlining tour this month.
Read More “Hannah Joy of Middle Kids”