Review: Dustbowl Revival – Is It You, Is It Me

Adam Grundy Feb 4, 2020

When I last chatted with co-lead vocalist and band founder Zach Lupetin regarding Dustbowl Revival’s latest record, Is It You, Is It Me, you could hear the excitement in his voice in the new direction the band was taking on this album. Lupetin’s enthusiasm and confidence is warranted, as Dustbowl Revival have created a record that marks the next adventurous step in their evolution as artists. Produced by Sam Kassirer (Lake Street Dive, Josh Ritter) Is It You, Is It Me is a sonic expansion on what Dustbowl Revival are capable of making when they set no limitations on themselves, and ignore any preconceived notions on what their band is expected to sound like. The band sounds re-focused, refreshed, and ready to conquer new audiences on this brilliant new album.

Review: Chase Tremaine – Unfall

Adam Grundy Feb 3, 2020

On Chase Tremaine’s debut solo album,Unfall, the Dallas-born singer-songwriter shines all over the record in an album almost entirely written and performed by Tremaine himself. The strengths found onUnfall are natural to notice right from the first listen: brilliant harmonies, intricate and layered guitars, as well as precise beats and pop hooks. Tremaine’s time spent playing in several Nashville-based bands is apparent, as he showcases a full breadth of styles and genre-blending on his debut LP. Over the 10-song, 46-minute record, Tremaine confidently takes the listener on an ear candy journey filled with a professional sounding album that was produced by Zach Lardy. Tremaine never loses focus on this record and delivers a strong introduction to his solo career.

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Interview: Caroline of Your Smith

Adam Grundy Jan 30, 2020

This past month, I was able to sit down with Caroline Smith (of Your Smith) and talk about everything that went into her great new EP, Wild Wild Woman. In this interview we chatted about the lessons she learned from touring with road veterans K. Flay and X Ambassadors, how she typically composes her material, and key artists she has listened to over the years that have been essential in her development as an artist. Caroline is currently wrapping up the final dates of her US headlining tour.

Interview: Zach Lupetin of Dustbowl Revival

Adam Grundy Jan 29, 2020

Recently, I was able to sit down with Zach Lupetin (vocals, guitar) of Dustbowl Revival to discuss the band’s seventh studio album, Is It You, Is It Me, available everywhere this Friday, January 31st. We chatted about the band’s upcoming headlining tour in support of the new record, the stylistic changes that went into the new album, and artists that he admires in today’s music scene. I feel that the band grew a ton on this latest album, and I’d recommend Dustbowl Revival for fans of Lake Street Dive, Galactic, and other American-roots rock bands.

Review: Okay Kaya – Watch This Liquid Pour Itself

Mary Varvaris Jan 24, 2020

Kaya Wilkins is just like you. Well, sort of. She enjoys Netflix and vegan peanut butter chocolate ice cream; she fights jet lag, experiences yeast infections, and she summons introverts such as myself to her “Zero Interaction Ramen Bar.” All of these facets are wrapped up in Wilkins’ penchant for light, luminous melodies. The Norwegian-born, New York-raised artist is fully realized on Watch This Liquid Pour Itself, her Jagjaguwar debut and second album under the Okay Kaya moniker. Recorded mostly by Wilkins herself, she collaborated with producers Jacob Portrait (Whitney, (Sandy) Alex G) and John Carroll Kirby (Solange, Kali Uchis) in order to further her vision. Inside its 39-minute runtime, Watch This Liquid Pour Itself presents forms of wetness through the lens of oceans, rivers, and ponds. The water in this universe is not of rebirth or revitalization, though, even when Wilkins misleads you so.

Review: Anti-Flag – 20/20 Vision

Adam Grundy Jan 23, 2020

What is a politically-charged punk rock band to do as the world crumbles around them? Fight back. Anti-Flag have made their most immediate record in quite some time on 20/20 Vision, one directly has the POTUS in mind with of all of the fist-pumping anthems to be found here. On their 12th studio album, the band has little left to prove, yet they continue to deliver some of the most consistently excellent punk rock found in music.

Opening up with the current single “Hate Conquers All,” one that intersperses Trump-dialogue about protesters, Anti-Flag waste little time getting down to the business at hand. With lyrics such as, “Hate conquers all / In the ashes of the fall / With our backs against the wall / Watch the empire fall / Watch the nation dissolve,” the band makes it crystal clear of the urgency of the political situation going on in DC. The song feels like a call to arms for people to wake the fuck up on all of the terror taking place in our very own country.

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Review: Bombay Bicycle Club – Everything Else Has Gone Wrong

Adam Grundy Jan 17, 2020

After what seemed like a more extended than usual three-year hiatus, Bombay Bicycle Club have made their triumphant return with their fifth studio album Everything Else Has Gone Wrong. Many of the band members dabbled in solo projects during this hiatus, but the band seem as refreshed and re-focused as ever on their latest offering. In a recent statement, the group confirmed this newfound enthusiasm by saying, “More than anything it just felt great to be in the same room playing again. It made us realize what a good thing we have and has given us renewed energy and enthusiasm for the future.” Longtime fans of the band have plenty of reason to be equally excited for the latest chapter in their discography, as the record encapsulates everything the band does well, while still including plenty of new surprises along the way.

Interview: Michael Barrios

Mary Varvaris Dec 23, 2019

Michael Barrios is in his San Diego bedroom, sitting by the window. His long-time partner, Daisy is beside him. Above her head are polaroid pictures tracing their four-year-long relationship. All of Barrios’ musical equipment is scattered across the floor, including his newest synth pad. There’s a disco ball above the bed. He’s a softly spoken, passionate man, and it’s been two years since his last interview.

It’s been three and a half years since the release of Barrios’ debut album under the No Hope Kids moniker, Our Time Apart. Next year will see the unconventional young artist make his return. With this upcoming release, he’s changing the name – although, he hasn’t gained much hope. Planning this currently unnamed new project (there are some cool album titles in play), returning to being in a long-distance relationship, and juggling full-time jobs with it all hasn’t been easy. But you can count on those experiences popping up throughout the album.

The Podcast Worm: Binge Mode

Deanna Chapman Dec 18, 2019

If you’re a podcast listener who is also a fan of Game of Thrones, Harry Potter, or Star Wars, maybe you’ve already heard of Binge Mode. And trust me, The Ringer doesn’t particularly need any help in the podcast promotion department. However, there’s just something about Binge Mode that compelled me to write about it. With The Rise of Skywalker and The Mandalorian bringing fans plenty of things to discuss in the land of Star Wars, it felt like a good time to bring up the podcast.

Interview: Aaron Gillespie of The Almost

Adam Grundy Dec 18, 2019

This past week I had the chance to chat with Aaron Gillespie of The Almost. During our conversation, the topics ranged from discussing his new album, Fear Caller, the lessons he’s learned growing up with his bandmates in Underoath, and gaining some perspective on what makes him such a brilliant musician and songwriter.

Review: Coldplay – Everyday Life

Adam Grundy Dec 16, 2019

On their eighth studio album, Coldplay have made a record that embraces the past while still keeping most of its heart in the present. The double album entitled Everyday Life is broken into two chapters, in “Sunrise” and “Sunset,” and paints a picture of a band with plenty of tricks still up their sleeves. Every detail of this album seems carefully crafted, right down to the artwork mirrored on both the top and bottom. Chris Martin and his bandmates could have made a record in the same vein of their last effort, A Head Full of Dreams, but that’s simply not in Coldplay’s DNA to be complacent with what they have done before. Instead, we are left with 16 songs that sound simultaneously immediate, current, and creative.

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Review: Out of Service – Burden

Adam Grundy Dec 11, 2019

On the new album from the South Jersey/Philadelphia band Out of Service, they do a great job of encapsulating the feelings of living with depression, getting help, and coming to terms with living with a mental illness. The wide range of emotions that a person can go through when they realize they aren’t “feeling right” can be both shocking and heartbreaking at the same time, and Out of Service realizes this is a process. In fact, as a person like me who struggles with depression from time to time, Burden spoke to me more than I thought it would from the very first listen.

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Chorus.fm’s Top 50 Albums of the 2010s

Craig Manning Dec 9, 2019

2020? Are you sure?

It seems like just yesterday that I was combing through the AbsolutePunk.net boards, reading the 2009 end-of-the-year lists that crowned records like Manchester Orchestra’s Mean Everything to Nothing and Thrice’s Beggars among the finest releases of the year. A lot has changed since then—in music, in our lives, and with the state of the world—but here we are again 10 years later, taking stock of another ending.

There have been a lot of endings over the past decade. Bands we loved have called it quits. Staff members who gave countless hours of their time writing for this website have moved on to other things. AbsolutePunk had its own sunset in 2016, relaunching as Chorus.fm that spring. And yet, a lot of things have lived on, too. Our love for music, certainly, is alive and well. The vibrancy of this community as a place to talk about bands and share things you love with like-minded souls has persisted, too. And some of us have been here for a very long time, watching the state of the music scene and the world at large shift from behind our keyboards, the headphones in our ears playing us the latest thing that might get our hearts racing like our old favorite records always have.

I don’t have a neat little bow to tie around the 2010s to commemorate their impending conclusion. It’s been a chaotic decade in a lot of ways. It’s certainly been the most chaotic music era on record. The way we listen to music has changed. Entire formats have shifted. Trends have sprung up and others have died. Artists have reshaped the way that music is written, recorded, packaged, released, shared, and marketed. And perhaps most importantly, there’s just been more: more music making its way into the world on a weekly basis; more ways to hear it all; more ways to discover; more ways to think about what art can do, both in our personal day-to-day lives and to the world that we live in.

Perhaps it’s fitting, then, that our list of favorite records from the 2010s is a bit chaotic in its own right. It’s a smorgasbord of genres; a kaleidoscope of emotions; a place where massive pop superstars can coexist with the bands that really feel like they are ours, the ones that have been so foundational to this community and its unique musical identity. The list is also a testament to how much opinions on music can change over time. Some of our former Album of the Year winners are missing entirely; other albums have grown in our estimation, swimming to the forefront as, we think, the foremost artistic achievements of the past decade. Ask us again in two months and we might see things differently. For now, it’s time to put our pencils down and close the book on this chapter.

To everyone who is reading, or to anyone who has played a part in the AbsolutePunk/Chorus.fm story over the past decade, we say thank you. What a long, strange trip it’s been. Here’s to another 10 years of music mending broken hearts. [CM]

Interview: Jade of Oso Oso

Adam Grundy Dec 9, 2019

This past week, I had the opportunity to sit down with Jade of Oso Oso, before he played a supporting set at the Fillmore Silver Spring near Washington, DC. In this interview, I asked Jade about how much he follows what others say about his music, the recording process he went through during the Basking in the Glow sessions, and how he continues to find inspiration as an artist. Throughout our chat, I got a glimpse into what makes Jade such a talented songwriter, and found our conversation to be a hell of a lot of fun too.