Review: Lady Gaga – Chromatica

Lady Gaga - Chromatica

”This is my dance floor, I fought for” Lady Gaga proclaims on the Chromatica track, “Free Woman.” With this collection of club-ready anthems, it’s hard not to take her statement more seriously than right now. Coming off of a successful acting stint in the A Star is Born film, the interest in her music couldn’t have been any higher. Lady Gaga has answered the call in a big way with one of her more immediate records to date and has taken full advantage of the spotlight. This album was produced by BloodPop (Michael Tucker) and Gaga herself, and the singer’s return to pop music feels as refreshing as ever. The record also features several A-lister collaborations with Ariana Grande, Elton John, and BLACKPINK that further enhance the synth-pop direction Gaga was going for.

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Interview: Mike Henneberger

Mike Henneberger

Recently I was able to have a phone conversation with author Mike Henneberger before he released his new memoir, Rock Bottom at the Renaissance. I previewed this book in the form of a review a few weeks ago, and it was enlightening to hear firsthand Mike’s take on what I had read in his memoir. We discussed other bands that have had an influence on him over the years, everything that went into writing his book, and the creation of his new company called Berger Media. The book is available to purchase everywhere starting today, and more details can be found at his official website.

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Review: Jeff Rosenstock – No Dream

Jeff Rosenstock - No Dream

Like the Beyoncé of the punk rock scene, Jeff Rosenstock has a knack for dropping surprise albums that go on to be instant classics. Rosenstock has done it yet again with, NO DREAM, a record loaded from front to back that might just be his best release to date. 

Rosenstock has never held back when diving into contemporary issues. WORRY summed up the anxious feelings leading up to the 2016 Presidential election, POST arrived on New Year’s Day of 2018 after a long first year of Donald Trump in office and now NO DREAM has dropped in the midst of a pandemic, mass public demonstrations against systemic racism, and political unrest before election day.

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Back to 2005 (Re-Ranking the Best of Lists)

Back to 2005

Last week I was able to recreate and re-add all of the AbsolutePunk.net end of the year lists into our database from 2005 onward. This hit of nostalgia was paired with me shaking my head at not only the outcome of the staff lists but trying to figure out just what I was thinking on my lists as well. For the next few weeks, I’d like to deconstruct some of these lists and add some of the context and memories I have from this era of the music scene. And this week, I’m starting with what could arguably be one of the most significant years in our little emo-pop-punk world: 2005. 2005 was absolutely stacked with albums that have gone on to be regarded as scene classics. Albums that I still listen to and albums that helped define the music scene for years to come.

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Review: The 1975 – Notes On A Conditional Form

The 1975 - Notes...

Now that we’ve had some time to digest the latest album from The 1975, I thought it was about time that we started the discussion on everything that makes up Notes on a Conditional Form. I’ve seen several posts online about the album being too long, and at 22 tracks, it’s a warranted argument. Some people have even gone as far as cherry-picking individual songs from the album to make their playlist that better fits their tastes and listening preferences. While I am usually against the idea of skipping tracks during the listening experience that the artist intended, I found myself just as guilty as everyone else with navigating around some of the songs that didn’t seem to flow in the full album. Typically when there is an album that invites so much dissecting to enjoy the material, it’s a clear sign of an imperfect record. The 1975 had a lot going for them leading up to this LP, having already released three bona fide classic records before NOACF. This album is arguably their most polarizing to date, and while some may write off this record as a rare miss, the good far outweighs the bad in their latest artistic statement.

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Review: The Injured List – The Difference Between Giving Up & Losing

The Injured List - The Difference Between Giving Up & Losing

There aren’t many bands like The Injured List anymore. The Michigan two-piece’s style of pop rock is nearly totally alien in 2020; a listen through the band’s third LP The Difference Between Giving Up & Losing calls to mind giants of yesteryear like The Audition or Valencia (or even the original incarnation of The Injured List themselves). Perhaps that’s the quality that makes it so replayable.

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Review: Vinnie Caruana – Live At The Black Heart

The new live album from Vinnie Caruana is a career-spanning set of 15 songs that covers material from his great new solo release Aging Frontman, as well as material from his other projects such as The Movielife and I Am The Avalanche. The album was recorded live in the UK at The Black Heart on December 15th, 2019, and the record is a full sounding listening experience to it, making it seem as if Vinnie is performing these songs just for you. Caruana had a nice remark regarding this album by saying, “It was the last show of a life-affirming tour. We took in many a Christmas market, and we drank around 100 Guinness each. Being able to travel around a foreign country, only to see friends, some of whom I met nearly two decades ago, will never be something I take for granted. Every show was special in its own way, and this one was just the cherry on top. The crowd didn’t know we were recording, and the result is a real and organic experience. I fucked up a few songs, but, as you know, that is par for the course. Long live the UK. Long live the connection we share together. Somebody in New York loves you (it’s me). Please enjoy.” The album is streaming now on Bandcamp for a “Pay What You Want” price that directly benefits the artist, or you can pre-order the vinyl here.

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Review: Off Road Minivan – Swan Dive

Off Road Minivan - Swan Dive

Let me introduce you to Tooth & Nail Records’ latest great find in Red Hook, New York’s own Off Road Minivan. This five-piece band is led by charismatic bassist/vocalist Ryan Tuck O’Leary and features a triple-guitar attack of Melvin Brinson, Dave Trimboli, and Miles Sweeny. Rounding out the band is an underrated drummer in Evan Garcia Renart. On their debut full-length album, Swan Dive, Off Road Minivan described this record as a love letter of sorts to the bands that influenced their sound. “For us, this album touches on the sounds that made us want to play in the first place – an alternative rock landscape from early 00’s emo to grunge influence,” the band shares. “We aren’t here to teach any defining life lesson, just trying to sing about the ones we’ve experienced.” Their debut features flashes of greatness and is reminiscent of bands such as Anberlin, Hawthorne Heights, and Young Guns.

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Canvas Prints Make Good Wall Decorations

Hayley Williams

Over the weekend, I shared a photo of one of the walls in our home on Instagram. The photo is of the large wall in our living room area adorned with three large canvas prints of some of my favorite musicians. I first did this when I moved downtown in August of 2012, and I shared some of the photos and process back on AbsolutePunk.net and my old Tumblr (remember Tumblr?). After all of the questions and comments on the social media posts, I realized I didn’t have a good article to link people to that answered the basics any longer. Plus, phone cameras have come a long way since 2012.

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Review: I’m Glad It’s You – Every Sun, Every Moon

I'm Glad It's You - Every Sun, Every Moon

“And he’ll stay with me for my whole life/found the sting buried in my side,” sings Kelley Bader on “Death Is Close,” a breezy Beatles-esque number dripping in melancholy as the I’m Glad It’s You singer/songwriter references 1 Corinthians 15:55. This somber moment appears halfway through the Southern California collective’s second full-length Every Sun, Every Moon, and yet it serves as the album’s basis. Every Sun, Every Moon details the tragic van accident that took the life of SoCal videographer Chris Avis. The record serves as a requiem for the band’s mentor as well as a cathartic medium for Bader to process his grief.

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Review: Dead Lakes – New Language

Dead Lakes - New Language

In recent years, bands like Bring Me the Horizon, Silverstein, and I Prevail have experimented by adding electronic and pop to their traditional heavier sound. The change-up has served them well, and it looks like Dead Lakes is poised to breakthrough by doing the same with their EP, New Language.

Dead Lakes – singer Sumner Peterson, guitarists Max Statham and Legacy Bonner, bassist Cody Hurd and drummer Chon Adam – not only have a sound made to attract fans of rock and post-hardcore, but they also sing relatable lyrics as they deal with emotions, struggles, and anxieties throughout the five tracks.

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Review: Eminem – The Marshall Mathers LP

Listening to Eminem when I was growing up was like eating forbidden fruit. Now that I look back on it, my mom was spot on for not allowing me to own The Marshall Mathers LP album. Instead, I listened to it with friends at summer camp back in the summer of 2000. Strangely enough, my love for rap and hip-hop would blossom from this particular, ridiculously controversial album. 

The Marshall Mathers LP is still revered as an iconic album. Eminem raps laps around any competition, and his expression of emotion (a lot of rage) is undeniably intoxicating. But, if you take a listen from start to finish, you’ll be reminded that much of what you’ll hear didn’t land well back in 2000, and is still cringe-worthy today, even if it most of it is just schtick.

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Building Chorus.fm 3.0 – The Design Process

design

It’s been a little over a week since I launched the new version of Chorus.fm and I’ve been pretty blown away by the positive response. I think it may be the best reaction to a redesign of any website I’ve ever built. For fun, I pulled out a bunch of the initial sketches I made during the process, as well as some of the various other designs I played around with before actually building the website. I thought some might find the entire process interesting.

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Interview: The Ghost Inside

The Ghost Inside

On June 5th, The Ghost Inside will triumphantly return with their self-titled fifth album – an eleven track journey featuring the heaviest and most poignant work of the band’s illustrious career. It’s the Los Angeles band’s first release in nearly six years and it’s a record that almost never existed as the path towards The Ghost Inside was littered with tragedy, pain, and self-doubt. On the morning of November 19, 2015, the band’s tour bus collided head on with a tractor trailer while headed west to Mesa, Arizona on U.S. Highway 180. The drivers of both vehicles, Greg Hoke and Steven Cunningham, lost their lives in the accident, while vocalist Jonathan Vigil, bassist Jim Riley, guitarists Zach Johnson and Chris Davis, and drummer Andrew Tkaczyk suffered life-changing injuries (Tkaczyk lost one of his legs following an initial ten-day coma). After facing a lengthy recovery period, the band took time to get into the right head space to figure out if they wanted to continue as The Ghost Inside. Realizing that this tragedy is the precise moment to put their inspirational lyrics to the test, the quintet returned to a sold-out performance last summer at Los Angeles’ The Shrine, promising new music soon. That moment is now and I was fortunate enough to speak with Andrew about the record, the moving visual for their first single “Aftermath,” and creating the record the band was always meant to make.

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Review: Loyalty To Me – Clash // Coexist

Loyalty To Me - Clash Coexist

New Jersey emo quintet Loyalty To Me have burst onto the scene with their debut EP Clash // Coexist. With vibes and styles that range from pop punk sensibilities of Cartel to the punchy guitars of New Found Glory, this band has made a catchy collection of songs on their introductory record. Led by charismatic vocalist Wil Jackson, Loyalty To Me created a solid mix of alternative rock, emo and pop punk that is sure to give them a loyal following in the months to come. While not covering too much new ground in the scene, they still hone in on their influences and work with their strengths as artists for a pleasing and breezy set of five songs on this EP.

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