Michael Azerrad is no stranger to writing about music. He’s the author of Our Band Could Be Your Life, and he recently released Rock Critic Law. The latter is a book that includes 101 unbreakable rules for writing badly about music, as the subtitle notes. The book is an extremely quick read as the rules are presented in tweet-length format.
I hate voicemail. I hate leaving it. I hate receiving it. I always expect the worst and/or I think I sound like a total goober on the other end. Basically, it’s the one technology that gives me the most anxiety. So it’s fitting that the latest from Antarctigo Vespucci, Love in the Time of E-Mail, would begin with a song called “Voicemail,” kicking off a record that encompasses all the anxiety-ridden excitement and nervousness that comes with exploring personal relationships in a digital world.
It’s the second full-length release from the dynamic duo of Chris Farren and Jeff Rosenstock (the first on Polyvinyl Records). As the frontmen of two beloved underground punk bands – Fake Problems and Bomb The Music Industry! respectively – the two musicians’ profiles have risen considerably over the past few years due to incredible solo albums and headline-stealing performances. So despite having a little more buzz surrounding this release than their 2015 debut Leavin’ La Vida Loca, Antarctigo Vespucci decided to keep doing what they do best – dissecting the pop songs that defined its genre and integrating those moments into 3-minute bursts of intoxicating rock songs. The album offers a terrific mix of Rosenstock’s fuzzy punk energy and Farren’s honey-sweet melodies, resulting in the band’s best release in their 100-year career.
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Let me preface this My Chemical Romance retrospective by stating that they are my favorite band, and I still hold The Black Parade as one of my top-5 favorite albums ever recorded. Throughout My Chemical Romance’s career, I was astounded by their rise to fame, and having seen them go as the first opening band on tour with The Used, to headlining stadiums by the time The Black Parade reached its heights, and I have marveled at the lore and theatrics surrounding my favorite artist.
I recently had a chance to chat on the phone with former Motion City Soundtrack front-man, Justin Courtney Pierre. Below are the highlights from our conversation, and we chatted about everything from his preparations for his solo tour, his personal life, and what went into making his new record, In the Drink. Justin’s debut solo album is now available everywhere via Epitaph Records.
Eliza Shaddad is a UK-based alternative singer who has grown from attracting listeners with the passionate vocals on her first EP, “Waters” to making it easy to hit the replay button on her sophomore EP, “Run.” With her dreamy vocals, one can get lost in her world of free expression—this isn’t all she has to offer. She spent most of her childhood moving across different continents and has tales of many adventures. She channels the memories of those adventures through her lyrics. Every project she has released so far has felt like a musical storybook. Future is Shaddad’s debut album—one which has been highly anticipated by many—especially those who experienced the thrill that came with her previous projects.
On the debut full-length album from Greta Van Fleet, Anthem of the Peaceful Army, they ask the question: What do you call classic rock when it is re-packaged with a modern rock sound? For starters, we can answer that with an emphatic response of calling it: “pretty damn fun.”
Greta Van Fleet has drawn immediate comparisons to rock and roll hall-of-famers Led Zeppelin, for obvious reasons, but they have listed several other core sound influences (such as hard rock, jazz, and blues) when interviewed by other media outlets. The band is comprised of three brothers: lead vocalist Josh Kiszka, guitarist Jake Kiszka, and bassist Sam Kiszka. Rounding out the foursome is the drummer, Danny Wagner. Coming off of a successful and highly-hyped EP, From the Fires, anticipation was at an all-time high to see what these kids from Frankenmuth, Michigan had cooked up for their debut album.
I’ve been waiting for a band like The Sonder Bombs to come along. The four-piece from Cleveland, Ohio has assembled an immersive collection of tracks to make up their debut album, Modern Female Rockstar. The band promises to change up the scene with their brand of unrelenting, socially conscious pop-punk – with the ukulele as a main star! Pop punk hasn’t been this fun, or sounded this important, in god knows how long. Modern Female Rockstar is urgent, shimmers, and explodes. With “Title” and “Twinkle Lights,” The Sonder Bombs join peers in UK riot grrrl group Peach Club and punk rock band Dream Wife, as well as Australian rockers Camp Cope and Courtney Barnett in penning tracks that carry hefty messages – these phenomenal artists relentlessly and publicly condemn sexual assault. But, The Sonder Bombs don’t forget to have some fun along the way, allowing their songs to revel in quickly found assurance.
Recently I had the chance to sit down for a phone interview with Sean Huber of Steady Hands (and ex-Modern Baseball) and discuss what went into making his new album, Truth in Comedy. The album is available via Lame-O Records everywhere.
On TPC, the self-titled and fourth full-length LP from Tokyo Police Club, they crank up the guitars and hone in on their songwriting. Coming off of two quick EPs, entitled Melon Collie and the Infinite Radness (Part I and II), after the success of my favorite effort to date by the band, Forcefield, Tokyo Police Club wanted to reinvent themselves once again. What we are left with is a solid mix of guitar-driven rock by a band still trying to figure out who they are.
Starting off the 12-song set is the track called “New Blues,” that reminded me a bit of the garage-rock style of The Strokes with Dave Monks trademark earnest vocal delivery. When Monks sings, “Battle cry, I can barely sleep/It happens every single time/It’s in my heart/It’s in my soul/For once I don’t want it to be denied,” you can feel every heartbeat and drop of emotion that went into the song. It also doesn’t hurt to have a very talented guitarist backing Monks’ words in Josh Hook, who certainly lives up to his last name by crafting several key hooks in many of the memorable songs found on this album.
Belly is a Canadian rapper with Palestinian-Jordanian ancestry. Hoping to escape violence and poverty, his family immigrated to Ottawa, Canada when he was a boy. It was during this phase of his life that he learned how to sell drugs, and live with the challenges of being a Muslim in a primarily non-Muslim country. On IMMIGRANT, Belly tells this story with the help of some top-rated producers, such as TRAKGIRL, Ben Billions, Metroboomin, and Southside who deliver the catchy beats as he captivates listeners with his thought-provoking lyrics.
On the music for A Star is Born, Lady Gaga and Bradley Cooper’s on-camera chemistry translates brilliantly onto the charismatic and charming soundtrack. The album opens up with an intro of a band tuning up and quickly blends into “Black Eyes,” that features Bradley Cooper on lead vocals in a bluesy rock track that shows off his impressive vocal delivery. The track itself was co-written by Cooper and Lukas Nelson and is an excellent way to start the soundtrack.
One major disclaimer about this album is that it is interspersed with movie dialogue throughout, which was a bit of a turn off for me. Some may like remembering these key scenes of dialogue from the film, but on an album that has 34 tracks, I found it a bit distracting from the songs themselves.
![mewithoutYou - [Untitled]](https://chorus.fm/wp-content/uploads/2018/10/1538458716348-224x224.jpeg)
After the release and touring of 2015’s revelationary Pale Horses, mewithoutYou needed to find some space before the apocalypse turned inwards. Vocalist Aaron Weiss relocated to Idaho with his family, a makeshift home studio rig and MIDI keyboard while the rest of his bandmates (including his brother Mike) remained in Philadelphia workshopping new ideas with producer Will Yip. There’s that one saying, you know, that distance makes the heart grow fonder? Well for the genre-defying quintet, distance also made the creativity flow more freely than every before, while some inner-band tensions and relationship strife served as the impetus to untapped creativity and fueled the [Untitled] recording sessions with Yip, yielding 19 new songs (spanning one EP and one LP, both sharing the same name) that showcase the duality within mewithoutYou’s dazzling soundscape.
Typesetter recently signed to 6131 Records and announced their sophomore record – it’s called Nothing Blues and it’s a masterclass in anthemic punk rock. I spoke to Alex Palermo, bassist/vocalist, and Marc Bannes, guitarist/vocalist, about writing the album and what the band did in the four years since their debut. Nothing Blues is out October 26 and is available for preorder through 6131’s store.
Halloween Unmasked is my kind of podcast. I’m three episodes in on it, and it feels like a new take on film podcasts. Usually, I’m listening to pop culture podcasts that are discussion-based (and mostly hosted by dudes). I listen to shows like Fatman On Batman (now branded Fatman Beyond), The Watch, and Channel 33, which has a lot of sub-shows within its feed. I listen to a lot of shows from The Ringer.
In March, Spanish Love Songs put out my favorite album of 2018 so far, Schmaltz. While they’ve spent the entirety of the year since touring in support of the album, I didn’t get the chance to catch a show until Wednesday, October 3rd, 2018, but it was well worth the wait.