Bayside have steadily become one of the preeminent forces in alternative music by simply being themselves throughout their entire career. The band has a unique sense of self which displays itself every time they release new music. The band’s seventh full-length record, Vacancy, just dropped last week, and to celebrate, they hit the road with some incredible bands supporting them: The Menzingers and Sorority Noise. I’ll have more on that tour a little later this week, but for now, enjoy my conversation with Anthony Raneri and Nick Ghanbarian about managing fan expectations, what they feel their responsibility is as a band with a platform, and how you continue to write the most honest music of your career seven albums deep.
Review: Sianvar – Stay Lost
Knowing the members of Sianvar, the quality of their work should never have been up for debate. Featuring members of Dance Gavin Dance, A Lot Like Birds, Hail the Sun, and Stolas, the lineup is a veritable who’s-who of modern progressive rock. It was never a secret that Sianvar was made up of talented members, but I don’t know if anyone expected the group’s debut full-length to sound as good as it does. Stay Lost almost makes the members’ previous outings look like warm ups.
Review: Bayside – Vacancy
One thing I’ve come to respect about Bayside is they’ve always known who they are. They’ve never felt the need to reinvent themselves, and they’ve spent the last 16 years working to perfect a sound that’s entirely their own.
The band’s latest effort, Vacancy, is no exception. It is a growling collection of songs that feels familiar on first listen, a true continuation in Bayside’s story and sound.
Review: Butch Walker – Stay Gold
“I don’t know what to write about after this record. I’m saying it all. The well is tapped. Maybe no more albums after this one.”
Butch Walker tweeted those words in January of this year, stoking rumors that his then-still-untitled 2016 album might be his last. I don’t expect Walker to follow through with this particular threat. If there’s one thing I’ve learned from almost 12 years of holding Butch to be my favorite artist, it’s that the guy has an incredible, incessant love for music. He’s the kind of guy who would retire and then be antsy to get back into the studio after a month. If Stay Gold does end up being the last Butch Walker album, though, then it’s sure as shit the right kind of album to go out with. 2016 has been a dark year in a lot of ways, and just reading through the headlines these days is enough to make even the most sensible person want to stick their head in the sand. But Stay Gold is all brash guitars and sunny optimism, a quintessential summer record that stands as this year’s most celebratory work. Rarely has Butch’s love for music, lyrics, stories, and guitar solos been on such gleeful display. Frankly, this is the kind of life-affirming album we need right now. At least, it’s the one I needed.
Review: Boys Like Girls – Boys Like Girls
10 years ago, it didn’t seem like Boys Like Girls were going to be a band anyone cared about a decade after the fact. Skyrocketed to success by Purevolume and Myspace, Boys Like Girls seemed inextricably tied to the mid-2000s even when they were just getting started. You need only look at some of the bands Boys Like Girls toured with in those early days (Cute is What We Aim For, Hit the Lights, A Thorn for Every Heart) to get a sense for what could have happened to BLG 10 years after the arrival of their debut record. Essentially, they’d have a handful of fans but not a ton of respect or clout, and they’d be cashing in on nostalgia more than pushing things forward in their music careers. Or they wouldn’t exist in any form. One of the two.
Interview: Sameer Gadhia of Young the Giant
Lead singer Sameer Gadhia talks about Young the Giant’s third album Home of the Strange, narrating the American immigrant story through music, and the impossible goal of striving for perfection.
Review: Emarosa – 131
“Nothing ever happens until it happens to you” bellows Bradley Walden on “Miracle,” the second single off 131, the newest release from his band Emarosa. It’s an exhilarating moment on one of the album’s most electrifying tracks. It can also be interpreted as the main thesis behind 131 – professionally (Emarosa) and personally (Walden). 131 is the second album to feature Walden as the band’s lead vocalist after original vocalist Jonny Craig was kicked out for a myriad of reasons. It was a fight or flight moment for the band and they struck gold when they tapped Walden to handle vocal duties, and the band’s third LP, Versus, followed soon after. That record was a very respectable release but you can hear that both the band and Walden were still in that adjustment period stage and trying to feel each other out. Versus was the beginning of the band’s shift away from post-hardcore into more of a fluid pop-influence, but without losing any of their aggressiveness. And 131 is the fully realized version of that sound — Walden and company have grown together to create one of the most powerful and honest albums of year.
Interview: Matt Thiessen and Matt Hoopes of Relient K
Lead singer Matt Thiessen and guitarist Matt Hoopes chat on a wide array of topics, including the band’s fresh new album Air for Free, redefining Relient K at this point in their career, and what the future holds.
Interview: The Hotelier
Two months ago, The Hotelier released their third album, Goodness. It touches on themes of Taoism and acceptance and it’s been something I’ve connected with a good deal during the end of my senior year of high school. Last week, on the tour to celebrate the release of the album, I had the opportunity to speak with the group’s lead singer/bassist/lyricist, Christian Holden. We discussed the writing process of Goodness, the band’s first music video(s), and anarchist theory.
Review: Blink-182 – California
What’s left to write about Blink-182? There’s no point to rehash the drama that Mark Hoppus and Travis Barker have with Tom DeLonge, nor is there any point to harp on the incredibly bizarre interviews and statements DeLonge has given the press lately. We’ve all ranked their discography a hundred different ways and chosen sides. I guess all we can really do now is talk about the music, right? It’s a development that I (and many others) will welcome. And, when we talk about the music, we’ll find that band’s seventh full length album, California, is probably the most classic Blink release since 2001’s double-platinum Take Off Your Pants and Jacket.
Review: Relient K – Air for Free
This first impression was originally posted as a live blog for supporters in our forums on July 13th, 2017. First impressions are meant to be quick, fun, initial impressions on an album or release as I listen to it for the first time. It’s a running commentary written while listening to an album — not a review. More like a diary of thoughts. This post has been lightly edited for structure and flow.
I’ve been listening to Relient K since I was going through my christian music phase in early, early high-school. It was the period of my life when I was doing the whole Young Life thing. That is all a story for another time, but, through it I did discover some music that I’ve enjoyed ever since. MxPx. Slick Shoes. Dogwood. Value Pac. These are bands I’ve been listening to for a looooong time now .. and Relient K were one of the bands that drew me in almost immediately. The pop hooks. The fun, tongue in cheek lyrics, and their ear for harmony. The band’s changed some over the years, they’ve moved more toward the secular crowd, they saw some mainstream popularity for a little while, and overall they’ve always been a band I’ve kept an eye on. I think Matt T has one of the best ears for pop music out there and is arguably one of the better songwriters in our little scene. He’s that good. I have even found a way to like some parts of Collapsable Lung a little after a few years, although, that’s easily my least favorite from the band.
The new album is Air for Free. It’ll be streaming on Pandora this Friday. It’s 16 tracks long. So, it’s a beast of an album. But my first impression is that they went for it. Matt H described it to me as: “the opposite of our attempt at radio (Collapsible Lung) and we just tried to be ourselves and have fun with it” — and I think in a lot of ways that’s a great way to describe it. It’s fun. It’s different in the right ways.
Ok, so here we go …
Review: Sarah Jarosz – Undercurrent
Texas Americana artist Sarah Jarosz is only 25 years old—and recently 25, to boot—but she already has four albums under her belt. Her third, 2013’s Build Me up from Bones, even earned a Grammy nomination for Best Folk Album. It’s with her fourth album, the brand-new Undercurrent, that Jarosz is making a case for herself as one of the finest artists in the genre. On the last album I’d have argued that the best song was a cover of Bob Dylan’s timeless “Simple Twist of Fate”—already one of the best songs Dylan ever wrote. Here, all 11 songs are originals, and they showcase new depths of confidence for Jarosz. Even when she’s working with co-writers, everything on Undercurrent feels bent to the same artistic vision.
Interview: Seth Bolt of Needtobreathe
Bassist Seth Bolt discusses why H A R D L O V E is not a typical Needtobreathe record, how the success of “Brothers” bolstered their confidence, the beauty that comes from new life, and the second year of Tour De Compadres.
Interview: Tim Foreman of Switchfoot
Bassist Tim Foreman explains the specialness behind Switchfoot’s 10th album, Where the Light Shines Through, how he was surprised by its hopefulness, and why failure is underrated.
The Best Albums of 2016 (So Far)
As we pass the midway mark of 2016, it’s nice to sit back and reflect on the great albums that have come out so far this year. Below you’ll find a compiled list that looks at the selected albums from contributors and moderators to this website, as well as all of the broken down individual lists. Maybe there will be some albums you’ve heard of, hopefully there will be quite a few you haven’t checked out yet, and maybe there will be a few you’ll want to give a second look. I think it’s been a pretty damn good year for music so far and there’s quite a bit to still look forward to as well.
There’s a thread in our music forum where we’d love to see your lists.