Fall Out Boy Talk with Entertainment Weekly

Fall Out Boy

Ariana Bacle sat down with Fall Out Boy over at Entertainment Weekly to talk about their upcoming album:

“We wanted to move the ball forward,” Wentz says. “The great thing about the way people listen to music now is there’s such disregard to genre. I think this record is expansive in that way.” Now, the 10-track collection, out Jan. 19, features everything from foot-stomping soul on “Heavens Gate” to EDM-tinged rock on “Young and Menace,” which Wentz calls “the musical equivalent of a cat chasing a laser beam.”

F.C.C. Repeals Net Neutrality Rules

The New York Times:

The Federal Communications Commission voted on Thursday to dismantle landmark rules regulating the businesses that connect consumers to the internet, granting broadband companies power to potentially reshape Americans’ online experiences.

The agency scrapped so-called net neutrality regulations that prohibited broadband providers from blocking websites or charging for higher-quality service or certain content. The federal government will also no longer regulate high-speed internet delivery as if it were a utility, like phone services.

Shit.

Twitter Officially Recognizes Tweetstorms

Twitter

Casey Newton, writing at The Verge:

Twitter’s tool for creating tweestorms is now an official part of the app. Threads, as the company is calling them, let you string together tweets by tapping a new plus button in the tweet composer. “A few weeks ago, we expanded our character count to make it easier for people to fit what they’re thinking into a Tweet,” the company said in a blog post. “But we know people also may want to serialize a longer story or thought, or provide ongoing commentary on an event or topic. That’s where this update to threads comes in!”

Yeah, so, about those Nazis tweeting though?

Ally Coalition’s Jan. 24 Talent Show Lineup Announced

Bleachers

Melinda Newman, writing for Billboard:

Grammy album of the year nominee Lorde, Kacey Musgraves, Bleachers, Shamir, Matt Berninger and Aaron Dessner of The National and Britt Daniel and Alex Fischel of Spoon have all signed on for The Ally Coalition’s 4th annual Talent Show, to take place Jan. 24 at New York’s Town Hall.

Bleachers’ Jack Antonoff will curate the Grammy week event, which will also feature comedians Aparna Nancherla and Phoebe Robinson, with more artists to be named.

Boston. Racism. Image. Reality.

Boston Globe

The Spotlight team at The Boston Globe have posted the first part in a series on racism in Boston:

Google the phrase “Most racist city,” and Boston pops up more than any other place, time and time again.

It may be easy to write that off as a meaningless digital snapshot of what people say about us, and what we say about ourselves — proof of little beyond the dated (or, hopefully, outdated) memories of Boston’s public and fierce school desegregation battles of the 1970s.

Except that Boston’s reputation problem goes much deeper than an online search. A national survey commissioned by the Globe this fall found that among eight major cities, black people ranked Boston as least welcoming to people of color. More than half — 54 percent — rated Boston as unwelcoming.

I’d call this a must read.

SoundCloud Reveals 2017 Data

Soundcloud

SoundCloud have released their 2017 year-end data:

We’ve amped up this year’s list for a total of 17 categories that touch every corner of the SoundCloud ecosystem, from hip-hop, pop, dance and rock, to what’s new, now and next in music culture. This year’s list celebrates the diverse creativity on the platform and within our community–everything from the buzziest tags in 2017 like ChillHop and Vaporwave, to the year’s most creative cities (welcome to the list Houston, Atlanta, Philadelphia and Seoul!).

Under Trump, E.P.A. Has Slowed Actions Against Polluters, and Put Limits on Enforcement Officers

The New York Times

The New York Times:

The documents, which were reviewed by The Times, indicate that E.P.A. enforcement officers across the country no longer have the authority to order certain air and water pollution tests, known as requests for information, without receiving permission from Washington. The tests are essential to building a case against polluters, the equivalent of the radar gun for state highway troopers.

Every Frame a Painting Shuts Down

YouTube

One of my favorite YouTube channels, Every Frame a Painting, has decided to call it a day. The two creators have shared a postmortem on Medium that’s full of some advice and a look behind-the-scenes at what went into making the videos:

Every Frame a Painting is officially dead. Nothing sinister; we just decided to end it, rather than keep on making stuff.

The existing videos will, of course, remain online. But there won’t be any new ones.

The following is the script for what was supposed to be the final episode, voiced by both Taylor and myself. We were never able to make it. But we think it may be useful to some of you making your own work on the Internet, so we’re publishing it here.

Apple Buys Shazam

Apple

Buzzfeed:

“We are thrilled that Shazam and its talented team will be joining Apple,” Apple spokesperson Tom Neumayr said in a statement to BuzzFeed News. “Since the launch of the App Store, Shazam has consistently ranked as one of the most popular apps for iOS. Today, it’s used by hundreds of millions of people around the world, across multiple platforms.”

I like this move for Apple as there’s lots of places Shazam’s technology can be used across their platform.

ISP Disclosures About Data Caps and Fees Eliminated by Net Neutrality Repeal

Jon Brodkin, writing at Ars Technica:

Because advertised prices often don’t reflect the full cost of service, the Federal Communications Commission in 2015 forced ISPs to be more transparent with customers about hidden fees and the consequences of exceeding data caps. The new requirements were part of the net neutrality rules—and are therefore going to be eliminated when the FCC votes to repeal the rules next week.

While FCC Chairman Ajit Pai is proposing to keep some of the commission’s existing disclosure rules and to impose some new disclosure requirements, ISPs won’t have to tell consumers exactly what everything will cost when they sign up for service.

Sigh.

Brian Fallon Talks About ‘Sleepwalkers’

Brian Fallon

Brian Fallon recently at down with Upset Magazine to talk about his new album:

Due for release in February, Sleepwalkers was recorded over the summer of 2017 with ’59 Sound producer Tedd Hutt. Despite the familiar faces, Fallon is still trying to push the way he writes songs in new directions. “I had these handclaps loops like drum loops. So I would start out with that kind of shuffle and look at it through the eyes of the punk rock that I grew up on and then add the Vox Continental [organ], writing riffs on that and almost using that riff as a loop, which I’ve never done before.”

“The record flipped a little bit from the more folk-oriented thing on Painkillers to a more R&B, punk-leaning thing. It’s such a drastic shift that you’ve got to get some different people and some new blood sometimes to do that because it requires a different finesse and a different perspective.”

Spoiler: I’m a fan, I think it’s a nice, confident step up from Painkillers.

Reports: YouTube to Launch New Music Subscription Service in March

YouTube

Lucas Shaw, writing at Bloomberg:

YouTube plans to introduce a paid music service in March, according to people familiar with the matter, a third attempt by parent company Alphabet Inc. to catch up with rivals Spotify and Apple Inc.

The new service could help appease record-industry executives who have pushed for more revenue from YouTube. Warner Music Group, one of the world’s three major record labels, has already signed on, said the people, who asked not to be identified discussing private talks. YouTube is also in talks with the two others, Sony Music Entertainment and Universal Music Group, and Merlin, a consortium of independent labels, the people said.

YouTube is already the de facto music service for a pretty large number of people. Can you get them to start paying for their music consumption? Seems like it’s not a new service those people are looking for, they like browsing and listening to music on YouTube.

Nate Ruess Working on Broadway Musical

Nate Ruess

According to a profile in Architectural Digest, Nate Ruess is currently writing a Broadway musical:

Ruess, who is currently writing a Broadway musical, frames the success of the project in terms of the apartment’s mood rather than the individual elements that create it. “The loft is civilized and comfortable. It’s not about a flashy moment or a photo op. It’s about real life—our life,” he says. Ronson adds, “Nothing feels overly modern or heavily traditional. The look is simply classic.”

Also, the basis of the article, his family’s home, is a pretty incredible sight.

What to Do With Brand New on End of the Year Lists

Brand New

Matt Melis, writing at Consequence of Sound:

There’s a glaring, Brand New-size hole in our year-end coverage. Many of you have noticed it. Indeed, anyone who has followed our take on the musical narrative of 2017 can tell a significant plot point has been torn out. Over the past several months, we’ve delved into the Long Island rock band’s legacy, celebrated their return on the suddenly dropped Science Fiction, and praised the band for their commitment to going out on their own terms. Hell, until allegations of sexual misconduct were brought by multiple women against frontman Jesse Lacey in early November, Brand New were set to place high on both our year-end albums and songs lists and even appeared on our shortlist for Band of the Year. None of which, given our coverage of the band, should surprise you, and all of which, despite allegations against Lacey, might disappoint, if not outright anger, some of you.

I thought this article, and the conversation within, does a good job of distilling where I’m at right now as well. The band won’t be on my end of the year list and a statement about why will be. The main reason is that I want two things at this point: To not use my platform and voice to promote this kind of behavior (the accusations themselves and the subsequent silence while women were harassed), and to make sure that this history is part of the band’s legacy as well. It can’t just be swept away and forgotten.

This passage in particular left me with a lot to think about as well:

Geffen believes it’s a personal choice to stop listening to a band’s music, but she doubts the legitimacy and value of separating music from its creators. “I don’t think artists and music are necessarily separate; it’s on a continuum. A huge part of the music economy in this country comes from live shows. It’s the physical presence of these artists,” explains Geffen. “If they can’t be given a stage or platform without abusing that power, they shouldn’t get to play. It seems pretty simple to me. Playing shows is part of the art, part of the story of the artist, so I don’t see what’s useful about drawing a line.”