Review: Circa Survive – The Amulet

Circa Survive - The Amulet

By all accounts, Circa Survive shouldn’t be here. The band’s frontman, Anthony Green, sometimes can’t even believe that the band has survived all the demons and turmoil over the course of their career. But Green and his bandmates have continually persevered through it all, alive and thriving with their sixth full-length album (and Hopeless Records debut) The Amulet, the band’s darkest and most personal piece of art yet.

The hazy opener, “Lustration,” begins with Green’s familiar croon before erupting into an unshakeable groove provided by drummer Steve Clifford. It’s a warning of sorts (“Beneath your finger nails/they’ll find small pieces of stone/you’ll face the sun/cut with the pressure point”) mixed in with Green’s desperate pleas (“I don’t want to be the anchor on your chest“ and “I don’t want to see the moment you forget”). Elsewhere, the album’s ominous vibe penetrates on tracks like “Premonition Of The Hex” and “At Night It Gets Worse,” with the latter being a career highlight. Its glacial pace slowly picks up as the implied dread increases, leaving the listener feeling uneasy. We also get some of Will Yip’s best production work ever – the thrilling guitar riff that kicks off “Stay” is incredibly crisp and Nick Beard’s bass work across the record (especially on the Juturna-esque “Tunnel Vision” ) is thoroughly killer, providing the backbone to the vast majority of The Amulet. Colin Frangicetto and Brendan Ekstrom’s dueling guitar acrobatics are a pleasure as well – “Never Tell A Soul” never lets up the pace as Green tears through the chorus.

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Review: Sammi Lanzetta – For Avery

Sammi Lanzetta

Sammi Lanzetta is undoubtedly a new, and welcome face in the rock scene. Her first song showed up on Bandcamp in May of 2016. “House Plants” instantly shows off what kind of artist she is, with a sound best described as “anxiety rock.” On her new EP, For Avery, we get a better exploration of this sound. The EP consists of four songs none run over two and a half minutes. Lanzetta gets right to the point and that gives the EP has a great flow.

“Circles” pulls no punches with its biting opening line: “Why are you such a misogynist? I would rather slit my throat than be stuck in a house with you.” Now, if that doesn’t tell you exactly what you’re diving into with For Avery, then I don’t know what would. While the lyrics bare it all, the music is painfully real as well. She sings about her fears, anxiety, and many more emotions in the relatively short amount of time of just four songs. “Anxiety Olympics” is completely upfront about being around other people her age and how she may pale in comparison. She wants to be better, but also doesn’t want it to feel like a competition. That just might be something we can all relate to, even for those of us who are competitive.

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Review: Phoebe Bridgers – Stranger In The Alps

Phoebe Bridgers

The connection found amongst shared interests within pop culture can be the catalyst for some of the strongest bonds in life. A terrible day capped off by the most mundane social event, spent staring at carpets with a drink in hand, can be altered by the moment another human mentions a band you love or nonchalantly slips a quote from your favorite sitcom into conversation; ears prick up from across the room, time stops for a second, a small spark and a “me too” moment occurs. In January of this year, 23-year-old Phoebe Bridgers released “Smoke Signals,” and it managed to hone in on that precise feeling. Packed with references to Bowie, Lemmy, Thoreau’s Walden, The Smiths, and a guitar line that emulates the Twin Peaks theme, the song encapsulates the warm-glow of discovering a connection via a first conversation with someone. It’s a masterclass in introspection and nostalgia that transcends boundaries in a way that it could soundtrack any one of our very own memory trips.

It’s this intimate, conversational approach of Bridgers that makes her debut album Stranger In The Alps a gut-punch of a triumph. The sheer candor and familiarity as foundations are rare to find but the listener has a goldmine here, resulting in one of the most rewarding and affecting records of the year.

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Maren Morris – “Dear Hate”

Maren Morris

Maren Morris has released her new song “Dear Hate” and dedicated the track to the victims in Las Vegas. She posted the track with the following statement:

I wrote this song 3 years ago, recorded it last year with Vince Gill, and always have fans asking when I’ll put it out. I never knew when would be the right time, but I realized today that there’s never a right time. Hate is everywhere, and I’m sick of not doing enough. In the darkest tunnel, there is still love & music. That’s what it’s here for. Here is Dear Hate. Any cent I see from this I’m donating to the Music City Cares Fund.

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