Review: Fall Out Boy – Lake Effect Kid

Fall Out Boy - Lake Effect Kid

“I love you, Chicago,” Patrick Stump of Fall Out Boy sings on the closing notes of the second track “City in a Garden,” and, in a lot of ways, Lake Effect Kid, is very much a love letter to Chicago and all of the band’s memories surrounding their city. Nostalgia aside, Fall Out Boy have shown that they have not peaked, and the Lake Effect Kid EP showcases some of their best work to date.

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Review: Foxing – Nearer My God

Foxing - Nearer My God

Conor Murphy is not fucking around – the end of the world is coming soon or at least it feels like it is every single day. Murphy carries a sense of impending dread throughout his band Foxing’s spectacular third album, Nearer My God – as if all of this could collapse at any minute. So if you’re gonna square up with the apocalypse then Foxing figured they might as well throw their best punch and create a stone cold classic. And, almost out of necessity, Nearer My God is exactly that.

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Review: Mitski – Be the Cowboy

Mitski - Be the Cowboy

Mitski Miyawaki (mononymously known as Mitski) is a powerhouse. The Japanese-American artist is only 27 years old, and her new album; Be The Cowboy is her fifth album in six years. Her 2016 album Puberty 2 was released to universal critical acclaim, single “Your Best American Girl” landed on multiple “best songs of 2016” lists, and starting in March this year, she joined Lorde as an opener for the New Zealand artist’s Melodrama World Tour. To say that Mitski has been having a hard working, busy, few years is an understatement. Within Be The Cowboy, there’s a new central focus for Mitski: the loneliness that accompanies a young woman as she relentlessly tours to continue being a musician for a living. Of course, her words are as sharp and powerful as ever. There’s no one who has so effectively mastered the art of explosive, endlessly fascinating songwriting. She switches between personifying fictional characters, while a number of tracks follow her relationship with music (“Geyser” and “Remember My Name” spring to mind) rather than other people, or herself. This is undoubtedly Mitski’s most ambitious album yet, and also the culmination of all her past work. The album has an unbelievable amount of musical ideas wrapped up inside it, and in any other artist’s hands, it might not work. Be The Cowboy is only 33 minutes long – only three songs are longer than two and a half minutes, but it all flows beautifully. All the ideas are anchored by ethereal vocals and haunting lyrical gems. Just looking at the singles, it’s clear that Mitski is confident in making yet another sonic departure. Take second single “Nobody”; an infectious disco-pop banger that’s nothing like anything else in her discography. Album opener “Geyser” is bombastic and combines the piano and organ found in her first two records, Lush and Retired From Sad, New Career In Business and joining them is the crashing, distorted guitars that defined her breakout album, Bury Me At Make Out Creek. Final single “Two Slow Dancers” is a gorgeous, nostalgic piano ballad. There’s no one who tackles nostalgia and loneliness like Mitski.

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Review: Calpurnia – Scout

Calpurnia - Scout

On Calpurnia’s debut album, Scout, the four-piece group from Vancouver, Canada show off their garage-rock influences and showcase the promise of a very talented, young band. The band consists of vocalist/guitarist Finn Wolfhard (from Stranger Things), drummer Malcolm Craig, bassist Jack Anderson, and Ayla Tesler-Mabe rounding out the group on guitar and backing vocals. To simply write-off this group simply based on their age would be a big disservice to yourself and Calpurnia.

The EP itself was recorded under the tutelage of producer Cadien Lake James (of Twin Peaks), and what he is able to get out of the four youngsters is remarkable. Not to say that Calpurnia were not capable of this album without James, but the polish and sheen that comes through the speakers is really amazing.

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Review: Silverstein – When Broken Is Easily Fixed

Silverstein

Looking back 15 years from Silverstein’s debut album is an interesting experiment, now knowing all of the great work they have put forth since. When Broken is Easily Fixed was a compilation of the band’s early EPs, Summer’s Stellar Gaze (2000) and When the Shadows Beam (2002), that were re-recorded for Victory Records under the tutelage of producer Justin Koop. The LP itself went on to sell over 200,000 units, far surpassing any expectations.

I first discovered Silverstein when my college roommate told me I needed to check out this new band on Victory Records named after a children’s book author (Shel Silverstein). That first song he played for me was “Bleeds No More.” I was immediately drawn into the aggressiveness of the track, from the dual-guitar attack of Neil Boshart and Josh Bradford, to the carefully placed screams of Shane Told, the track just clicked. Then as I began to investigate the other songs on When Broken is Easily Fixed, I became drawn to songs such as “Red Light Pledge” and “Wish I Could Forget You,” each with their own personalities and intricate guitar work, precise drumming, and incredible hooks. I really appreciated what Silverstein was aiming for on this release, and I knew that this band in particular was going to do something great in their career.

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