Advertisement blocked. I get it, ads suck. However, this website is run by one person and these ads are the only way we can keep publishing. If you like this website, please consider becoming a supporting member to remove the ads or safelist the website in your content blocker, we will not be able to exist otherwise.

Review: Red Hot Chili Peppers – The Getaway

Sometimes with the Red Hot Chili Peppers, it’s best to think of Anthony Kiedis and his vocal lines as just another instrument in the mix. There’s at least a little bit of evidence that the frontman views himself that way, too. As New York Times journalist Nate Chinen wrote in his review of the Peppers’ new album, The Getaway, Kiedis “writes lyrics with rhythmic cadence first and foremost, which means that there will always be bursts of babble.” RHCP have always been a band whose foundation is rhythm, from their early days as a funk band to their transition into more conventional alt-rock territory with 1999’s Californication. With a rhythm section as talented and dynamic as Flea and Chad Smith, it’s tough to blame Kiedis for wanting to write lyrics that allow for better beat and syncopation. The negative consequence to that impulse is that Kiedis is very frequently singing lyrics that, while they might mean something to him, don’t carry much weight for the average listener.

Read More “Red Hot Chili Peppers – The Getaway”

Advertisement blocked. I get it, ads suck. However, this website is run by one person and these ads are the only way we can keep publishing. If you like this website, please consider becoming a supporting member to remove the ads or safelist the website in your content blocker, we will not be able to exist otherwise.

Review: Gates – Parallel Lives

Gates - Parallel Lines

My favorite moments in music are the ones that feel transcendent; the ones that seem to transport, envelop, and transform your circumstances as you sit down to experience them.

These moments can come in many forms. For many people, an exceptionally crafted heavy moment, like a climactic bridge or a breakdown in a metal song, can bring that world-changing experience. For others, it may come in the form of a delicate and spacious quiet song which allows the listener to drift off into restfulness or meditate.

One thing that drew me to the overlapping genres of post-rock, ambient, and post-hardcore music is that this sense of place, this tangible connection with the structure of a listening experience, and this focus on the audience’s interaction with the music, felt innately immersive to me. Listening to the songs by these artists, whether or not they were purely instrumental, allowed me to pour myself into the music, experience it fully, and it allowed the music to pour itself into me.

Read More “Gates – Parallel Lives”

Advertisement blocked. I get it, ads suck. However, this website is run by one person and these ads are the only way we can keep publishing. If you like this website, please consider becoming a supporting member to remove the ads or safelist the website in your content blocker, we will not be able to exist otherwise.
Advertisement blocked. I get it, ads suck. However, this website is run by one person and these ads are the only way we can keep publishing. If you like this website, please consider becoming a supporting member to remove the ads or safelist the website in your content blocker, we will not be able to exist otherwise.
Advertisement blocked. I get it, ads suck. However, this website is run by one person and these ads are the only way we can keep publishing. If you like this website, please consider becoming a supporting member to remove the ads or safelist the website in your content blocker, we will not be able to exist otherwise.