Review: La La Land

La La Land

I don’t write a lot of film reviews, partially because I write for a music website and partially because I’m not usually on top of new releases enough to prepare anything that is particularly timely or relevant. But I just had to sit down and write something about La La Land, simply because I can’t remember the last time I loved a move so wholeheartedly.

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Blink-182 Talk Deluxe ‘California’ and More

Blink-182

Blink-182 sat down with Billboard to talk about their Grammy nomination and the upcoming deluxe edition of California:

It’s almost, it’s more than a whole other record, it’s a double album at this point and it’s more of an extension of what we did in the studio earlier. Some of the songs were songs that we did not put on the first album, but are great songs. And some are brand new that we just wrote last week, a lot of high-energy songs, punk rock, some more ballad-y songs, a little more electronic experimentation, it’s a good mix. It’s not a collection of throwaway songs, it’s like a whole other album.

And:

Yeah, there are like four songs that didn’t make the album that we’re putting on there. But then there are brand-new songs like “Wildfire” and “Parking Lot” and “Misery” that are all so f—ing strong, man. It’s amazing. We started writing maybe a week and a half ago and I think we have 14 songs. It’s a good problem to have. I’m really excited about this deluxe edition. It’s gonna be incredible.

Ok, I’m sold.

Review: The Love Witch

The Love Witch

No film in 2016 is more gorgeous to watch than The Love Witch, shot in 35mm and stylized so precisely in every aspect. From the stunning costumes to the popping colors of the cinematography, the carefully constructed sets and the way light shines so perfectly on every object the characters interact with, the film is a visual masterwork. Director Anna Biller, who also wrote the script, edited the film, decorated the sets, and made the costumes, has brought to life an aesthetic vision unlike anything else made this year. Every frame is glorious, the cinematography so absurdly beautiful, an audience is hypnotized. Transfixed by such a magnificent visual work, we’re taken along for a ride for a film about a witch who endlessly seduces men and then, when each one inevitably disappoints her, kills them.

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Tegan and Sara Start LGBTQ Foundation

Tegan and Sara

Tegan and Sara have launched a LGBTQ foundation for women and girls.

Through the Tegan and Sara Foundation, we can be proactive with our support rather than wait to react to discrimination as it occurs. We will support the work of other organizations who have been fighting for LGBTQ and women’s rights by raising funds and awareness for their initiatives. We will fight against the repressive legislation of the incoming Trump administration. We will fight against regressive homophobic, transphobic, and misogynistic legislation. We will fight for economic, racial and gender justice. We started the Foundation to dismantle the systems of inequity that prevent LGBTQ girls and women from reaching their full potential. Together, we can make a difference.

You can donate here.

Review: Bon Iver – 22, A Million

Bon Iver - 22 a Million

The first time I heard 22, A Million, the long-awaited third album from Bon Iver, I hated it. To my ears, it sounded like a formless mess, devoid of any clear highlights (at least on the level of the best songs from Justin Vernon’s previous albums) and frequently undone by head-scratching production choices. Granted, I was listening to a shitty rip of a shitty stream that had leaked to the internet months in advance. I’d also had my expectations sent through the roof by live recordings of the band’s full playthrough of the record at this year’s Eaux Claires music festival. Even an amateur audience recording of the performance captured the magic of the new songs and made it sound like 22, A Million—despite arriving on five years’ worth of built up anticipation—was going to live up to my every expectation. Hearing the same songs in studio form didn’t hit me the same way, and I spent months considering 22, A Million my biggest disappointment of the year as a result. Even after the album officially released in September and I finally got to hear a full-quality version, I heard it as a distinct step down from its two predecessors.

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