RIAA Singles Out Discord and Telegram

Legal

The RIAA has singled out Discord and Telegram as “notorious markets” for pre-release piracy:

“Messaging platforms Telegram and Discord have become the primary mechanisms through which pre-release music is distributed without authorization,” wrote the RIAA. “Through private and semi-private communities, organized, global groups engage in hacking, social engineering, and other methods to obtain pre-release music and, in many cases, sell this illegally obtained material for thousands of dollars.”

Review: Thrice – Horizons/West

Thrice - Horizons/West

Thrice have never been strangers to taking a leap of faith in their career. From the early metal days of crowds shouting at them to “Play ‘Deadbolt!'” from The Illusion of Safety, to the risk/reward effort found on Vheissu, all put on a spin cycle throughout their stunning post-hiatus output that includes some of my favorite records of all time, Thrice keep on truckin’ along with veteran ease on Horizons/West. A direct sequel to the sound and direction the band took on Horizons/East, I feel like this second part is a better version of Thrice and finds them reaching deep into their bag of tricks while not losing the magic that made them such a fun band to be a fan of in the first place. “This is the first time we leaned into something that felt like a direct continuation, like a sequel to a previous album,” says frontman Dustin Kensrue. “A lot of this record is about parsing reality,” Kensrue explains. “We’re constantly being influenced by algorithms, by fear, by our own social echo chambers. Horizons/West tries to pull the curtain back on some of that. We’ve always just followed our curiosity, wherever it leads. We want to keep growing, exploring, and making something that feels honest to who we are right now.” By keeping their artistic integrity firmly intact, Thrice quickly showcase why they’re one of the best and consistent bands to ever grace our scene.

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The Format Announce New Album

The Format

Target have put up The Format’s new album, Boycott Heaven, for pre-order.

After nearly two decades apart, Nate Ruess and Sam Means return to The Format, the indie pop band they helmed in the early 2000s. Teaming with Grammy-winning producer Brendan O’Brien (Pearl Jam, Bruce Springsteen, The Killers) and drummer Matt Chamberlain (who’s played with David Bowie, Bob Dylan, and others), the duo’s third album Boycott Heaven incorporates sonic nods to the alt-rock, grunge, and pop-punk sounds that Sam and Nate first bonded over as Arizona teenagers in the late 90s

Due out January 23rd. The band performs on The Tonight Show tonight.

UPDATE • Oct 6, 2025

Official pre-orders from the band are now up. And the band have shared the new single “Holy Roller.”

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Thank You For Being Annoying

Adam Mastroianni:

I think annoyance, like cholesterol, has a good kind and a bad kind. The bad kind makes you want to flee: backed-up traffic, crying babies on planes, colleagues who say they can use Excel when really they mean they’ve heard of Excel. But the good kind of annoyance draws you in rather than driving you away. It’s that feeling you get when there’s something you can and must make right, the way some people feel when they see a picture frame that’s just a bit askew, except a lot more and all the time. 

Whenever I fix the thing that’s annoying me, it does feel “fun”, I guess, but it’s not fun in the way that, say, going down a waterslide is fun. It’s a textured pleasure, the kind of enjoyment I assume that whiskey enthusiasts get from drinking extremely peaty, smoky scotch—on the one hand, it burns, but on the other hand, I kinda like how it burns.

Good annoyance is, I think, the only thing that keeps people coming back for more, indefinitely. There is nothing that a human with a normally-functioning brain can do for eight hours a day, every day, for their whole career, that feels “fun” the whole time, or even a large fraction of the time. We’re just too good at adapting to things. And thank God, because if we never got bored, we never would have survived. Our ancestors would have spent their days staring doe-eyed and slack-jawed at, like, a really pretty leaf or something, and they would have gotten eaten by leopards. Fun fades, but irritation is infinite.

I feel the urge to quote this whole thing.

The Queen of Selling

Taylor Swift

Taylor Swift’s new album brought in over $33 million at the box office and 2.7 million day-one album sales.

Taylor Swift’s The Life of a Showgirl launch has shown once again that it’s Taylor’s world and the rest of us are just living in it. The special album release event dwarfed the competition at the box office over the weekend, debuting to an impressive $33 million domestic and $13 million overseas. That’s a record-breaking number for what is neither a concert film nor a documentary, but a timed promotional event for the release of her new album.

The album dropped on Friday and is already setting records. After just one day, The Life of a Showgirl has secured the second-highest weekly sales for any album since tracking of such things began in the early 1990s. Billboard’s Luminate reported that the album sold 2.7 million copies on Friday alone.

Future Ruins Festival Canceled

Festival

The Future Ruins festival has been canceled.

Unfortunately Future Ruins will not move forward this year. The reality is, due to a number of logistical challenges and complications, we feel we cannot provide the experience that’s defined what this event was always intended to be. Rather than compromise, we’re choosing to re-think and re-evaluate. Meanwhile, we are sorry for any inconvenience and appreciate all the interest and support. Refunds will be automatically issued and ticket holders will receive an email with more information