Today is a great day to introduce everyone to indie-pop artist, Bets, and share her new video called “Add It Up.” On this moody Violent Femmes cover, Bets (the moniker of Betsy Hershey) channels her love for lush musical landscapes paired with breathtaking vocals. I was also able to catch up Bets for a brief interview below.
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On the fifth studio album by the charming indie-rock band, Ratboys, called The Window, the band expand up on the ideas that they tinkered with on the preceding record, Happy Birthday, Ratboy, with a matured sound. The band chose to work with Chris Walla (Death Cab For Cutie, Snarls) on The Window and it would mark the first time they would record directly onto tape. Ratboys had first met Walla on a tour stop in Montreal, and he agreed to produce the album in 2021, while they sent voice memos of early demos of the songs that would end up on this record. Through the advice that Walla gave the band, Ratboys would record these songs in Walla’s Seattle studio that really jump off the speakers with veteran ease. The stylistic choices on The Window range from straight-forward indie rock, punk, grunge, to a more alt-country sound that fit well within the vocal range and capabilities of lead vocalist/guitarist Julia Steiner. The band appears to be gaining confidence at just the right moment in their trajectory, which makes it a fun time to be a fan of Ratboys.
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Today is a great day to share the latest single from art-pop solo project, Careful, called “I Don’t Mind.” Careful comes from the mind of multi-instrumentalist Eric Lindley, and he weaves a tangled web of musical landscapes similar to established artists like Mitski and Surfjan Stevens. Lindley shared, “For the sound of the song, I tried to keep a wide distance between the two moods: a very private, dry sound that really felt bare and alone for the “sad” parts, and a more soaring feel for the others—like you could hear Beyoncé or Adele singing the vocal, but the backing is closer to the digital decay of Crystal Castles.” If you’re enjoying this latest single from Careful, his full EP will be released on September 22nd called Promise / Practice.
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Today I’m so excited to share with everyone the latest single from ultra-talented singer-songwriter Zach Berkman, called “Alone.” With a rustic sound that fits well within the realm of Surfjan Stevens, paired with the vivid musical storytelling of Bruce Springsteen, Zach Berkman could be your next favorite artist. The song tackles the theme of a crumbling relationship, where Zach noticed that things were quickly slipping away. He shared:
”Alone” came along at the beginning of the end of a relationship, just when I knew I could feel something slipping away and when I still hoped I could fix it. The verses describe a crumbling house as a metaphor for a crumbling love. The crooked pictures and fading marks of a thing untended. I thought about my grandparent’s old farmhouse where we made these recordings, left dusty and in disrepair for so long then restored and renewed, and I wondered whether you could do that with people. I know that when I wrote the song, the chorus was meant to be sung to someone else. It’s all in the second person, but I hear and sing those lyrics now as directed to self. The repeats of the title are at once mantra, warning, and a facing of fear. If we can’t reconcile our differences, we will end up Alone.
If you’re enjoying this latest single, you’ll be happy to know that Zach Berkman’s new album has been announced for release on November 10th via Brooklyn Basement Records, and it is called The Heart Of.
Read More “Zach Berkman – “Alone” (Song Premiere)”
Recently I was able to connect with comedian Neil Rubenstein to discuss his recent performance at Adjacent Festival. Additionally, I asked Neil about the best way to deal with hecklers, his favorite bands in the music scene, as well as a preview of his comedy special Have Some Dignity. The special will go live on YouTube today at 7pm Eastern.
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The fourth studio album from metalcore band, Blessthefall, called Hollow Bodies was produced by Joey Sturgis (The Devil Wears Prada, Asking Alexandria) and showcased a band moving their sound closer to a blend between metal and electronica. Having listened to it again with fresh ears, albeit ten years later, the record still holds up. The sound is reminiscent of the electronica found on early Underoath albums, paired with the slick guitar hooks of Escape the Fate, and the metal-tinged leanings of Bullet For My Valentine. It all works out surprisingly well, and features the same lineup as their third album, Awakening, for the first time in consecutive records for the band. The set was released via Fearless Records and would spawn two singles, “You Wear A Crown But You’re No King” and “Deja Vu,” and debuted at #1 on the Billboard Hard Rock Albums charts. While Blessthefall wear their influences clearly on their sleeves, the product that comes out of it still feels unique and ambitious.
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Recently I was able to catch up with Evan Lawrence, better known as 13th Law, to ask him the details behind his great new summer single “It’s Alright.” In the interview, this talented artist opened up about his music upbringing, he explained the differences in writing for Babyfang versus his solo project, as well as what fans can be on the lookout for as the year unfolds. 13th Law’s latest single, “LightRun” is out now wherever you stream your music.
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Today I’m thrilled to introduce everyone to Matthew Lowry, a talented singer-songwriter who is bringing a lot of Florida sunshine everyone’s way on the shimmering new single, “Coming For You.” The song has a nod to the Foo Fighters’ style of humor, paired with the picturesque music storytelling of Ben Folds and the pop sheen of Elton John. Lowry shared:
I knew right away when I wrote the riff for this song that I needed to follow through on it. It was so much fun from the start because, for a long time, my songwriting had been missing the hard rock that I grew up loving. The stuff that made me want to put a guitar on. A little Southern flare mixed with the rock anthems I blasted throughout my entire childhood. No better way to be honest with yourself and move forward than to let out the real stuff you have inside. And since this album is about that journey to embrace yourself and move forward in life, it was perfect. Once this was tracked in the studio, that feeling I had from the start was confirmed. I wanted this to be the final single before the album came out. Lyrically, it’s pretty straightforward: I’m over trying to be anything for anyone. No more fear, no more paranoia. I’m bringing my shit front and center. This is me, this is my music, this is who I am. Then to be really me, we knew that we wanted to make the video as ridiculous and goofy as we could. Since I started planning the album, I had this idea for the “Flamingo County Games” as a Jackass style backwoods Florida Olympics. A bit of a nod to the Foo Fighters in their golden era of amazing music videos with those huge rock anthems. In the end, it all came together, and I honestly could not be happier.
Matthew Lowry’s latest track comes from his new LP, Flamingo County, due out on September 15th.
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Today is a great day to share the latest single from Coma Girls, called “Candles.” Coma Girls is the moniker of songwriter Chris Spino, and he tackles the themes of addiction, recovery, and wanting to be a better person with grace and poise. On this journey of self-reflection that is drenched in great guitar sounds and soothing vocals, Coma Girls showcase his staying power in the music scene. When speaking on his latest single, Spino shared:
’Candles’ was one of the first songs I recorded for the album. It was also the only one that we ended up re-recording when the album was close to being finished. The original version was very upbeat. We ended up slowing it down. We made the drums more fat and in the pocket, right from the jump of it. The lead guitar part is very inspired by picky guitar players, such as Kurt Vile, that use their fingers rather than a pick. The backing vocals are stacked harmonies that are meant to sound choral, haunting, and continuous throughout the song. The lyrics are very bittersweet. It’s talking about loving someone and always having their back, even though you know that you shouldn’t. It eventually shakes out in the end, which causes a lot of emotional inner conflict.The song takes a sharp left turn towards the end. The distorted guitars come in abruptly. The drums break out, very loudly, into a wall of sound. The chanting mantra, “leave your candles lit, my pain keeps burning on and on and on,” is grief expressed through the death of an ideal, and the struggle that comes along with that afterward. It’s very unsettling to resolve these feelings within myself without the confirmation or acknowledgment of those who disappointed me. It takes a lot of self-work to cope with. Ultimately, a part of me had to die in order to detach myself from whatever toxic environments I was once clinging to. In doing that, I have a new life as a result. As scary as it was at first, it turned out to be very exciting and was the cause of a lot of growth and motivation. I’d been messed up. I participated in so much nonsense in my life. Once I decided to do things differently, there was a real struggle that took place. I think that’s what this song speaks to.
If you’re enjoying the direction of Coma Girls latest track, you can check out more music from this talented artist when his new LP, Crystal Pistol, drops on October 13th.
Read More “Coma Girls – “Candles” (Song Premiere)”
The Richmond-based trio, Broadside, has returned with a great new single called “Bang” via SharpTone Records. The song features a great guest vocal appearance by Josh Roberts, and continues the sonic exploration of the sound that Broadside tinkered with on their last single (“Cruel”). The track opens with an eerie guitar riff paired with the vulnerable lyrics of, “Hang my head out the window / Watching the cars go / Hoping that one of them / Would change my life / They say it’s all that ego keeping your feet cold / I should listen to my daddy’s advice / I bite my tongue until the blood is running down my chest,” before exploding into a crowd-pleasing chorus. The electric new single was produced, mixed and mastered by Andrew Wade, and he gets a powerful performance out of the talented band.
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Today I’m so excited to share with everyone the latest single from ultra-talented songwriter, RYTERBAND, called “Camouflage.” The song comes from his forthcoming EP, Echoes, that will be released everywhere music is sold on November 3rd. With a sound that fits within the same realm as Bon Iver and James Blake, RYTERBAND has all the makings of a star. When speaking on his new single, he shared:
As a kid, I was afraid to take risks. Only by focusing on the pain of missed opportunities was I able to escape my own numbness and justify being myself. These days, I cherish authenticity and boldness. I wrote ‘Camouflage’ as a cautionary tale and a reminder to us all. It’s too easy to let life slip by half-lived. I hope this song inspires people to be themselves.
As a composer, music editor, and songwriter, RYTERBAND’s work also graces over 50 TV shows and films, including hits like Euphoria, Brooklyn 99, and The Umbrella Academy.
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Today is a great day to share the latest single/video from indie-pop artist, Caicos, called “Subsequent Footprint.” The track features a great collaboration from Philly rapper, Lojii, and makes an immediate impact on the music scene. The single comes from the forthcoming LP Ascension Intention, that will be released everywhere music is sold on September 15th. I was also able to catch up with Caicos for a brief interview below.
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On the third studio album from M.A.G.S., called Destroyer, Elliott Douglas has destruction clearly on his mind. The majority of the record tackles the themes of self-destruction and personal growth, while also allowing room for some social commentary. Douglas shared his perspective on Destroyer by explaining, “I want my listeners to be immersed in the desolation and chaos of this world, I want them to come face to face with the ugly truth…the dark underbelly of their subconscious…all the internalized trauma and destruction. And I want them to be smiling as they face it, because they can see they are not being swallowed by their darkness but that they are, in fact, holding it in the palm of their hand.” From the artwork depicting an “end of days” scenario of tornadoes touching down on a field of flowers, everything clicks directly into place on this fully-realized record that is filled with experimentation and creativity. While his last album, Say Things That Matter, was a breezy, pop-oriented LP that found Douglas growing more comfortable in his singing voice, Destroyer embraces the chaos in the most thrilling way possible.
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Recently I was able to schedule an interview with Los Angeles-based duo, John Sinclair and Fil Thorpe, who go by the name of World’s First Cinema. In this interview, I asked them about the style of their music, how they do most of their songwriting, and their plans for touring. World’s First Cinema fit well in the realm of the theatrics of Panic! at the Disco, paired with the hooks of Motion City Soundtrack, but they really have a style that needs to be heard to get the full experience.
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Today is a great day to introduce everyone to Oh He Dead, a DC-based indie soul band who are preparing to release their sophomore LP Pretty on September 15th. Their latest single, “Lightning Drunk” captures the feeling of falling head-first in love without thinking about any of the negative consequences. It has a sound that infuses the neo-soul of Earth, Wind & Fire, paired with the picturesque dreamy vibes of Fleetwood Mac, all with a modern twist of Amy Winehouse-stylized vibes. Band member Andy Valenti shared:
I can’t remember who said it first, but someone uttered the phrase “Lightning Drunk,” and it just fit so well. I loved the idea of falling in love with lightning. Getting addicted to something so intense, bright, exciting, and dangerous. It felt like a great iteration of the “electric love” lyric that is perhaps a bit cliche. CJ really spearheaded the verse vocals on this one, but I remember working on them with her in my basement apartment, just visualizing all of the different ways that getting struck by lightning feels like a dangerously exciting romance.
If you’re ready to fall head over heels in love with your next favorite band, Oh He Dead is here for you.
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