Interview: Ben Liebsch of You, Me, and Everyone We Know

Ben Leibsch

Recently I was able to connect with Ben Liebsch of You, Me and Everyone We Know for an interview discussing his band’s great new album called Something Heavy. The album hits the streets this Friday, and Ben and I discussed his unique writing process for this record, the choice to bring in outside collaborators, as well as his advice for others struggling with their mental health during this ultra-tough period of time.

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Interview: Hannah Joy of Middle Kids

Middle Kids

This past week, I was able to connect on Zoom with lead vocalist and guitarist of Middle Kids, Hannah Joy, before her band got set to leave for a comprehensive headlining tour of the United States. In this interview, we talked a lot about each of the songs from Today We’re The Greatest, the songs that she felt will most connect with fans on this tour, and the cool story behind playing with right-handed guitars even though she is left-handed. Middle Kids will be starting their headlining tour this month.

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Review: Thrice – Major/Minor

Is there a more reliable rock band than Thrice? The band was consistently delivering landmark album after landmark album in the wake of Vheissu, the ambitious The Alchemy Index, and one of my all-time favorite Thrice albums in Beggars. The band approached their eighth studio album, Major/Minor, with veteran poise under the leadership of producer/mixer/engineer Dave Schiffman, who also oversaw Vheissu (audio engineer) and Beggars (mixer). Vocalist/guitarist Dustin Kensrue described their choice of producer in an Alternative Press interview where he said, “We had him come down to our practice space when all the songs were kind of being played and [he] just kind of listened through and talked about them and made a couple changes based on little things said here or there, but it was really minimal in that regard. He was mostly just bringing his experience as an engineer and mixer, just knowing how to get the sounds nailed down. We’re really comfortable with him.” This comfort that Thrice felt with Schiffman pays major dividends as the band continued their mean streak of solid-sounding albums.

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Review: Longsleeves – Joyrider

It’s commonplace for me to be pitched new bands looking for my thoughts on their music, and I can’t help but feel flattered by the number of submissions I’ve received since I started writing for this site. It makes my job that much easier when being presented with music that immediately shimmers through the speakers as it does on Longsleeves debut EP, entitled Joyrider. The band is comprised of vocalist/bassist Austin Fontenot, guitarist Curtis Allison, guitarist Kyle Bauer, and drummer Matt Francis, and their charming debut is somewhere between a mix of early-Hawthorne Heights emo mixed with the polished grunge of 90’s rock acts like Smashing Pumpkins all blended with the radio-ready hooks of Gin Blossoms. The Norfolk, Virginia band has plenty to like on Joyrider, and Longsleeves are one of my “bands to watch” as their career in music seem poised for future success.

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Review: Chvrches – Screen Violence

It’s been written several times over the course of music history that an artist’s most important album is their current one, since it has the potential to make or break their career depending on the commercial and fan reaction to their product. In a lot of ways, a band usually makes their next album as a reaction to the one that came before it, and that rings very true on Screen Violence. CHVRCHES released their third record, Love is Dead, to a mixed bag of reviews with some reviewers claiming it was a step back from their early magic found. I personally didn’t see Love Is Dead as a step back, but after hearing the major step forward on Screen Violence, I can at least see where some of those reviewers were coming from. Screen Violence is a direct reaction to society’s obsession with others reactions to social media posts, how the media portrays major news events, as well as keeping our own mental health balanced through all of the distractions that exist in our world. With so much “noise” in today’s world, it was only a matter of time before this band made one of their boldest artistic statements to date on their fourth full-length record that shatters even the highest of expectations for where they could take their sound.

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Review: Lovebreakers – Primary Colours

Lovebreakers - Primary Colours

On the debut record from the power-pop band Lovebreakers, they channel summer vibes and great guitar hooks into a crowd pleasing package. Primary Colours was produced/engineered by veteran Davey Warsop (Green Day, Foo Fighters, Weezer), and he gets a great performance on each of the ten tracks from this four-piece unit. The band plans to hit the road next year in support of punk rock legends Social Distortion. With such a tight-knit group of songs found on this debut, it should only be a matter of time before many others catch on to Lovebreakers’ greatness.

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Kitner – “Junebug” (Video Premiere)

Kitner

Today, I’m pleased to share the latest video from New England’s finest, Kitner, with their single “Junebug.” In this Dawson’s Creek-stylized summery video, the band wanted to capture the essence of the song taken from their October 1st release Shake The Spins. The band shared this about the video:

”Kitner Creek” came together over the course of a week in the best and brightest parts of New England. The warm and fuzzy “before times” gig was filmed at Big Nice Studios in Rhode Island on a 100+ degree day (thanks to owner Brad Krieger for the use of the space and the ice pops!) The meta “music video brainstorm Zoom” scene, and James going into the TV, were filmed at Brianne and James’s house in Merrimack Valley. The scenes of the band frolicking in and around the beach were filmed on Old Orchard Beach in Maine, which gave us the Dawson’s Creek-style vibes we were aiming for with director Cait Brown and DP Chris Tremblay. We hope the video gives you the same sense of nostalgia, friendship, and fun that the song “Junebug” evokes, and that the fun we had making this video with new friends and old shines through your screen.

If you enjoy the single as much as I do, be sure to pre-order it here.

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Review: Out of Service – Shelter

The last time I sat down to write about one of my favorite and newest emo bands called Out of Service, I fell head over heels with being enamored by their debut Burden. Fast forward to 2021, and I am given a massive clue of new music on the horizon when I tagged the band in a post about new and exciting emo bands that pack plenty of musicianship, and none of that nasty controversy. Once I had this single for “Shelter” fall into my lap, I must’ve played the track at least three of four times to appreciate its slow-building beauty and great song structure. Now that the single has been released into the world as of yesterday, I can only imagine how everyone will be receiving the news of this band’s triumphant return. Out of Service are back, and sound as focused and as poised as they’ve ever been.

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Interview: The Slang

The Slang

Recently I was able to schedule a Zoom interview with DC rockers, The Slang (John Bobo and Felix Nieto) before they release their debut LP called Divide. In this interview, I asked them about the songwriting process for their debut record, the comparisons some have made to their slick pop-rock sound, how genre lines continue to blend, and also what went into their music video shoot for “Nothing Lasts Forever.” Pre-orders are now up for Divide.

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Review: M.A.G.S. – Say Things That Matter

When I last caught up with M.A.G.S. (the moniker for Elliott Douglas), his anticipation for his next album Say Things That Matter was utterly infectious. After hearing the rest of the material on this LP, it’s easy to see just why he would be so excited for the rest of the world to hear these songs. From the summer swagger of “Choked Out,” the pop guitar-driven rock brilliance of “Smile,” to the possible best song of his career in “Beg,” all of the singles connected with me on both a personal and spiritual level that I was not originally anticipating. M.A.G.S. is hitting the road this fall on a tour with The Happy Fits and Snarls, and it’s only a matter of time before the masses understand his brilliance in his songwriting.

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Interview: Jameson Ketchum

Jameson Ketchum

After the release of his popular book called Name Dropping: Seeking Creative Truth Through Trendy Altruism and Punk Rock, I was able to connect with author Jameson Ketchum for a great conversation. In this interview, we discussed how this semi-memoir came together, the bands he spent time with including Taking Back Sunday, The Used, and Fallstar, as well as what other projects he has in the works. Jameson Ketchum’s book is available now on Amazon for purchase, and I’d highly recommend everyone interested in what goes on during tours check out this great book.

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Interview: Lee DeWyze

Lee DeWyze

Recently I was able to chat with veteran singer-songwriter Lee DeWyze before he embarked on his US tour in support of his latest record, Ghost Stories. In this detailed conversation, Lee and I discussed how the pandemic influenced the material found on the album, his noticeable growth as a songwriter in songs like the title track, his recent TV/movie syncs he’s completed, and artists that he admires in today’s music scene. Lee DeWyze begins his 35-city Ghost Stories tour the day after the record is released on August 13th. Pre-orders are available here.

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Review: The Difference Between – Detach: Envenom

The latest emo/post-hardcore “supergroup” comes now in the form of The Difference Between on their debut EP Detach: Envenom. The band is comprised of the ever-familiar vocals of founding vocalist of Emarosa (Chris Roberts), guitarist Chris Wethington, bassist Garrett Harper (both of Softspoken), and drummer Cody Frain (of A Scent Like Wolves). On this heavy, yet incredibly moving EP, The Difference Between embrace their lofty goals for their aggressive sound, and utilize their past projects into a crowd-pleasing musical package on these three songs.

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Review: Lakes – Start Again

Coming off of the critically praised The Constance LP, Lakes have returned with another full length album called Start Again. For those unfamiliar with the UK-based indie rockers, they are comprised of lead vocalist/guitarist Roberto Cappellina, vocalist/keyboardist/percussionist Blue Jenkins, drums/percussionist/guitarist Matt Shaw, bassist Charlie Smith, guitarist Rob Vacher and guitarist Gareth Arthur. Start Again was produced/mixed by Neil Strauch (Joan of Arc, Owls) and is a detailed exploration of topical themes like dealing with our mental health, the struggles with addiction, and making the tough decisions of getting rid of toxic friendships. Lakes are in the same realm of emo/indie bands like American Football, Stove, and Barely Civil. Your latest music obsession has arrived.

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The Metamorphosis Of Billie Eilish: From Bedroom Pop To Global Phenomenon

Billie Eilish

Recently, I teamed up with my fellow contributors to discuss the latest album from Billie Eilish, called Happier Than Ever. Much like other comparative articles like the one on the recent Modest Mouse record, I provided a template of questions for each of the writers to respond to. Here is our conversation on Happier Than Ever, which we have affectionately titled: The Metamorphosis of Billie Eilish: From Bedroom Pop to Global Phenomenon.

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