Interview: Katerina Nicole

I’d like to introduce everyone to ambient rock artist, Katerina Nicole, whose debut EP, Serene In Violent Oceans, is a solid mix of heavy styles similar to Spiritbox, paired with the songwriting sensibilities of Charlotte Sands, all with a style all of her own. I asked Katerina about her great new single called “Emotionally,” the meaning behind the EP title, and what she hopes fans will take away from listening to her dynamic music. If you’re enjoying the new single, please consider streaming her EP here.

Adam Grundy 3 months ago

Losing a loved one can bring out so many emotions that we didn’t know that we even had inside of us. On her heartfelt tribute to her mother who passed away from cancer, Lily Meola has returned with a new EP, affectionately labeled as Postcards To Heaven. Meola shared, “Since losing my mom, writing music has been a form of therapy for me. These songs stem from my grief and the everlasting longing I have to communicate with her. I decided to put these out on her birthday as a way to dampen the heartache that this day brings and to honor her. I hope that sharing these songs will help others who are facing grief.” By creating a touching EP that tugs on all of the right heartstrings, Meola quickly showcases the healing power of music.

Adam Grundy 3 months ago

It sure feels like Coheed and Cambria have been around much longer than 23-plus years since their debut album was released. Is it the mix of classic rock and prog rock elements that give them that nostalgic feel? Possibly. Is it the rich concepts of traveling through epic space storylines? Could be that as well. All things considered, Coheed and Cambria feel right at home with their tenth studio album, The Father of Make Believe. The record blends a lot of what Coheed have been best at over their storied career thus far, and adds in some new creative elements to their sound to prevent the album from feeling like a retread of already covered ground. Instead, The Father of Make Believe is a gripping exploration of mortality, legacy, and human connections that make us want to keep navigating through this crazy life. Look no further than the opening track of “Yesterday’s Lost” where vocalist/guitarist Claudio Sanchez ponders, “If this life ends early / Would I have spent our time right?” before later confessing, “It won’t get any easier / As I start to get old / Please share with me something / Before I lose control,” and you start to get the feeling like this band is in a reflective state of where they have been so far, and yet they embrace whatever comes next. And yes, while these lyrics are wrapped up in the space rock narrative of The Armory Wars/Vaxis storyline, there is still a beating heart behind each of these words that can be applied to the realities we all experience today. That’s the magic of Coheed and Cambria. They have been able to relate to not only their fellow “comic book nerds” but also those who appreciate great rock music that leaves us feeling fulfilled.

Adam Grundy 3 months ago

The pressure that bands must feel after delivering a successful debut album must be enormous. Add the backing of a major label to the mix, and the expectations that come with all of that, and it can be enough to make even the most confident songwriters take pause. Radiohead stormed onto the Alt Rock scene with 1993’s Pablo Honey, that spawned a now-legendary lead single in “Creep.” The debut set has gone on to sell over 1.5 million copies in the U.S. alone. The expectation from Radiohead’s label (Capitol Records) was that they could easily replicate this success on their sophomore effort, The Bends. But true art can’t be forced or so easily matched at the click of a button. The reality that began to sink in for this ultra-talented band during the songwriting sessions for this record led to the realization that they would have to go even bigger than anyone could’ve ever dreamt of. Through these sessions, The Bends has gone on to receive numerous critical accolades, including Rolling Stone’s “500 Best Albums of All Time” list and several platinum certifications worldwide.

Adam Grundy 3 months ago

Recently I was able to connect with Florida punk band, Debt Neglector, about their newly announced LP called Kinda Rips that will be released everywhere music is sold on April 4th via Smartpunk Records. In this interview with bassist/vocalist/ band founder Alex Goldfarb, I asked him about the themes present on Kinda Rips, the band’s music upbringing, and why they feel their music should connect with those upset with the political status quo. You can pre-save Kinda Rips here.

Adam Grundy 3 months ago

There’s a lot to love about the band Fountains of Wayne. From their humble beginnings that grew out of admiration for solidified rock bands like R.E.M. and The Cars, the band’s primary songwriters, Adam Schlesinger and Chris Collingwood, met at Williams College in Northern Massachusetts and would begin to craft not only the early stages of Fountains of Wayne, but a lifetime friendship. Fountains of Wayne is loving tribute to the beloved band that while only having one true “hit” in “Stacy’s Mom,” there was so much more to them and their music. Author Fiona McQuarrie cuts right to the core of what this band so special, talented, and does a fantastic job of researching all that went into the band’s early days, all the way to their eventual breakup. McQuarrie’s writing style is warm, and you can easily tell she is a fan of the band’s work through her endearing biography of Fountains of Wayne.

Adam Grundy 3 months ago

The sophomore album from Spiritbox, Tsunami Sea, is an absolute monster. The new record comes hot off the heels of 2023’s EP The Fear of Fear, and the much-buzzed about debut LP Eternal Blue, and two consecutive Grammy nominations for Best Metal Performance. The new album was co-produced by Spiritbox’s Mike Stringer and Dan Braunstein, and early on you get the vibe that the band is out for world domination, and they just may achieve their goal. From the opening visceral one-two punch of “Fata Morgana” and “Black Rainbow”, Spiritbox reinvent what it means to make a metal album today, and have filled the void with a record that demands to wash over anyone who takes the time to listen to it. Lead vocalist Courtney LaPlante can confidently go from the most punishing of screams to a softer croon with ease as she showcases why she is one of the most talented front women in today’s music scene. Spiritbox have improved vastly upon their sound that combines melodic metal, metalcore, electronica, and EDM into a massive package that will do nothing to dissuade others from joining the bandwagon.

Adam Grundy 3 months ago

If you’ve ever wanted to explore the vastness of space through a great-sounding ambient track that fits somewhere in the realm of Thrice’s Vheissu, paired with the sprawling rock of band’s like Caspian, IOTA CENTAURI is your next obsession. With the release of the project’s new single called “Lullaby For A Dying Sun,” IOTA CENTAURI have also announced their debut LP called Supermassive. IOTA CENTAURI is the solo moniker of TJ Fulfer, and the new album explores themes of love, loss, tragedy, and the growing distance between two people, expressed through the vastness of space, the mysteries of the universe, and the weight of darkness—all woven into sweeping soundscapes and deeply evocative melodies.

The latest single features some guest vocal spots from Ken Pendola and Meg Zahora to help round out this band’s approach to songwriting. The epic final chorus of, “And when it vanishes / Nothing is remembered / Only an emptiness / Where light once lived,” takes the concept of traveling alone through the depths of space and still hones in on the human element of what makes us all want those key connections to others.

Review: STMNTS – “Sinking In”

Adam Grundy 3 months ago

The latest single from Baltimore pop-punk band, STMNTS, called “Sinking In” is a passionate blend of styles similar to The Wonder Years, Bayside and the guitar-crunch of Four Year Strong. Formed in 2022, STMNTS consists of vocalist Liam King, rhythm guitarist Jamie Black, lead guitarist Drew Chiodo, bassist Josh Pelc, and drummer Shawn Smyth. The single was produced, mixed and mastered by Jeff McKinnon, with some additional production contributed by Evan Seeberger. STMNTS are coming off of the success of their well-received 2023 EP called Tendencies, and have released their second single since that last record came out with today’s “Sinking In.”

Adam Grundy 3 months ago

Darker Lighter is the alias of the talented musician, Salar Rajabnik, who has spent countless years on the road perfecting his songwriting craft and musicianship. Along the way, Rajabnik caught the eye of artists like Foo Fighters, Queens Of The Stone Age, and Kim Gordon, who entrusted him as their guitar tech and associate. In this interview, I asked Darker Lighter about his great new single called “Nice To Meet You,” his upcoming self-titled album, and much more.

Adam Grundy 3 months ago

Recently I was able to connect with TVOD (short for Television Overdose), to ask the band about their electric-charged new single, “Uniform.” The track comes from the Brooklyn, NY punk band’s debut LP, Party Time, that releases on May 9th. In this interview, I asked the band about the new single and music video, plus I had TVOD describe their live shows. If you’re enjoying the new single, please consider pre-ordering Party Time here.

Adam Grundy 3 months ago

There are certain records that can pull you in closer to the studio and writing rooms that an artist used to create the musical landscape around them. Self-Soothing is one of those albums. Nona Invie, the ultra-talented songwriter from Minneapolis, crafts arguably her most personal LP to date. “This is a very personal record. I felt very selfish making it. Self-indulgent,” Nona says. “I am an introvert, but I need to share. This record touches on feelings of guilt and shame after a long-term relationship ended, on remembering friends who died too young, on toxic love in friendship and romance, on hopeful feelings of creating and living in a fantasy.” Over the course of eight heartfelt songs, Invie bares her full beautiful soul for all the world to see, and features some of her strongest songs to date.

Adam Grundy 3 months ago

If you’ve ever dreamt of discovering a new band that checks all of the boxes for an artist that writes honest songs that fit somewhere in the realm of The Gaslight Anthem, Jimmy Eat World and The Menzingers, then E.R.I.E. are here for you. The third LP from the upstate New York indie punk band is called The Highs, The Lows, and Everything In Between and is filled with anthemic rock songs that do a nice job of encapsulating the past few years of not only the band’s life, but ours as well. The lyrics are very relatable, and the music itself is crisp, poised, and filled with the utmost passion behind each note. Originally released in a series of three EPs, the full artistic statement comes into focus with the last piece of the puzzle coming out to connect the dots of the band’s vision.

Adam Grundy 4 months ago

2025 is a major year for Silverstein for a litany of reasons. The band is celebrating 25 years of existence, they are currently on a comprehensive tour in support of this band anniversary, and they are planning to release not one, but two LPs this year. First on the docket is the brief, but extremely hard-hitting album called Antibloom. Silverstein recorded both parts of their ambitious two-part album in the deserts of Joshua Tree, CA, and it appeared to have a big impact on the five musicians. Shane Told shared, “Antibloom is a reference to the desert, the empty vastness, the harshness, something we experienced while making the record. This is not a concept record, the concept was making a record in this space, and while the lyrics/songs are not directly connected in any shape or form, the concept of death or mortality does appear a lot”. While some fans may be turned off by the short run time of Antibloom, it’s hard to not admit that this record features eight great songs that play off of each other brilliantly and accelerate the artistic development of Silverstein.

Adam Grundy 4 months ago

Bartees Strange has returned with his latest album, entitled Horror. The ultra-talented multi-instrumentalist, producer and songwriter maps out an intricate collection of songs that showcase the depths he’s willing to go to tell a vivid story about his life and set the course for where he plans to go next in his sound. The press release shared that, “His family used scary stories to teach life lessons, and at an early age, Strange started using scary movies to practice being strong. The world can be a terrifying place, and for a young, queer, black person in rural America, that terror can be visceral. Horror is an album about facing those fears and growing to become someone to be feared.” It’s a gripping description of the state of mind that Bartees Strange used to craft his latest studio effort that encapsulates the horror of living in our ever-changing world. Bartees Strange takes the listener on a thrilling ride over an album that is both cohesive and moves the needle closer to a fully-realized vision for his music.

Interview: Katerina Nicole

Review: Lily Meola – Postcards To Heaven

Review: Coheed and Cambria – The Father of Make Believe

Review: Radiohead – The Bends

Interview: Debt Neglector

Review: Fiona McQuarrie – Fountains Of Wayne

Review: Spiritbox – Tsunami Sea

Review: IOTA CENTAURI – “Lullaby For A Dying Sun”

Review: STMNTS – “Sinking In”

Interview: Darker Lighter

Interview: TVOD

Review: Nona Invie – Self-Soothing

Review: E.R.I.E. – The Highs, The Lows, And Everything In Between

Review: Silverstein – Antibloom

Review: Bartees Strange – Horror