Review: Proxy – “Don’t Let Me Die In New Jersey”

The latest single from punk rockers, Proxy, is a great blast of crunchy guitar-driven punk rock in the same vein as Four Year Strong, Set Your Goals and the heavier elements of New Found Glory. Proxy is the solo moniker of multi-instrumentalist and vocalist Ryan Stolinski, and he’s onto something pretty cool on “Don’t Let Me Die In New Jersey,” a song taken from his self-titled EP. Stolinski shared this about the new single, “‘Don’t Let Me Die In New Jersey’ is about the longing feeling of wanting to grow past where you have been your entire life. Feeling bored of the old and needing new experiences. I wrote it from the perspective of someone who wants to die somewhere more beautiful and pleasant looking than a place they are no longer bound to. It’s the age old pop punk theme of hating your hometown with a morbid spin.” The next punk rock song to add to your playlist as you skateboard around town has arrived.

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Review: PlainView – Nightlife

The latest EP from southeast Michigan’s own PlainView, is a nice emo throwback that revisits the glory days of the punk/emo boom of the early 00’s, with just enough new tricks thrown into the mix to keep things interesting. The band is comprised of Steven Dechausse (vocals), Aaron Rush (guitar/vocals), Andrew Momeyer (bass/vocals), Chris Parker(guitar), and Zach Schroeder (drums) and Nightlife was produced by Mike Martenson (Boys Of Fall). This set of songs that make up the EP features great guitar work, anthemic vocals, pulsating beats, and a little bit of everything you’d come to expect from a band heavily influenced by bands like Bayside, Silverstein, Aiden, and The Used. Guitarist Aaron Rush shared this about the EP, “Nightlife was written through 2020 and 2021 which I think were pretty demanding years for a lot of people. I was surrounded with a lot of stress and uncertainty after a close family member passed unexpectedly. This EP deals with a lot of those feelings but also acknowledges the growth and relationships that come out of dark places.” The band appears poised to take the next dramatic step forward after this great collection of hard-hitting songs.

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Review: Avril Lavigne – Love Sux

The first studio album in three years from the “Pop Punk Queen,” Avril Lavigne, delivers on all of its potential. Her seventh album in total, Love Sux was produced by veteran hit-maker John Feldman (among others including Mod Sun and Travis Barker) and has a ton of aggressive and hard-hitting songs that are sure to grab your attention. In a recent interview with NYLON Magazine, Lavigne shared this about the direction of the new record, “This is the first one that’s just rock all the way through. There was a point in music where the label was like, ‘Radio don’t want to hear guitars anymore.’ Live drums went away. Live electric guitars weren’t getting played. There’s always been that fine line that I’m going to make my music that I’m feeling but also you have a company behind you who influences what you’re doing.” This dedication to making the music she was driven to create makes for one of her most accessible and rewarding albums to date.

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Interview: Cal Stamp – “Hey Amy”

Cal Stamp

Your next music obsession has arrived, thanks to Cal Stamp. The singer/songwriter has been around the music scene for quite awhile with his previous projects called Spirit Animal and most recently, Record Heat. The latest version of Cal’s unique brand of breezy, 80’s guitar-driven pop rock might just be his best work yet. The song, called “Hey Amy,” builds casually over an 1975-esque type of guitar-toned rock and Cal Stamp’s vocals are smooth as silk as he makes a song worthy of any playlist. What Stamp does best on this song is making the listener feel connected to his vocals, while the guitars bring the track into the upper echelon of pop bliss. The song comes from the first of a trilogy of EPs, starting with Nylon, that hits the streets on May 6th.

I also caught up with Cal Stamp to discuss the new EPs as well as provide an in-depth peek at what went into this great new single.

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Review: Marcy Playground – Marcy Playground

I’ve never particularly liked the term “one hit wonder,” since it implies that the band or artist didn’t have any other good material that preceded or followed after a moment of success. Alas, Marcy Playground usually gets lumped into that “one hit wonder” moniker when discussing bands from the late 90’s Alternative Rock scene. The band found breakthrough success with their song “Sex and Candy,” and they steadily released three additional albums, with their last studio album coming in 2009 called Leaving Wonderland…In A Fit of Rage. Marcy Playground recently paired up with other 90’s bands like Everclear and Local H on 2018’s Summerland Tour, and I always felt like they didn’t get the true recognition they deserved for their unique brand of quirky rock. Marcy Playground in particular, their self-titled debut, was one of those records I discovered later in life and was kicking myself for not diving further into the material earlier. There’s never been a better time to dive back into this record that delivers all over the album.

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Review: Joywave – Cleanse

The pandemic has been pretty shitty for a lot of people. Add in the effect it has had on the music and entertainment industry, and you’ll begin to understand just how difficult it was to try and remain creative. Or, in the case of Joywave, you spend a full 18 months prepping for your sprawling and well-conceived third album called Possession, and it becomes almost DOA as the world shut down around the band and others. The band described these feelings on a recent Facebook post by saying, “It was crushing to watch everything we had worked so hard to roll out in just the right way obliterated in an instant.But creatively, the timing couldn’t have been better. Something more positive began to emerge. With our dense touring schedule shelved, I was able to reflect on past travels and appreciate them in a new way. But reminders of our fragile mortality were everywhere, punctuated by the ongoing pandemic and civil unrest. The music began to encompass all of this. It became the words, encouragement, and occasional cautions that I would want to share with you if this was the last time we spoke. And with all this time spent looking inward came the realization that there were still a few chips I was carrying on my shoulder that I needed to let go of. Maybe you have those too.One of my first jobs ever was at a car wash. I thought of the band, after years spent on the road taking a breather. Going through that wash process. Watching all the dirt and mud stripped away. Coming out the other side refreshed and rejuvenated. Still having experienced everything from before, but no longer wearing the scars.” The era of Cleanse has arrived for Joywave, and the timing appears to finally be in their favor.

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Review: Weatherstate – Never Better

When I last checked in with Weatherstate, lead vocalist Harry Hoskins shared some of the insight that went into their new album Never Better as well as the latest single/music video for ”Headstone.” As I continued to explore the band’s sound on this full-length record, I became enamored with the direction the band took on this 11-song LP that hits its intended target more often than not. In addition to band leader Harry Hoskins, Weatherstate is comprised of Callan Milward (lead guitar), Joe Hogan (bass), and Toby Wrobel (drums) who each have at least one standout moment on Never Better. Hoskins shared this about the direction the band took, “Never Better stems from a place of monotony, helplessness, and apathy at the state of the world around us. The record reaches out to different feelings that many of us have experienced over the last few years, from a state of mind that is pessimistic when faced with the question, will things ever improve? Lyrically this album touches on personal grief, abusive & toxic relationships, losing touch with the things that you once loved growing, and overall acceptance that it is what it is, and you sometimes have to buckle up and move forward to keep yourself sane.” With so much relatable material, Weatherstate may have just made your next favorite album.

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Review: Hippo Campus – LP3

The aptly titled third studio album from Saint Paul, Minnesota’s own indie rock band Hippo Campus is filled with vibrant and layered guitars, smooth as silk vocal harmonies, and plenty of reasons to get excited for their latest direction in their sound. Having just released an EP called Good Dog, Bad Dream last year, this young band appears to have no limitations in their creativity and approach to their music in general. I really enjoyed their last full-length effort, Bambi, and their debut called Landmark made me a lifelong follower of their music, yet with LP3 I couldn’t help but feel a little unfulfilled. This was the first album I didn’t love from first listen, and yet there’s plenty to like on this record that has expanded the possibilities of this band’s music. Time will tell if some of the feelings I have on future spins of this album leave me with a better outlook on this LP.

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Review: Wild Rivers – Sidelines

The sophomore effort from Wild Rivers is called Sidelines and plays out like a coming-of-age story of learning about the key parts of the relationships we make along the way. The record was co-produced by the band and Peter Katis (The National, Interpol), and Wild Rivers appear to be get their footing pretty well in their songwriting craft. Led by the lead single, “Long Time,” a dreamy piano-laced duet that puts the pain of a break-up in the direct cross-hairs of the material, and yet the band continues to march forward in the hopes of better days ahead. This ten-song album plays out majestically as it captures the spirit of three musicians knowing their strengths, and still packs plenty of emotion throughout each of the tracks.

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Review: Kulick – Everyone I Know Will Die

On the sophomore album from pop-rocker Kulick called Everyone I Know Will Die, he expands upon the thematic elements found on his debut and cranks the volume up to ten. As much as I enjoyed Yelling in a Quiet Neighborhood, Kulick really improves upon the best parts of his sound on this current record. The songs are immediately gripping, honest, direct, and driven by a beating heart that just wants his fans to come along for the thrilling ride. Kulick shared this connection he has with his fanbase as he mentioned, “The reason I create music has always been the same; to process, to better understand myself, to feel my emotions in a healthy way, and to connect with others. There is nothing greater.” By staying true to himself and improving his songwriting craft, Everyone I Know Will Die remains steadfast in its dedication to music lovers everywhere.

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Review: Bad Suns – Apocalypse Whenever

The fourth studio album from indie rockers Bad Suns was conceived as “the soundtrack to a movie that doesn’t exist yet,” according to the band’s frontman Christo Bowman. This approach to their songwriting on Apocalypse Whenever makes more sense after a few spins of the record that sounds crisp, pop-driven, and vibrant, thanks in large part to veteran producer Eric Palmquist (Thrice, Mutemath). Bowman also shared, “We also knew we wanted the album to have a through-line, a story from beginning to end,” and the “movie soundtrack” feel can be understood better throughout the complex weave of lyrical lines painted throughout the LP. The album plays out like an 80’s synth-laden dreamscape that has lofty goals from the outset, and hits its intended target more often than not as it pulls on the heartstrings of this golden era of pop music.

Apocalypse Whenever’s promotional rollout was different than the band’s approach to their last three albums, with six singles (nearly half of the album) being released prior to the record hitting the streets this past Friday. It’s definitely a different way to digest a record that is intended to be listened from front to back, in order to get the full “story” outlined by the California-based band. In between Mystic Truth and Apocalypse Whenever, the band released two singles (“Unstable” and “I’m Not Having Any Fun”) that didn’t make the cut of Mystic Truth, and ironically those tracks sound better suited for the direction on this current album cycle.

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Review: Unwritten Law – Elva

The fourth studio album from the San Diego-based band, Unwritten Law, brought the group of ton of success in the early part of the 00’s era of pop-punk, and deservedly so. Elva is filled with crisp pop-rock gems including “Up All Night,” “Rescue Me,” “Sound Siren,” and their first chart-topping Modern Rock hit in “Seein’ Red.” Unwritten Law fought through the crowded scene of pop-rockers making a name for themselves like Sum 41, Good Charlotte, and Mest to improve upon their songwriting craft and deliver their most successful album to date in Elva. Produced by John Shanks, Miguel, Josh Abraham, and the band, this remains one of those records I look back fondly upon as it celebrates its 20 year mark. Led by the dynamic and energetic vocals of band leader, Scott Russo, Unwritten Law were starting to really make their mark in the music scene by the end of this album cycle.

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Review: Texas King – Changes

Recently I was able to get word of a new EP that was getting significant buzz in both the band’s hometown in Ontario, as well as a thriving following in the states. Last December’s Changes by Texas King is a brilliant mix of 90’s roots rock in the same realm as The Black Crowes, the pop sensibilities of Hootie & The Blowfish, with the modern polish of The Fray. Lead vocalist Jordan Macdonald truly shines on songs like “You,” “Strange Life,” and the album opener “Not Myself.” If you’ve been looking for a new band that reminds you of the 90’s Alt Rock scene with a steady heart towards the future, look no further than Texas King.

The record opens with a nice guitar groove found on “Not Myself,” and one of the first things that captivated my attention was Macdonald’s crisp vocal delivery. The band really rallies around each of his heartfelt lyrics, and they never overpower the direction of the vocals. The title track follows with a more up-tempo approach, but never loses its footing with the direction of the storytelling found in Texas King’s music. This song in particular focuses on the feeling of noticing that changes need to be made in your life, even if you have to hit rock bottom before picking up the pieces to put yourself back together.

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Review: Our Lady Peace – Clumsy

1997 was a huge year for the Alternative Rock genre, and music fans in general, due to the vast number of great releases coming out. Since I missed the opportunity to write about Clumsy by Our Lady Peace at the 20 year mark, I figured it was about time to revisit this Alt Rock classic for its 25th Anniversary. Sure, everyone knows the major hits on this record like “Superman’s Dead,” “Automatic Flowers,” “4 AM,” and the slow-building title track, but the depth that Mike Turner, Jeremy Taggart, and lead vocalist Raine Maida went to into crafting the songs that surround these huge singles speaks to Our Lady Peace’s ability to live on in Alt Rock-lore. Many people don’t realize that Clumsy was the sophomore album from Our Lady Peace, with their debut coming in the form of Naveed. The music landscape had changed significantly since their debut released in the United States in 1995, and it was only a matter of time before this talented Canadian band would strike the right chord of the heartstrings of music listeners everywhere. Clumsy was produced by Arnold Lanni, who also gets writing credits on the album, and he does a great job in getting the best performances out of these young rockers to create a legendary, Alternative staple.

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Review: Inside Voices – Liminal Space

After releasing their debut in 2018, Consecutive Normal Songs, the Northeast Louisiana emo rock band Inside Voices have returned with their latest offering of new music on the EP titled Liminal Space. The four-piece band would be perfect for fans of the stylings of other emo bands like Title Fight, The Wonder Years, and especially American Football. By showcasing their growth on this collection of six well thought out songs, Inside Voices appear poised for the next big step in their musical evolution.

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