Inside the 1975’s Two-Album Campaign

The 1975

The 1975’s manager, Jamie Osborne, sat down with Music Week to talk about the band and their upcoming plans:

“We’re doing things a little bit differently in this campaign,” Oborne said. “Very early on, Matthew [Healy, frontman] noted that the promotional window on music is shorter than ever, and the time that people consume it is infinite.

“He felt very strongly that, if we have a tour cycle that’s going to last 18 months to two years, we have to release two records in the time that we would have previously have released one.”

Dirty Hit will release A Brief Enquiry Into Online Relationships in Q4, and Notes On A Conditional Form in Spring 2019, with the backing of its joint venture with Polydor.

Brendon Urie Pledges $1 Million to GLSEN

Panic at the Disco

Brendon Urie of Panic! at the Disco has pledged one million dollars to GLSEN (the Gay, Lesbian and Straight Education Network). You can get more information, and donate yourself, here.

With the support of a transformative million dollar pledge by Brendon Urie’s Highest Hopes Foundation, GLSEN will work to provide resources, training, and support to students creating LGBTQ clubs in their K-12 schools.

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Instagram Adds Ability to Add Background Music

Instagram

Josh Constine, writing at TechCrunch:

The right music can make a boring photo or video epic, so Instagram is equipping users with a way to add popular songs to their Stories. […] Thanks to Facebook’s recent deals with record labels, users will be able to choose from thousands of songs from artists including Bruno Mars, Dua Lipa, Calvin Harris and Guns N’ Roses.

And:

When friends watch a music-equipped Story, the song will post automatically. They’ll also be able to tap on the sticker to see artist and song title info, but for now these stickers won’t link out to a musician’s Instagram page or their presence on streaming services — though that would certainly be helpful. I also suggest that Instagram should create deeplinks that artists can share with their fans that automatically opens the Stories camera with that song’s sticker added.

Good idea.

Soccer Mommy and Paramore in Conversation

Sophie Allison of Soccer Mommy and Hayley Williams of Paramore sat down with Stereogum:

Well, first of all this album cycle we’ve just been more intentional I think about really having more women around. For me, it’s a little bit of a selfish thing ‘cause for so long I was always the only female performer on tour. Especially when we were younger and we’d get booked onto other tours I was always the only girl. And it actually affected my sense of femininity and that part of my identity for a long time. So it’s sorta just been natural timing and also our collective interest as a band to have female energy around and obviously the music is awesome too.

The Gospel According to Kendrick Lamar

Kendrick Lamar

Lisa Robinson, writing for Variety:

I tell him that Chuck D once told me that in the 1980s, “We was broke, but we wasn’t broken,” and Kendrick says, “I love that. I felt that for sure. Because the times we had to wait for food stamps every month, or we’d run out of food and had to wait for welfare to kick in, or walk to the County building—it wasn’t about the County building; it was about the walk to the building. Because if we didn’t have that County building to walk to, I wouldn’t have built that bond with my mother, or my father, to see that this is a family. What Chuck D says resonates so much with me, because we were broke, but we had us.” I ask him if he wants to start a family and he says, “This is the constant question, because I’m obsessed with my craft and what I’m doing. I know what I’m chasing for my life, even though I don’t know what it is. But it’s an urge that’s in my every day. That urge to make an ultimate connection with words to man. And I don’t feel I’ve done that yet.”

All Tech Platforms Are Now Pawns in the Culture War

BuzzFeed

Charlie Warzel, writing at BuzzFeed:

Angry users bring up the issue of political bias largely because the platforms themselves have so consistently and nervously shied away from anything that could be construed as censorship. But in 2018, ideas of political bias and censorship feel almost irrelevant, given the reality of how these platforms actually operate. The discussion of complete neutrality is now a quaint notion when nearly every discussion that takes place on these networks is weaponized toward a political end. It’s a luxurious philosophical debate that the platforms have little time for. Instead, they should be focused on preventing harm.

5 Seconds of Summer Top the Charts

5 Seconds of Summer

5 Seconds of Summer have the number one album in the country:

In a week where there’s no shortage of action at the top of the Billboard 200 albums chart, 5 Seconds of Summer debut at No. 1 with the band’s third full-length studio album, Youngblood. The set arrives atop the tally with 142,000 equivalent album units earned in the week ending June 21, according to Nielsen Music. Of that sum, 117,000 were in traditional album sales.

Kanye West and Tidal Facing Lawsuit of Exclusive Claims

Kanye West

Marc Hogan, writing for Pitchfork:

Kanye West and Tidal can’t dodge a lawsuit that alleges they tricked fans into subscribing to the streaming service by falsely claiming it would be the only place to hear West’s 2016 album The Life of Pablo, a judge has ruled.

In an an 18-page opinion today that was obtained by Pitchfork, U.S. District Court Judge Gregory Woods granted parts of Tidal’s motions to dismiss the proposed class-action lawsuit but denied other parts, allowing the case to go forward as it relates to a tweet West made on February 15, 2016.