‘The Office’ Leaving Netflix in 2020

The Office

The Office will be leaving Netflix in 2020:

In a statement Tuesday night, NBCUniversal has announced that it will remove the beloved 2000s sitcom from Netflix in 2021, and head exclusively to the company’s forthcoming and as yet unnamed streaming service.

“The Office has become a staple of pop-culture and is a rare gem whose relevance continues to grow at a time when fans have more entertainment choices than ever before,” Bonnie Hammer, chair of NBCUniversal’s digital enterprise, said in a statement. “We can’t wait to welcome the gang from Dunder Mifflin to NBCUniversal’s new streaming service.”

Madonna Tops the Billboard Charts

Madonna

Madonna has the number one album in the country this week:

Madonna lands her ninth No. 1 album on the Billboard 200 chart as Madame X enters atop the tally. The set, released via Interscope Records on June 14, launches with 95,000 equivalent album units earned in the U.S. in the week ending June 20, according to Nielsen Music. Of that sum, 90,000 were in album sales.

The 1975 Still Working on New Album

The 1975

The 1975 will be releasing new music before Reading, according to their manager:

“The record is coming together. We’ve had this recording studio tour bus on the American tour which has been great for productivity…The boys have been constantly working. I can’t say exactly when it will come, there are a few elements coming together, but we will be releasing music before Reading.”

He continued: “It feels like it will be a long record. Will it be a double album? I don’t know what that means any more, it’s definitely going to a long album but I can’t possibly commit to whether it will be a double album or not. That’s a decision that happens when everything is almost completed.

Julien Baker Working on New Album

Julien Baker

Julien Baker talked with Uproxx about working on a new album:

I’m working on a new record through the end of this year. I’ve been making demos with friends in town, and traveling to visit friends who have studios in other places, and just taking my time on a record because the last two records that I put out were made in under a week because that’s the only way that I knew how to make records. So now I’m trying to accrue songs in a very organic way, and just see where it goes. But I’m probably going to be finishing up a record at the end of this year.

Spotify Says They Overpaid Songwriters and Publishers in 2018

Tim Ingham, writing at Music Business Worldwide:

Because of this additional complexity, Spotify has now calculated that, retrospectively, according to the CRB decision, many music publishers actually owe it money for 2018, due to an overpayment based on the prior rates. And guess what? It wants that money back.

Spotify told the publishers the news this week and, as you can imagine, these companies – already up in arms over Spotify’s CRB appeal – are fuming about it.

One senior figure in the music publishing industry told MBW: “Spotify is clawing back millions of dollars from publishers in the US based on the new CRB rates that favor the DSPs, while appealing the [wider CRB decision]. This puts some music publishers in a negative position. It’s unbelievable.”

Frank Turner on Latest Dialog Podcast

Frank Turner is the latest guest on the Dialog podcast:

We also trace Turner’s early years of constant touring and how he’s managed to find the time to write new songs and books while on tour. We talk about social media’s dual nature as a useful tool and destructive force in society too; a topic that has become a common theme among Dialog guests. Finally, we touch on the evolving music industry and how it’s affected Turner’s career as a musician.

Justin Courtney Pierre Talks About Upcoming Motion City Soundtrack Tour

Justin Courtney Pierre

Justin Courtney Pierre talked with Alternative Press a little about Motion City Soundtrack’s upcoming tour:

I think Josh said to me, “Hey. You want to do a show on New Year’s?” And I said, “Sure. What New Year’s?” I think I was just about to do my tour. [Pauses.]

I can walk you through a scenario, and this might explain things: I’ll hear from Josh, or I’ll call Josh and say, “Hey! I’ve got an idea for a song or a thing. Do you want to work on it?” And he’ll say, “Yeah, let’s figure out a time for it to work out.” We’ll plan that out, and then the time will come, and something will come up, and we won’t be able to do it. Then a month will [go] by, and one of us will call each other and say, “Hey, hey, you want to do this thing? This sounds like a good idea. Let’s do that.” That loop has always kind of happened the last couple [of] decades. Also, I don’t know; I’m speculating here.

Motion City are a much bigger beast than the little stuff that I’m doing. But I don’t have a problem with doing both of them at the same time. I think that I’m going to make music in one form or another forever. [Deep breath.] I really should’ve thought of things to talk about. I like to make it up on the fly because it’s honest, you know, instead of preprogrammed sound bites…

Lyrics Site Accuses Google of Lifting Its Content

Google

The Wall Street Journal:

Genius Media Group Inc. depends on Google’s search engine to send music lovers to its website stocked with hard-to-decipher lyrics to hip-hop songs and other pop hits.

Now Genius says its traffic is dropping because, for the past several years, Google has been publishing lyrics on its own platform, with some of them lifted directly from the music site. […]

Starting around 2016, Genius said, the company made a subtle change to some of the songs on its website, alternating the lyrics’ apostrophes between straight and curly single-quote marks in exactly the same sequence for every song.

When the two types of apostrophes were converted to the dots and dashes used in Morse code, they spelled out the words “Red Handed.”