No film in 2016 is more gorgeous to watch than The Love Witch, shot in 35mm and stylized so precisely in every aspect. From the stunning costumes to the popping colors of the cinematography, the carefully constructed sets and the way light shines so perfectly on every object the characters interact with, the film is a visual masterwork. Director Anna Biller, who also wrote the script, edited the film, decorated the sets, and made the costumes, has brought to life an aesthetic vision unlike anything else made this year. Every frame is glorious, the cinematography so absurdly beautiful, an audience is hypnotized. Transfixed by such a magnificent visual work, we’re taken along for a ride for a film about a witch who endlessly seduces men and then, when each one inevitably disappoints her, kills them.
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