Review: Jack’s Mannequin – The Glass Passenger

When I read or hear about cancer survivors, they’ll sometimes describe how experiencing and overcoming cancer gave them a new sense of appreciation for life and how they carry on from day to day. After listening to The Glass Passenger, you can sense Jack’s Mannequin brain trust Andrew McMahon has developed an even deeper appreciation, as each track is lively and spirited. 

McMahon’s battle with acute lymphoblastic leukemia has been well documented, so I won’t get into the details, but we’ve seen the photos and heard the stories: McMahon wasn’t going to let this thing beat him, and you can hear vibrant energy and beautiful compositions throughout The Glass Passenger, an album bursting with diversity. 

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Review: Gym Class Heroes – The Quilt

Gym Class Heroes - The Quilt

When Gym Class Heroes released 2006’s As Cruel As School Children, it wasn’t perceived immediately as being a big hit. The band had their core fan base, but the focus was more on labelmates Fall Out Boy, Panic At The Disco, and The Academy Is…. Then the band released a remix cut of “Cupid’s Chokehold,” which was originally featured on 2005’s Papercut Chronicles. That song turned everything around for the band, as Travis McCoy and company crashed the mainstream. 

GCH look to continue that same line of success while progressing as a band with the release of The Quilt, but what we hear throughout the album is that that line is hard to toe, as the band falls off every now and then. 

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Review: Underoath – Lost in the Sound of Separation

Underoath - Lost in the Sound of Separation

Why do we fall, sir? So that we might learn to pick ourselves up.

Alfred Pennyworth, Batman Begins


When I look back on what has occurred around Underoath over the past two years, this is one quote I think of. There were plenty of highlights in Camp UO, such as 2006’s Define The Great Line being certified gold and debuting at number two on the Billboard. But all of that seemed to get overshadowed with the band’s sudden drop off that summer’s Warped Tour, the near break-up of the band, and vocalist Spencer Chamberlain’s battle with substance abuse and past and present demons. It was a dark time for the Florida sextet. But they fought through it and came out of it stronger than ever – armed with their sixth studio album, Lost In The Sound Of Separation, just waiting to unleash it on the world. 

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Review: Anberlin – New Surrender

Anberlin - New Surrender

Forgive me if I seem a bit zany during this review. There has been great upheaval in La Vida de Blake lately. Things started out great: I finally found a girl that liked me enough to let me do that cute thing where you hold hands by interlocking fingers. I heard music everywhere, and that wasn’t only because Pierce Brosnan hit his high note in “SOS.” Aside from this happy fact – we’re soulmates, I can feel it – I was forced to deal with some devastating news: Anberlin has signed to a major label. Put on your black graphic tee and mourn. It’s time to un-bookmark their Myspace and Twitter pages. Well, at least until now there was the slim chance New Surrender would be terrible. Hell, I’d dump Jasmine in a heartbeat if it would make this album contain terrible ballads and safe, music-executive approved radio rock. They’d be back on an indie and they’d be all mine. Of course it’s just my luck that New Surrender rocks with the force of Blueprints and smarts of Never Take Friendship Personal. And worse still, Jasmine found out my father doesn’t own and never has owned a private island near Bermuda. If you need me, just listen for the sobs at Anberlin’s next packed arena concert.

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Review: The Gaslight Anthem – The ’59 Sound

Gaslight Anthem - 59 Sound

For years, we Fallon’s have had to deal with the only famous carrier of our surname being an unfunny, untalented hack who laughs at his own jokes and headlines bad movies with Queen Latifah. It hasn’t been easy as everyone believes we are linked by name association; it’s an ugly life that has resulted in many courtroom visits for potential name changes (suggestion: Max Power) and long nights of agonizing emotional breakdowns.

Thank our lucky stars New Brunswick, New Jersey produced The Gaslight Anthem – and subsequently, another Fallon to the mix. This time, our leather-clad, rough-patched vocalist proudly totes the Fallon name (no relation) and is the punk rock equivalent of New Jersey’s other Golden God, Bruce Springsteen. In fact, Brian Fallon matches the Boss so much, he could be unofficially deemed Lil’ Boss – okay, well that name needs some work, but just work with me here.

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The Absolute 100 (2008)

AbsolutePunk.net Heart

News posts and song streams. RSS feeds and webisodes. We swim in a digital ocean of recommendations – the music and us. Here at AbsolutePunk.net, we like to start the waves and then float in them. This is why we are back with our second installment of The Absolute 100, an annual collection of our favorite lesser known bands. Below you will find a centennial of really great acts. Some of them may be fresh to the ears, and some of them may be old news to your keen web browsing. Either way, we hope that from all the bands that clutter these interwebbed harbors, you’ll find a precious handful from these Absolute 100. – Julia Conny

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Review: Norma Jean – The Anti Mother

Norma Jean - The Anti Mother

Norma Jean vocalist Cory Brandan explains The Anti Mother as “The Anti Mother is a character we created which represents anything that is deceptive, and yet possesses an outwardly beautiful nature.” Which makes sense, as the fourth album from the metalcore staple is the most melodic album they’ve created. Going back to work with Redeemerproducer Ross Robinson, the band has learned how to channel that aggressiveness into something more melodic, while still being just as destructive as before. How this turns out on disc is yet to be heard.

“Vipers, Snakes, and Actors” begin the showdown in fine Norma Jean fashion: Brandan’s growl is overpowering, the drums hit like Josh Hamilton, and the guitar chords could be arrested for causing a domestic disturbance. “Self-Employed Chemist” features Brandan’s singing skills and musically it sounds like something off a From First To Last album. It’s not my favorite song, but it is rather catchy. “Birth Of The Anti Mother” is rambunctious, with a dizzying guitar and bass combo. It’s an auditory beatdown, as Brandan screams “We came for blood!,” while “Death Of The Anti Mother” is a slower, sludgy song, putting the dismay on display.

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Review: Person L – Initial

Person L - Initial

So what can you expect from someone who’s mastered the craft? Surely more mastering of the craft, or a stamp of approval and a toss into the history books. Like Kenny Vasoli, the singer behind the start-up pop-punk wonder boys, The Starting Line. At this point in his career, it’s not that he has done it all, it’s just that, when it comes to pop-punk, there isn’t much more he has to learn.

Which is why when word came out that Mr. Vasoli had a little ‘ol side project, it made sense. Here’s someone who’s been dribbling sweet hooks for the greater part of his young adult years, spinning, caressing and nourishing them like a pro. A more experimental and indie side project was inevitable. A boy’s gotta explore his boundaries, right? Vasoli grabbed some friends (Brian Medlin, Charles Schnieder, Nathaniel Vaeth, and Ryan Zimmaro, to be exact) and demos started to peek out of his Myspace page. People got pumped.

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Jeremy McKinnon of A Day to Remember

A Day to Remember

Let’s start off by stating your name and what you play in A Day to Remember.

Jeremy McKinnon. I sing for A Day to Remember.

How is Warped Tour going so far?

Incredible. We seriously couldn’t be happier with how the tour is run, and how it’s going.

Any funny or embarrassing moments?

When we played one of the Texas Warped dates, some of the kids threw a blow up doll on stage that had writing all over it. There was a heart around its … back door that said “For Tom.”

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Review: Anthony Green – Avalon

Anthony Green - Avalon

Being the pillar of an important rock band must be exhausting work – so much so that it renders the siren song of going soft downright deafening. Nick Torres and Tyler Odom went from Northstar to the alt-country of Cassino, Dustin Kensrue offered up his own solo slice of down-home Americana, Roddy Woomble veered off the Idlewild course to dabble in Scottish folk, and on and on. Maybe it is just the “in” thing to do – like how some actors will take up stints on Broadway to bolster their middling resumes, or maybe it is just the underlying need for variety after recording and touring on the same genre of music day after day. Regardless of what drives this magnetism, it has corralled yet another subscriber in Anthony Green, the scene’s favorite man of many hats. After having his hands in countless bands and records, Green has decided to finally to wander off on his own (sort of, at least – the guys in Good Old War are certainly a noteworthy backing band). With Avalon, Anthony pulls a near 180 to most work he has done in the past – so is it any good or should he be running back to his Circa brethren apologizing for ever straying?

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Review: The Maine – Can’t Stop, Won’t Stop

The Maine - Can't Stop Won't Stop

The beauty of pop-punk is all around us.

I see it when I peer down at my turquoise and lime green limited edition Air Force Ones. I see it on my computer screen while I’m bashing other reviewers for hating my favorite bands. I feel it when I pen every new, wonderful, totally original opening paragraph about a pop punk band. There’s just too much about this music – and life for Christ’s sake – to love. I’m in love! With a girl. With The Maine

Let me tell you about it!

The Maine are original in the way that Doritos keep making zestier Cool Ranch or tangier Nacho Cheese chips. (And we’re supposed to celebrate this? It tastes the f**king same!) Rather than nut-busting rockers, they prefer to chill us out with acoustic guitars and jog-don’t-sprint tempos. Also, while most of the lyrics are terrible, they still find a way to resonate with me. I’ve been there: One time a girl blocked my advances and I almost died. Another actually broke up with me and I was clinically dead for 6 minutes.

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Review: Valencia – We All Need a Reason to Believe

Valencia - We All Need a Reason to Believe

Pop-punk is dead.

Okay, so maybe that isn’t as great or grand as the statement Nas made in 2007 about hip-hop, but it still applies here. Once a genre full of camaraderie, energy, and statements has become stale, as bands are more concerned with their neon clothes, swooping hair cuts, and which 17 year old groupie they are going to nail tonight. Pop punk is dead. And like Nas tried to resurrect his genre, we need a band that can breathe new life into pop-punk. 

This band is Valencia.

The band’s debut, 2005’s This Could Be A Possibility, was overall a good album, displaying themes and vibes that brought back memories of quality pop-punk, but their Columbia Records debut, We All Need A Reason To Believe takes the Philadelphia quintet’s sound to the next level. Produced by Ariel Rechtshaid (We Are Scientists, Plain White T’s), We All Need A Reason To Believe features eleven tracks that are fast, raw, and pack an emotional punch the majority of the bands in the genre fail to generate.

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Review: The Hold Steady – Stay Positive

The Hold Steady – Stay Positive

To have the “perfect” night, you need to make sure you hit all the criteria.

Is the sun setting and is there a light breeze?

Check.

Are my closest friends with me and am I drinking my favorite brew?

Check.

Is the soundtrack to the perfect night spinning in my stereo?

You can only check this off if said soundtrack is Stay Positive, the fourth studio album from The Hold Steady

The Brooklyn quintet has a knack for spinning intricate tales of drinking, friendship, the good times and the bad. Vocalist and guitarist Craig Finn is a master at his craft; his vocals are gruff yet inviting, his lyrics deep yet simple. Produced by John Agnello, Stay Positive is eleven tracks chock full of big riffs, beautiful keys, and raw energy throughout. 

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Review: Finch – Finch EP

Finch - Finch EP

Just when I thought you couldn’t get any dumber, you go and do something like this… and totally redeem yourself!

Harry Dunne

When you saw the link to my Finch review, you probably thought to yourself, “oh, Drew will probably talk about how Say Hello To Sunshine alienated so many fans and in some way was a cause to the band initially breaking up, blah, blah, blah.” But I will do no such thing, instead I fooled you with a Dumb and Dumber quote! Just like that adventure Harry Dunne and Lloyd Christmas made cross-country to return that briefcase (Samsonite! I was way off! I knew it started with an S, though.), Finch’s journey has been one of up’s and down’s. But the California quintet (Hmmm, California! Beautiful!) have fought through all their adversity to release the best Finch material to date.

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