When Yellowcard announced its hiatus in 2008, the popular opinion was that the band was done for good. Listeners who felt as though they would never hear another record from the Jacksonville, Fla., five-piece pop-punk innovators were definitely not alone. While the band was only gone for just over two years ― not that long of a break in the grand scheme of things ― plenty of signs pointed to the conclusion that they were finished. Frontman Ryan Key started a new band called Big If, Longineu Parsons was drumming for other projects, and the other members of the group were strewn across the country each doing their own things. Capitol Records even came out with a weird four-track EP of previously released Yellowcard material entitled Deep Cuts.
Read More “Yellowcard – When You’re Through Thinking, Say Yes”Interview: Joe Principe of Rise Against
Bassist Joe Principe talks about the Rise Against’s sixth record Endgame, the challenge of keeping things fresh, being inspired by the military, and how punk rock originally gave him the courage to speak out.
Interview: Geoff Rickly of Thursday
Thursday will go down as one of the iconic bands of our generation amongst the hardcore and punk scene. Whether you think they’re not underground enough, or don’t play enough hardcore for your liking anymore, they’ve certainly proven themselves time and time again on record, and more importantly, within the community itself. On the heals of their next album, No Devolución, this will be a sharp left for many, but long time fans will see the band shine at possibly their brightest moment yet. Stripping themselves of most of their hardcore elements, the album still packs an elegance and driving force that made us all fall for the band’s music over a decade ago. On the second night of their tour with Underoath, Geoff Rickly sat down with me over chips and guacamole to talk about the last ten years, the scene and how proud he is of the band’s next album.
Read More “Geoff Rickly of Thursday”Review: Bayside – Killing Time
There’s something that a lot of bands in today’s music scene don’t have. It’s a combination of things, really. It’s the consistency to be great, even good, over a considerable length of time, coupled with the guts and killer instinct to try out new things, to stretch boundaries and challenge themselves as musicians.
Bayside is a band that has that combination. With the release of its fifth studio full-length since 2004, Bayside has once again proven the notion that bands can keep the same sound they’ve had for years while still growing and putting out refreshingly worthwhile records. Killing Time takes the sound that the band focused on with 2008’s Shudder and mixes in glimpses of great Bayside records of years past. There are certain audible glimpses throughout the course of the 10-track record where fans familiar with Bayside’s earlier work will pick out parts where Bayside sounds like its old self, and parts where fans will notice that the band is trying something they’ve never done before.
Read More “Bayside – Killing Time”Interview: Sherri DuPree-Bemis of Eisley
Vocalist/guitarist Sherri DuPree-Bemis shares the highs and lows inside Eisley’s third record The Valley, the cathartic nature of songwriting, and how having the right people around can help you make it through anything.
Interview: Anthony Raneri of Bayside
Frontman Anthony Raneri discusses Bayside’s new record Killing Time, waiting for the beauty in life to happen, never feeling like he’s truly arrived, and debates honesty versus celebrity in pop music.
AbsolutePunk.net’s Top Albums of 2010
This best of list was put together by the AbsolutePunk.net staff in 2010. It used an old system for ranking albums, but has been brought over to Chorus.fm for posterity.
Read More “AbsolutePunk.net’s Top Albums of 2010”No More Finch
Finch are calling it a day.
Read More “No More Finch”The Damned Things – “Little Darling” (Song Premiere)
By now you know that The Damned Things have a new album coming out on December 14th, right? And you’ve probably read Drew’s great review of the new album dubbed “a modern take on the classic rock record. No gimmicks, no frills, no bullshit, this is just a straight up rock and roll takeover.” And you may have even heard a song or two from the band’s myspace. But you haven’t heard “Little Darling” yet. Now you can. Check the replies for the world premiere song stream and a message from Keith about the song.
Read More “The Damned Things – “Little Darling” (Song Premiere)”Review: Underoath – Ø (Disambiguation)
It’s truly amazing that Underoath is still a band in the year 2010. After the great success of 2006’s Define The Great Line, the band unexpectedly dropped off the Warped Tour and disappeared, coming close to breaking up due to screamer Spencer Chamberlain’s personal issues. The band bounced back from that rough patch to release the furious Lost In The Sound of Separation. Despite everything, the band had emerged even stronger. But they had to pump the brakes once again. Tension and disconnect between the band (Chamberlain, guitarists Tim McTague and James Smith, bassist Grant Brandell, and keyboardist Chris Dudley) and vocalist/drummer Aaron Gillespie (the last remaining Underoath member) led to his departure from the band earlier this year. Once again faced with the prospect of disbanding, the band decided to fight through it, enlisting Daniel Davison (formerly of the Almighty Norma Jean) to replace Gillespie behind the kit. After a few jam sessions, the band grew closer, relaxed, and realized that they could attempt some things on their next record that they could never do with Gillespie (as it should be no surprise that he enjoyed the pop side of things). Many things have tried to destroy the Florida, metalcore outfit, but just like Michael Myers, no matter how many times you try to kill them, they always come back stronger. And what emerged from the band’s latest struggles and triumphs may be the band’s greatest achievement.
Read More “Underoath – Ø (Disambiguation)”Interview: Chris Carrabba of Dashboard Confessional
Chris Carrabba takes a look back at his first album for the 10th anniversary of The Swiss Army Romance, remembers his time in Further Seems Forever, explains why he’s never set out to write a hit, and updates what’s next for Dashboard Confessional.
Review: Hellogoodbye – Would It Kill You?
Forrest Kline has perhaps outdone himself. Frontman for powerpop group Hellogoodbye, Kline was the genius behind the group’s 2006 debut full length Zombies! Aliens! Vampires! Dinosaurs! That album sold over half a million copies and “Here (In Your Arms)” became a platinum single, so to outdo himself after that must have required quite the feat.
Would It Kill You? is that feat. The group’s new full length finds itself released near the end of an incredible year of music, but holds its own as one of the top releases in 2010. Undoubtedly the best poppy release this year, and probably one of the best of the last five years or so, Would It Kill You? is better than its predecessor in many ways.
But it seems almost unfair to compare the two albums because it’s almost as if two completely different bands wrote them. The difference is evident right from opener “Finding Something To Do”. Where there once was disco-esque electronics, there is an acoustic guitar. Where there once were autotuned vocals, there is now…erm…better normal vocals. Point is, this band has progressed about as much as any band can progress in four years. While not many can resist the nostalgia of songs like “Shimmy Shimmy Quarter Turn” and “Touchdown Turnaround”, the post-Drive Thru Records version of Hellogoodbye proves to be much more substantial.
Read More “Hellogoodbye – Would It Kill You?”Interview: Andrew McMahon of Jack’s Mannequin
Andrew McMahon gives an inside scoop into writing and recording the upcoming third Jack’s Mannequin record, the Something Corporate reunion, Dear Jack Foundation’s continuing efforts to fight cancer, and how his life has finally started to come into focus.
Review: Senses Fail – The Fire
Four years ago, Senses Fail displayed a sonic shift in their music with the releases of their second album, Still Searching. Featuring improved lyrics and vocals, as well as a more aggressive approach in their song writing, the band won over new fans with this release. It was so well-received that fans were disappointed when 2008’s Life Is Not A Waiting Room was more of the same. The New Jersey quartet wasn’t pleased either, as vocalist Buddy Nielsen voiced his displeasure over that record and vowed that the follow-up would be the band’s best yet. Nielsen and company went into the studio to create their most complete album ever, aptly named The Fire. Full of aggression and just enough catchiness to please both types of fans, The Fire is an album that most of Senses Fail’s peers wish they could make.
Read More “Senses Fail – The Fire”Interview: Joshua Radin
Singer-songwriter Joshua Radin discusses starting fresh on his third album The Rock and the Tide, the rush of recording live, the strange ways technology has affected romance, and why life is all about being open to trying new things.