Review: Mansions – Dig Up The Dead

Mansions - Dig Up The Dead
Drew Beringer

Ya know, Christopher Browder isn’t so different from you and me. Based on his previous work, I’d bet that we’ve felt the same as him at point or another in our lives, whether it be the same fears, thoughts, or aspirations. We’re all heavily flawed, and Browder isn’t afraid to share that. And that’s what makes Mansions’ second full length album, Dig Up The Dead, so instantly relatable. Throughout the ten tracks, Browder spins together intricate tales of loneliness, heartbreak, and doubt backed by layers of fuzzy, distorted guitars. 

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Review: Panic! at the Disco – Vices & Virtues

Panic at the Disco - Vices & Virtues
Blake Solomon

This is what you wanted, right? A “return to form” – i.e. slick pop layered over synths, the occasional crunchy guitar and a weird fascination with Vaudeville (despite none of us knowing what that really means) – yep, this is you getting what you wanted. And although getting what we wanted can sometimes lead to felonies or regrettable Zune tattoos (R.I.P.), in this case what we wanted is what’s best for us and both remaining members of Panic!(!) At The Disco. With Vices & Virtues, Brendon Urie and Spencer Smith have created an album that isn’t mature, because what does that even mean, but an album that understands from its first note where it’s going and the best way to get there. 

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Review: Yellowcard – When You’re Through Thinking, Say Yes

Yellowcard - When You're Through Thinking...
Thomas Nassiff

When Yellowcard announced its hiatus in 2008, the popular opinion was that the band was done for good. Listeners who felt as though they would never hear another record from the Jacksonville, Fla., five-piece pop-punk innovators were definitely not alone. While the band was only gone for just over two years ― not that long of a break in the grand scheme of things ― plenty of signs pointed to the conclusion that they were finished. Frontman Ryan Key started a new band called Big If, Longineu Parsons was drumming for other projects, and the other members of the group were strewn across the country each doing their own things. Capitol Records even came out with a weird four-track EP of previously released Yellowcard material entitled Deep Cuts.

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Interview: Geoff Rickly of Thursday

Thursday
AbsolutePunk

Thursday will go down as one of the iconic bands of our generation amongst the hardcore and punk scene. Whether you think they’re not underground enough, or don’t play enough hardcore for your liking anymore, they’ve certainly proven themselves time and time again on record, and more importantly, within the community itself. On the heals of their next album, No Devolución, this will be a sharp left for many, but long time fans will see the band shine at possibly their brightest moment yet. Stripping themselves of most of their hardcore elements, the album still packs an elegance and driving force that made us all fall for the band’s music over a decade ago. On the second night of their tour with Underoath, Geoff Rickly sat down with me over chips and guacamole to talk about the last ten years, the scene and how proud he is of the band’s next album.

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Review: Bayside – Killing Time

Bayside - Killing Time
AbsolutePunk

There’s something that a lot of bands in today’s music scene don’t have. It’s a combination of things, really. It’s the consistency to be great, even good, over a considerable length of time, coupled with the guts and killer instinct to try out new things, to stretch boundaries and challenge themselves as musicians.

Bayside is a band that has that combination. With the release of its fifth studio full-length since 2004, Bayside has once again proven the notion that bands can keep the same sound they’ve had for years while still growing and putting out refreshingly worthwhile records. Killing Time takes the sound that the band focused on with 2008’s Shudder and mixes in glimpses of great Bayside records of years past. There are certain audible glimpses throughout the course of the 10-track record where fans familiar with Bayside’s earlier work will pick out parts where Bayside sounds like its old self, and parts where fans will notice that the band is trying something they’ve never done before.

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The Damned Things – “Little Darling” (Song Premiere)

The Damned Things
Jason Tate

By now you know that The Damned Things have a new album coming out on December 14th, right? And you’ve probably read Drew’s great review of the new album dubbed “a modern take on the classic rock record. No gimmicks, no frills, no bullshit, this is just a straight up rock and roll takeover.” And you may have even heard a song or two from the band’s myspace. But you haven’t heard “Little Darling” yet. Now you can. Check the replies for the world premiere song stream and a message from Keith about the song.

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Review: Underoath – Ø (Disambiguation)

Underoath - O
Drew Beringer

It’s truly amazing that Underoath is still a band in the year 2010.  After the great success of 2006’s Define The Great Line, the band unexpectedly dropped off the Warped Tour and disappeared, coming close to breaking up due to screamer Spencer Chamberlain’s personal issues.  The band bounced back from that rough patch to release the furious Lost In The Sound of Separation.  Despite everything, the band had emerged even stronger.  But they had to pump the brakes once again.  Tension and disconnect between the band (Chamberlain, guitarists Tim McTague and James Smith, bassist Grant Brandell, and keyboardist Chris Dudley) and vocalist/drummer Aaron Gillespie (the last remaining Underoath member) led to his departure from the band earlier this year.  Once again faced with the prospect of disbanding, the band decided to fight through it, enlisting Daniel Davison (formerly of the Almighty Norma Jean) to replace Gillespie behind the kit.  After a few jam sessions, the band grew closer, relaxed, and realized that they could attempt some things on their next record that they could never do with Gillespie (as it should be no surprise that he enjoyed the pop side of things).  Many things have tried to destroy the Florida, metalcore outfit, but just like Michael Myers, no matter how many times you try to kill them, they always come back stronger.  And what emerged from the band’s latest struggles and triumphs may be the band’s greatest achievement.

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