Turnstile Talk With NYT

Turnstile

Turnstile sat down with The New York Times to talk about their upcoming album:

“There is something exciting about being able to make music in a way where there’s no formula, there’s no expectation,” Yates, 35, said. The band’s 2021 album, “Glow On,” propelled it from the upper echelons of the underground into a dramatically larger landscape that included TV commercials, Grammy nominations and a spot opening for Blink-182’s arena tour. With a new album, “Never Enough,” due June 6, Turnstile is pushing its sound further, and the stages are set to get even bigger, leading to an inevitable question: Can the group retain its magic (and its mission) as it grows?

My Life In 35 Songs, Track 7: “Walk On” by U2

My Life in 35 Songs

You’re packing a suitcase for a place none of us has been.

I don’t like endings or goodbyes, but I love songs about them. That’s something that will become abundantly clear as this series continues, if it’s not clear already. And there are very few songs about endings or goodbyes that matter more to me more than “Walk On,” an utterly splendid highlight from U2’s 2000 comeback album, All That You Can’t Leave Behind.

Up until 2004, almost all the music I loved had been made in my lifetime. I was drawn to the music of right now, often finding older songs or records to sound dated. I remember listening to Springsteen’s Born in the U.S.A. at some point and thinking it sounded positively ancient. (Sorry, Boss!) All those ‘80s synthesizers struck me as plasticky and passe, and I struggled to appreciate the songs underneath. It wasn’t just ‘80s synths that made my no-fly list either: I checked out The Beatles’ Rubber Soul around that same time, and found it to sound hopelessly old-fashioned.

In 2004, U2 became the first band to break through that barrier for me. It didn’t hurt, of course, that they were still a relevant band of the moment. They’d had massive hits in 2000 and 2001 with “Beautiful Day” and “Stuck in a Moment You Can’t Get Out Of”; in 2002, they’d played a Super Bowl halftime show – for my money, the greatest one of all time, with apologies to Prince; and they were currently enjoying a new level of omnipresence thanks to a stylish iPod commercial, featuring their new single “Vertigo,” that got played on every single ad break of every single prime time television program for approximately 3-6 months.

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U.S. Girls – “Bookends” (Video)

US Girls

The latest single and video from U.S. Girls (the experimental pop project from Meghan Remy), called “Bookends,” signals a new and exciting direction for the project. Today, U.S. Girls announces her latest LP called Scratch It that will be released on June 20th via 4AD. I was able to catch up with Remy for a brief interview below. If you’re enjoying the video for “Bookends”, please consider pre-ordering Scratch It here.

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