Underoath Talk With Revolver

Underoath
Jason Tate

Underoath sat down for a lengthy chat with Revolver:

“Every record we’ve ever done, people find a way to hate it,” he continues. “When an artist makes something that I don’t understand right off the rip, especially if it’s an artist that I love, I want to listen to it and understand why. Not until all five of us are stoked does a song make it out of the studio. That’s how it is every time we make music … Whatever you [eventually] hear in your speakers is exactly what excites Underoath at this moment.”

The All-American Rejects Discuss Future

All American Rejects
Jason Tate

The All-American Rejects talked with Variety:

The Rejects decided to leave Interscope on their own terms. “We weren’t dropped,” notes Ritter. “We negotiated our way out of that building because it didn’t feel like it was a home for us anymore. They had Imagine Dragons records.” The band continued to tour relentlessly, and the burnout set in. “We did a couple of tours in that break and they just didn’t feel right at all,” says Gaylor. “By the end of them, we were like, I don’t want to do this. Packing on the bus to go home like…” He widens his eyes as if stunned, staring into the abyss.

Review: Lyn Lapid – Buzzkill

Lyn Lapid - Buzzkill
Adam Grundy

There will be times in our life when we discover an undeniable talent in our music rotation. That type of artist who makes you say, “Well, of course this person was meant to do this for a living!” I’ve had that feeling with several key artists in my music discovery, and I think I’ve just found the next great one. Lyn Lapid is a 22 year old music sensation from Baltimore, Maryland who started to gain a loyal social media following with her ukulele and acoustic guitar-driven covers of popular songs. Her original song of “Producer Man” in 2020 was her first taste of fame, but given the breathtaking vocals and production found on her debut album, Buzzkill, it certainly won’t be her last brush of notoriety. Lapid’s sound is somewhere in the realm of the quieter moments of Billie Eilish, paired with a starry-eyed vision for her music like Olivia Rodrigo, and the vocal range of Amy Winehouse. Lyn Lapid shimmers all over Buzzkill and cements herself as a marquee artist to watch.

Read More “Lyn Lapid – Buzzkill”