Review: Pinkshift – Love Me Forever

Music is a powerful tool, and sometimes you can pinpoint the exact moment when a band is poised for big things. I found out about Baltimore punk band, Pinkshift, in a similar way as most of us who visit this site on a frequent basis: by an insightful recommendation. Jason wrote about Pinkshift in a Liner Notes newsletter, and it piqued my interest in this band. Pinkshift does a really great job of combining anthemic punk rock with hardcore elements, paired with the pop sensibilities to add in flavorful hooks into the mix to keep the listener engaged and wanting to hear more from this sonically interesting artist whose music appears to spreading like a wildfire in the music community. Comprised of vocalist Ashrita Kumar, guitarist Paul Vallejo, drummer Myron Houngbedji, and bassist Erich Weinroth, Pinkshift are able to catch lightning in a bottle with the aggressive Love Me Forever that has the same potential for breakout success much like the early days of My Chemical Romance.

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Kit Major – Vampire Saturday (Album Stream)

Kit Major

Today is a great day to introduce everyone to Kit Major, a great pop artist in the same vein as Poppy and Avril Lavigne, who has graciously agreed to share her new EP Vampire Saturday early with our audience. This debut EP will be released everywhere music is sold on November 9th. Kit Major shared:

Vampire Saturday is the first EP project I’ve put out.  I wanted to wait until I had a story to tell. This is the story of my twenty-something experience. Through love, heartbreak, and self reflection comes rock ‘n roll. This EP is self-reflective, like most of my music. It’s intimate, edgy, rowdy, and angsty. It’s also nostalgic for my own young days, my late teens, earliest 20s. That time in your life when you’re desperate to finish growing up and become the person you are destined to be.

If you’ve been looking for that next great artist that checks all of the boxes of awesomeness, look no further than Kit Major.

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Interview: Drowse – Three Faces (Cyanoacrylate) (Song Premiere + Interview)

Drowse

Drowse has delivered some of the best electronic and experimental music over the past few years dating back to their 2018 Flenser debut Cold Air. Now four years later with death, pandemic, and intense introspection all occurring in between, Kyle Bates is back with Drowse’s stunning fourth album, Wane Into It. As challenging as it is dark, Wane Into It explores how we curate the memories we want others to remember us by and how the internet plays an integral role in that. It’s a hyperrealistic and surreal look into loss, death, and all the anxiety that gets wrapped up into it. Today we are proud to premiere the final taste of Wane Into It before it releases on November 11th – the penultimate track “Three Faces (Cyanoacrylate).” A gentle acoustic strum paces the eight-and-a-half minute track before descending into sinister tones, all while Bates airy vocals chronicle what we lose due to distance and memory. But before we get into that, Kyle and I discussed the new record, what spurred some of the themes on Wane Into It, and ultimately what he hopes this record accomplishes. Check that out and “Three Faces (Cyanoacrylate)” below.

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Liner Notes (November 6th, 2022)

This week’s newsletter has thoughts on music out this week (and last), some early first impressions of the new Anti-Flag album, and commentary on other media I’ve consumed recently. There’s also a playlist of ten songs I enjoyed, and this week’s supporter Q&A post can be found here.

If you’d like this newsletter delivered to your inbox each week (it’s free and available to everyone), you can sign up here.

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