How Tom DeLonge Became a U.F.O. Researcher

Tom Delonge

Derrick Bryson Taylor, writing for the New York Times:

That’s a really good question. It was funny because, fortunately most of the people I was meeting with in the early days weren’t really aware of the crazy rock and roll behaviors and antics that I’ve had in my early, mid-20s. I always tell people being a celebrity got me in a few doors, but that’s all it did. My intellect, whatever level it may or may not be [laughs], is what got those meetings to bear fruit. I think from my perspective, the most important thing that I was focused on was being eloquent. Being humble to the subject, because the subject is not a joke. I had to really be respectful about what I was saying, how I was saying it. I think because all those things, I earned trust and I earned more meetings. It was a process, it did not happen over night, it took me a couple years.

Review: Breakup Shoes – So Money, Baby

Breakup Shoes - so money, baby EP

The inherent nature of a “goal” is to be currently out of reach. Whether far down the road or just fingertips away, goals are the checkpoints we set to help us navigate the uncertainty of life. But the problem, ironically enough, is that uncertainty turns out to be one hell of a goaltender. It’s a relentless opponent that’s not above mind games, and if left unchecked, will tug at the threads of our insecurities until we’re left completely unwoven. Fortunately for So Money, Baby, the Arizona quartet known as Breakup Shoes have provided a bit of sugar for the pill, pairing soda pop sweet, surf-flavored indie rock with a bare-skinned attempt to snip the thread and prevent further undoing.

Mid-album single “Accessory” hits on the central theme surrounding vocalist Nick Zawisa’s core emotional vulnerability — an unrequited love. With a warm, muted bass tone, Derek Lafforthun drives his bandmates through mellow verses in a lackadaisical swagger, crafting a melody of his own before giving way to a subtle, but undeniably strong vocal hook: “I just want to be what you hold close / I just want to be who you love most”. The majority of the lyrical content throughout So Money, Baby is spent this way, deliberating on “what if” scenarios penned by a hopeless romantic. Frankly, there’s not much to be said for it — often left to be desired across the record is a semblance of nuance in exchange for the melodrama. But in the moments where Zawisa opts to deviate from the norm, he briefly lifts the veil to a more compelling premise: the longing to be wanted at all, and the seeping dubiety in meditating on his goals of finding any form of significance in a life outside his own.

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Pete Wentz Writing Music for New Snapchat Series

Pete Wentz

Pete Wentz is helping write music for an upcoming Snapchat series:

Two series, anthology series Mind Yourself from Barcroft Studios and scripted comedy Everything’s Fine from Paul Feig’s Powderkeg, deal with mental health. The former will tell the story of a young person suffering from or recovering from a mental health issue, while the latter will look at a college student dealing with bipolar disorder and trying to make it in the music industry. Pete Wentz of Fall Out Boy will serve as a producer and music supervisor on Everything’s Fine and will bring original music to the show.

Travis Barker Shares “Heaven” Demo

Blink-182

Travis Barker has shared the “Heaven” demo Blink-182 on YouTube. Travis commented on the demo:

This demo inevitably turned into ‘Heaven’ on ‘NINE’ – blink-182 album. It was a small piece of a 45 minute jam / writing session with my friend Chris Greatti. The rest is history.

In a recent interview with Vogue, Mark talked a little more about the song:

[S]tarkly different to “Heaven,” a meatier track written about the 2018 mass shooting in Thousand Oaks, California. “It means a lot to me personally,” Hoppus says. “What started off as a song about broken hearts became a song about living in America in 2019.”

Jim Adkins Talks New Jimmy Eat World Album

Jimmy Eat World

Jim Adkins of Jimmy Eat World talked with Rocksound about the band’s upcoming album:

For me, what I felt was something interesting to explore was how every moment of your existence you have a choice between continuing what you’re doing, and doing something different. There is always resistance in doing something new. If you feel anxiety or depression or general dissatisfaction in whatever your personal condition is like, it’s really strange that there’s still resistance to deviating from that. To explore that, you really have to come to a present choice – that’s the difference between existing and truly living. Like I say in the song, ‘You can survive but not exactly live’. It’s like anything would be better than what I’m doing right now, but I’m too afraid to change it. It’s not a natural response for us to change