One of the more interesting stories in the journalism space over the past week has been the revelation that billionaire Peter Thiel has been secretly funding Hulk Hogan’s lawsuit against Gawker. I think, not surprisingly, I agree most with John Gruber’s take:
It’s free speech on both sides. Thiel was free to secretly back (and apparently strategically steer) Hogan’s case against Gawker. But Gawker founder Nick Denton was free to air his suspicion that Hogan had a billionaire Silicon Valley backer, and Forbes was free to out Thiel as said backer. And now commentators who are appalled are free to express their outrage at Thiel, perhaps embarrassing him and making it less likely that he or others of similar super-wealth will do this in the future.
You’re free to do stupid shit under the banner of free speech, and I’m free to say so.
DC Comics’ Geoff Johns was on Seth Meyers the other night to talk about DC’s new “rebirth” comic story (for what it’s worth: I really liked the first issue) — there’s a little mention of working with Ben Affleck on a solo Batman movie as well.
Miles Raymer, writing for MTV, looks at some ideas on fixing copyright law in how it relates to musicians and clearing samples:
Menell’s solution is to apply something called a compulsory license to sampling, remixing, and other derivative works. Compulsory licenses replace the process of gaining a copyright holder’s permission to make use of their original work with a flat royalty structure and a set of rules for how the work can be reinterpreted. We already have this kind of setup for cover songs: Under U.S. copyright law, anyone can perform and record any song that anyone else has written and recorded without getting their prior permission, as long as they pay a royalty to the copyright owner. This is why pop-punk bands can cover Top 40 songs, why iTunes is full of sound-alike cover versions of hit songs by artists it doesn’t have deals with, and why hip-hop producers often hire instrumentalists to play “interpolations” of musical passages they want to sample but can’t clear.
Hilary Duff is currently working on her new album. I was pleasantly surprised by her last release.
Five Finger Death Punch has announced they’ve signed with Rise Records. They still owe their former label, Prospect Park, one more album (that the label is kinda saying sucks and are suing over). From the band’s announcement:
We have had great success with our current label, Prospect Park, and will continue to enjoy further success with our next and final album (subject to surmounting the label’s court action to prevent us from recording it), after which we will commence a new and exciting label partnership with the people at Rise and BMG.
I’m just surprised they didn’t find some way to throw in one more proclamation of the great success they were going to have with Rise and BMG.
Jenny Lewis’s new band NAF has announced some additional tour dates. You can find those below.
Emarosa have released their new video for “Helpless.”
The tribute show for No Use For a Name at this year’s Groezrock has been posted on YouTube. The set features a variety of guest singers playing with the band in tribute to the deceased Tony Sly.
Biffy Clyro has released their new song “Animal Style” on Spotify and iTunes.
Ben Popper, writing for The Verge, looks at just how big of a hit Spotify’s Discover Weekly playlist has been:
According to the stats Spotify released, more than half of Discover Weekly users listen to 10 tracks a week and save at least one of those songs to their favorites. The company is trying to highlight the boost in listening this feature has given to small- and medium-sized artists, and noted it will be sharing data from Discover Weekly with bands to try and help them connect with their newest fans.
Brendan Manley, writing for Diffuser, remembers Bradley Nowell, the Sublime frontman, on the 20-year anniversary of his death:
After the album was released, it became a runaway success and spawned four hit singles (“What I Got,” “Santeria,” “Wrong Way” and “Doin’ Time”) on its way to multi-platinum status. It also helped define the ’90s third-wave ska scene (which also featured genre-bending bands like No Doubt and 311) and the album placed a global spotlight on Nowell’s evocative lyrical imagery and his unflinching portraits of the seedy side of SoCal.
Advice to Writers: 22 Rules of Storytelling from Pixar
The Front Bottoms are the latest to play for Punks in Vegas’ acoustic sessions. You can find the three song performance below.
Laura Jane Grace, writing for Vulture:
The nerves started as soon as I got to North Carolina. Just driving into the state, stopping at gas stations, going where you go — I was on edge all day. I always wait until there’s a unisex restroom, because I’m afraid. I also don’t want to make people uncomfortable — my desire is to feel comfortable, but I don’t want to make other people feel uncomfortable either. If it’s a crowded public restroom, I know I don’t pass, and I know that if I walk into a women’s restroom, someone would possibly take offense. Maybe scream. Who knows? In North Carolina, with it being illegal, it was like, Okay, well, we’re going to wait until there’s a Starbucks, since Starbucks has single-unit bathrooms, and that’s where we usually stop. Which is ironic because I’m someone who wrote a song about throwing bricks through Starbucks’s windows.
SoundCloud has teamed up with LANDR to offer a free “mastering” service to their members. From the SoundCloud blog announcing this partnership:
Driven by the smartest algorithms in the game, LANDR’s all-in-one, drag and drop interface makes mastering your tracks easier than ever. For this partnership, LANDR has created a new format specifically optimized for SoundCloud streaming.
Really I’m just excited I can now make jokes about how algorithms can do a better mastering job on albums than some bands end up with.
Fat Mike of NOFX has clarified on Instagram that he’s not in rehab but is going through a detox program.
I just got released by the doctor. It wasn’t rehab, it was detox. Had a little problem with the Whiskey and the Roxy’s. Now I’m off everything and boy does my tummy hurt. […] I’m not in rehab! I’m detoxing from painkillers, staying sober and really digging it! Well, not the detox part. It sucks!
Owen’s new song “Lost” can be streamed below.
Face to Face have premiered their new video for “Double Crossed.”
Real Estate have announced that Matt Mondanile will be leaving the band.
Having previously announced a short run of shows in California and a show at Red Rocks Amphitheater with The National, Real Estate expand on this by adding two further California dates. This limited run of dates is a prelude to the recording of their next album, tentatively slated for early 2017. These upcoming shows will be the first with new member and fellow scion of Ridgewood, NJ, guitarist Julian Lynch. Lynch takes the place vacated by the departing Matt Mondanile, who is focusing on his own Ducktails project, a musical endeavor that predates his involvement in Real Estate. The band will commence recording their follow-up to Atlas this summer.