Review: Vinnie Caruana – Live At The Black Heart

The new live album from Vinnie Caruana is a career-spanning set of 15 songs that covers material from his great new solo release Aging Frontman, as well as material from his other projects such as The Movielife and I Am The Avalanche. The album was recorded live in the UK at The Black Heart on December 15th, 2019, and the record is a full sounding listening experience to it, making it seem as if Vinnie is performing these songs just for you. Caruana had a nice remark regarding this album by saying, “It was the last show of a life-affirming tour. We took in many a Christmas market, and we drank around 100 Guinness each. Being able to travel around a foreign country, only to see friends, some of whom I met nearly two decades ago, will never be something I take for granted. Every show was special in its own way, and this one was just the cherry on top. The crowd didn’t know we were recording, and the result is a real and organic experience. I fucked up a few songs, but, as you know, that is par for the course. Long live the UK. Long live the connection we share together. Somebody in New York loves you (it’s me). Please enjoy.” The album is streaming now on Bandcamp for a “Pay What You Want” price that directly benefits the artist, or you can pre-order the vinyl here.

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Review: Off Road Minivan – Swan Dive

Off Road Minivan - Swan Dive

Let me introduce you to Tooth & Nail Records’ latest great find in Red Hook, New York’s own Off Road Minivan. This five-piece band is led by charismatic bassist/vocalist Ryan Tuck O’Leary and features a triple-guitar attack of Melvin Brinson, Dave Trimboli, and Miles Sweeny. Rounding out the band is an underrated drummer in Evan Garcia Renart. On their debut full-length album, Swan Dive, Off Road Minivan described this record as a love letter of sorts to the bands that influenced their sound. “For us, this album touches on the sounds that made us want to play in the first place – an alternative rock landscape from early 00’s emo to grunge influence,” the band shares. “We aren’t here to teach any defining life lesson, just trying to sing about the ones we’ve experienced.” Their debut features flashes of greatness and is reminiscent of bands such as Anberlin, Hawthorne Heights, and Young Guns.

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Canvas Prints Make Good Wall Decorations

Hayley Williams

Over the weekend, I shared a photo of one of the walls in our home on Instagram. The photo is of the large wall in our living room area adorned with three large canvas prints of some of my favorite musicians. I first did this when I moved downtown in August of 2012, and I shared some of the photos and process back on AbsolutePunk.net and my old Tumblr (remember Tumblr?). After all of the questions and comments on the social media posts, I realized I didn’t have a good article to link people to that answered the basics any longer. Plus, phone cameras have come a long way since 2012.

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Review: I’m Glad It’s You – Every Sun, Every Moon

I'm Glad It's You - Every Sun, Every Moon

“And he’ll stay with me for my whole life/found the sting buried in my side,” sings Kelley Bader on “Death Is Close,” a breezy Beatles-esque number dripping in melancholy as the I’m Glad It’s You singer/songwriter references 1 Corinthians 15:55. This somber moment appears halfway through the Southern California collective’s second full-length Every Sun, Every Moon, and yet it serves as the album’s basis. Every Sun, Every Moon details the tragic van accident that took the life of SoCal videographer Chris Avis. The record serves as a requiem for the band’s mentor as well as a cathartic medium for Bader to process his grief.

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Review: Dead Lakes – New Language

Dead Lakes - New Language

In recent years, bands like Bring Me the Horizon, Silverstein, and I Prevail have experimented by adding electronic and pop to their traditional heavier sound. The change-up has served them well, and it looks like Dead Lakes is poised to breakthrough by doing the same with their EP, New Language.

Dead Lakes – singer Sumner Peterson, guitarists Max Statham and Legacy Bonner, bassist Cody Hurd and drummer Chon Adam – not only have a sound made to attract fans of rock and post-hardcore, but they also sing relatable lyrics as they deal with emotions, struggles, and anxieties throughout the five tracks.

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Review: Eminem – The Marshall Mathers LP

Listening to Eminem when I was growing up was like eating forbidden fruit. Now that I look back on it, my mom was spot on for not allowing me to own The Marshall Mathers LP album. Instead, I listened to it with friends at summer camp back in the summer of 2000. Strangely enough, my love for rap and hip-hop would blossom from this particular, ridiculously controversial album. 

The Marshall Mathers LP is still revered as an iconic album. Eminem raps laps around any competition, and his expression of emotion (a lot of rage) is undeniably intoxicating. But, if you take a listen from start to finish, you’ll be reminded that much of what you’ll hear didn’t land well back in 2000, and is still cringe-worthy today, even if it most of it is just schtick.

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Building Chorus.fm 3.0 – The Design Process

design

It’s been a little over a week since I launched the new version of Chorus.fm and I’ve been pretty blown away by the positive response. I think it may be the best reaction to a redesign of any website I’ve ever built. For fun, I pulled out a bunch of the initial sketches I made during the process, as well as some of the various other designs I played around with before actually building the website. I thought some might find the entire process interesting.

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Interview: The Ghost Inside

The Ghost Inside

On June 5th, The Ghost Inside will triumphantly return with their self-titled fifth album – an eleven track journey featuring the heaviest and most poignant work of the band’s illustrious career. It’s the Los Angeles band’s first release in nearly six years and it’s a record that almost never existed as the path towards The Ghost Inside was littered with tragedy, pain, and self-doubt. On the morning of November 19, 2015, the band’s tour bus collided head on with a tractor trailer while headed west to Mesa, Arizona on U.S. Highway 180. The drivers of both vehicles, Greg Hoke and Steven Cunningham, lost their lives in the accident, while vocalist Jonathan Vigil, bassist Jim Riley, guitarists Zach Johnson and Chris Davis, and drummer Andrew Tkaczyk suffered life-changing injuries (Tkaczyk lost one of his legs following an initial ten-day coma). After facing a lengthy recovery period, the band took time to get into the right head space to figure out if they wanted to continue as The Ghost Inside. Realizing that this tragedy is the precise moment to put their inspirational lyrics to the test, the quintet returned to a sold-out performance last summer at Los Angeles’ The Shrine, promising new music soon. That moment is now and I was fortunate enough to speak with Andrew about the record, the moving visual for their first single “Aftermath,” and creating the record the band was always meant to make.

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Review: Loyalty To Me – Clash // Coexist

Loyalty To Me - Clash Coexist

New Jersey emo quintet Loyalty To Me have burst onto the scene with their debut EP Clash // Coexist. With vibes and styles that range from pop punk sensibilities of Cartel to the punchy guitars of New Found Glory, this band has made a catchy collection of songs on their introductory record. Led by charismatic vocalist Wil Jackson, Loyalty To Me created a solid mix of alternative rock, emo and pop punk that is sure to give them a loyal following in the months to come. While not covering too much new ground in the scene, they still hone in on their influences and work with their strengths as artists for a pleasing and breezy set of five songs on this EP.

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Review: Jess Williamson – Sorceress

Jess Williamson - Sorceress

Something spellbinding occurs on “How Ya Lonesome,” the midway point of Sorceress – the fourth album from Texas-native, LA-based musician Jess Williamson – her already magnetic universe opens up before us in a kaleidoscope of hazy ‘70s cinema and meditative psychedelia, offering a story of love and uncertainty beside weaving pedal steel guitar, piano and synths. Sorceress sees Williamson remain true to her country roots while growing in ambition.

Williamson weaves untamed love letters to our confounding present and uncertain future – accompanied by musings on femininity (she questions what it means to be an aging woman in this society on “Ponies in Town”: “Am I aging well? Am I just an aging well?”), the pursuit of perfection; a search for meaning via Tarot, astrology apps and crystals; evocative critiques of capitalism and living online and details the lives and deaths of loved ones. Sorceress is an album about loss – lost innocence and facing mortality head-on – and self-assured insight. These reflections orbit around Williamson’s superb voice, a pure voice, a voice of might and vulnerability.

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Review: Jason Isbell and the 400 Unit – Reunions

Jason Isbell is telling ghost stories.

Sometimes, the things that happen to us in our lives register immediately. Other times, years or decades have to pass for us to fully comprehend how a person or occurrence changed us. Time and experience lend perspective. They give us the wisdom necessary to look back and re-read the pages of our lives, reconvene with our former selves. That’s why reflection is so important, and it’s also why hearing one of our greatest living songwriters look back and commune with the ghosts of his past is so thrilling. Isbell has long been a master of craft: his songs have conveyed the struggles of addiction, the healing and humanizing powers of love, the joys of parenthood. But never before has he captured so thoroughly the bizarre and beguiling feeling of spending a moment inside a memory. On Reunions, by delving into his own past, this master songwriter finds new things to say about experience and identity, and about how the very act of living changes the stories we think are worth telling about our lives. It might just be his greatest album yet.

Isbell has gone on record to say that the songs on this album were things he wanted to write 15 years ago, but there were barriers in his way. “In those days, I hadn’t written enough songs to know how to do it yet,” he said. He hadn’t yet honed his songcraft into the razor-sharp knife it is now. He hadn’t gotten sober, which meant murky nights and hungover days with not enough energy left over to focus on the deeply personal layers he would need to excavate to tell these stories. Perhaps most of all, he hadn’t given himself enough time or distance to understand just how deeply the ghosts in these songs would prove to haunt him. It’s unnerving the way that regrets or papered-over traumas from our pasts tend to worm their way deeper and deeper into the recesses of our minds as years go by. Eventually, you end up alone with your thoughts on some solitary night, with nothing to do but dredge up those specters and let them speak. Reunions is the sonic equivalent of that kind of reckoning.

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Review: Rock Bottom at the Renaissance: A Mixtape Memoir – Mike Henneberger

Rock Bottom at the Renaissance: A Mixtape Memoir by Mike Henneberger

Mike Henneberger just wants you to listen. Whether that entails listening to that voice inside your head that tells you what’s right from wrong, the music blaring through the headphones that connect with you on a deeper level than you could ever begin to describe to someone, or by taking some of his advice so eloquently written in the new memoir he has affectionately titled Rock Bottom at the Renaissance: An Emo Kid’s Journey Through Falling In and Out of Love in and With New York City. We process our journeys through this crazy thing called life in all different shapes and forms, and that’s the beauty of it. No one has the perfect pill or cure for navigating through life, but music seems to be the closest miracle for a lot of us to deal with the shit that comes up daily.

In this “mixtape memoir,” Henneberger carefully crafts his thoughts on living in New York City and how it’s easy to fall somewhere in the void of being in love with the city and loathing it just as often. Henneberger also shares his struggles with mental illness and the music that kept him alive throughout it all. By connecting each of these chapters in his book to a different song in this mixtape, he has created a clever work of art in his own right by making sense of how music can truly save us from the darkest of thoughts. I feel that everyone will be able to take something special out of this memoir by reading how Henneberger describes his emotions in painstaking detail in his quest for understanding what makes him tick. Not to mention, the music he outlines each chapter with is very near and dear to my heart as well, and I’m sure it will hit the right notes with many of us who frequent this site. The playlist can be found on Spotify and Apple Music. Pre-orders are now up, and the book will be available everywhere starting on June 9th.

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Review: The National – High Violet

The National - High Violet

When The National reemerged in 2010, they were primed to explode. It didn’t matter that they were coming up on their fifth album and had already passed the milestone that marked their first decade together as a band. They were, as people have often described their albums, a slow burn, or a grower, and by the time the new decade began, their fuse was ready to blow. 2007’s Boxer had changed the game for the Cincinnati fourpiece in more ways than one, turning them into prestige indie darlings, landing songs on the soundtracks of virtually every moody drama on television, and even earning them a small but memorable role in the campaign of a presidential hopeful named Barack Obama. By the time The National appeared on Jimmy Fallon in March of 2010 to officially kick off the rollout for High Violet, with a majestic performance of “Terrible Love,” it was clear they were ready to be rock stars.

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Interview: O’Brother

O'Brother

O’Brother has never been an easy band to pin down. I’ll leave it to them, as they explain it best: they’re a “borderline metal band that’s heavily influenced by Radiohead and Sigur Ros”. Their debut album, 2011’s Garden Window embraced chaos and mystique, featured vocals from Andy Hull (Manchester Orchestra) and introduced the band’s experimental nature. O’Brother quickly amassed a loyal following through clever, brilliant music and non-stop touring. Disillusion (2013), their sophomore effort, expanded on the post-metal influence the band only teased beforehand. In 2016, O’Brother released one of the best albums of the year in Endless Light.

Last week, O’Brother put up their new album, You and I on Bandcamp for a pay-what-you-want price. On April 7 2020, first single “Killing Spree” was unveiled to the world, following a few days of teasing online. Where Endless Light touched the surface of using space as an instrument, their fourth album, You and I revels in ambience. Guitarists Jordan McGhin and Johnny Dang go back and forth between classical guitars and staring at the computer. Anton Dang still plays the bass guitar, of course. Michael Martens hardly plays the drums. In the meantime, vocalist Tanner Merritt reaches for the piano. I caught up with O’Brother this week from their respective homes over a surprisingly non-lagging Zoom call. Martens chatted from his living room, McGhin from his bedroom, Anton Dang from his porch, and Johnny Dang and Merritt from their offices/home studios.

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Review: Diet Cig – Do You Wonder About Me?

Diet Cig

Coming off of a successful debut album brings a lot of added pressure and attention towards your next effort. Luckily for us, Diet Cig are well up to the task at hand as they pick up right where they left off on Swear I’m Good At This with some more self-described “slop pop” here on Do You Wonder About Me? When I last spoke with guitarist/vocalist Alex Luciano and drummer Noah Bowman in regards to what they had in mind for their next album, their optimism infectiously carried over into the recording process for this record. The dynamic duo of Luciano and Bowman has crafted a satisfying sophomore album that expands upon the ideas introduced on their debut, and they fully realize their potential as artists on this LP.

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