Review: The Maine – American Candy

The Maine - American Candy

The year 2007 was a good time for fans of alternative pop music. That year was absolutely littered with bands who were writing catchy hooks left and right: Mayday Parade, Every Avenue, All Time Low, Forever the Sickest Kids, We The Kings, Farewell, The Cab… the list goes on and on. The problem however was that this resulted in a homogeneous sludge of power chords and breakup lyrics that made it impossible for anyone to stand out. Well, there was also a five piece band from Tempe called The Maine that began making waves with their EP The Way We Talk in ’07. Fast forward eight years and, unlike the majority of the bands above who have more or less disappeared completely, The Maine withstood the test of time, and with the same lineup to boot. They’ve grown and adapted their sound through the years and they’re still alive and well, this time producing one of their most well-rounded releases to date with American Candy

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Review: Knuckle Puck – Copacetic

Knuckle Puck - Copacetic

Man, what a tall order it must be to create a pop-punk record in 2015. In a genre that went from maligned to mall playlist and back, it’s not surprising that bands are a little bit flummoxed as to what works and what should be left in a 9th grade trapper keeper. Knuckle Puck, perhaps more than any of their peers, toe this line delicately. While the music has grown up, offering instrumental denouements and actually interesting slow numbers, the lyrics are still firmly entrenched in the world of paralysis through heartbreak.

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Interview: Noah Gundersen

Noah Gundersen

Last week, I got the chance to spend a half hour chatting with Seattle-based folk singer/songwriter, Noah Gundersen. Fresh off the release of his 2014 debut album, Ledges, and already gearing up for the release of the follow-up, Carry the Ghost, Gundersen spoke candidly about the collaborative nature of his new album, about keeping the intimacy of his earlier music alive whilst moving into full-band territory, about exploring difficult subjects like religion and existentialism in his lyrics, and about why we’ll probably be hearing yet another new album from him sooner rather than later.

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Review: Jason Isbell – Something More Than Free

Jason Isbell - Something More Than Free

Is Jason Isbell the best songwriter of his generation?

The former Drive-By Truckers member certainly made a case for the affirmative on Southeastern, his breakthrough solo LP from 2013. Southeastern was the kind of remarkable record that only grows in stature, importance, and personal impact over time. Written in the wake of Isbell getting sober and taking control of his life, Southeastern was at once both mournful and hopeful. Within those songs was a man with a suitcase full of doubts about himself, but also someone with the resilience to push forward and be better—at least with the helping hand of the person he loved most. “Home was a dream, one that I’d never seen, until you came along,” Isbell sang on “Cover Me Up,” Southeastern’s stirring mission statement, and the best song of the decade so far. He wrote it for Amanda Shires, the woman he married just months before Southeastern dropped, and the person he credits with saving him from the darkness.

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Interview: Chuck Comeau of Simple Plan

Simple Plan

How’s it feel to finally have your new song, “Saturday,” out?

We’re excited! It’s been a long time since we’ve put out new music. The last thing we did was like this little EP that was a little bit of a b-side, I guess, quote, unquote — songs that were leftover from the Get Your Heart Onalbum. We take a little bit of time in between records because we go on tour for two, two and a half years on each cycle. Then we stop for a few months, catch our breath, and then we start writing and we write for a long time. We wrote for like a year and a half on this album. We wrote like 70-75 songs. It’s definitely exciting. People have been waiting and we’re finally able to give them something they can listen to and get stoked about the album. It feels good to feel like, “Okay, we’re kicking up in gear,” and we’re slowing switching from writing, making the record, and recording it, to actually having music out and going back on tour and planning some shows and the album cover and all that. So it’s exciting that we, as a band, have the luck and the privilege to be doing it for a fifth time.

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Review: Kacey Musgraves – Pageant Material

Kacey Musgraves - Pageant Material

Country music is ripe for a civil war.

Over the course of the last few years, Nashville has segmented into two very distinct groups. On one side of the industry, there are the people who are willing to play the game, to sacrifice the classic core of the country music genre—ostensibly, deep and unusual storytelling—in order to sell records. This group is where you will find the “bro country” collective, “artists” like Luke Bryan, the Florida Georgia Line, Blake Shelton, Toby Keith, Billy Currington, Darius Rucker, Jason Aldean, and pretty much every male singer on country radio. These guys write songs (or often, accept songs from other writers) that extoll the virtues of drinking, driving trucks, and objectifying women. Said songs are usually hollow, derivative, and overproduced, but boy, do they sell.

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