Review: Field Report – Summertime Songs

Field Report - Summertime Songs

Chris Porterfield is one of the most honest songwriters alive.

It might not seem that way from a cursory listen to the music of Field Report, the band Porterfield has fronted now for three albums. As a writer, he couches much of his observations about relationships and human struggles in layers of metaphor. But start to peel back the meaning of the songs and you’ll arrive at deeply moving messages about the heart and what keeps it beating. That was the case with 2014’s Marigolden, a starkly intimate record where Porterfield came clean about his struggles with alcoholism. That album often felt like a dreamscape, like coming down from the haze of a buzz for the first time in weeks, only to find that the clarity of an undrunk mind felt as surreal as being on an alien planet. “The fog’s been lifting, and I’m doin’ alright,” Porterfield sang on a sublimely beautiful song called “Summons,” “But I still can’t look nobody in the eye.”

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Panic! at the Disco Announce New Album, Tour, and Music

Panic at the Disco

It’s Panic! at the Disco news day. First up: The new album is called Pray For The Wicked and due out on June 22nd. The video for the first single “Say Amen (Saturday Night)” has been released. A second song, “(Fuck A) Silver Lining,” is also up on Spotify. Pre-orders are now up.

Also, new tour dates have been announced and can be found below.

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Review: Hurry – Every Little Thought

Hurry - Every Little Thought

There’s a search for permanence on Hurry’s new album, Every Little Thought – each of album’s ten tracks a vital piece in the journey. And it’s really the album’s opening song (and title track) that encapsulates this desire perfectly. At five minutes long, it’s the album’s best song as Matt Scottoline (formerly of Philly emo band Everyone Everywhere) achingly sings, “Every little thought I have about you / And what the future brings / Every little thing I knew about you / Doesn’t mean anything,” over slight reverb drenched in melancholy. It’s Hurry at their very best, as the band is in no rush when it comes to creating luscious melodies and captivating hooks, letting each one breathe and build on its own until Hurry’s bittersweet pop is ringing within your ears for days.

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Review: Black Foxxes – Reiði

Black-Foxxes-Reiði

The title of Black Foxxes’ sophomore album, translated from Icelandic, means “rage.” Presumably, it comes from a lyric on the album’s closer “Float On”:

Now I understand rage, a feeling that is never subdued.

While Mark Holley’s assessment of the feeling is accurate, it doesn’t sum up the record quite so well. In fact, the biggest difference between Reiði and the band’s debut I’m Not Well is how much more subdued this record is.

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