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“Why Jesse Lacey and Brand New Should Not Be Touring”

Another woman has shared her story for the first time detailing what she describes as a “pattern of grooming” from Jesse Lacey of Brand New and why she does not think the band should be touring:

I am sharing my story publicly for the first time, and it’s one I’ve kept to myself for years. In 2006, I was 15 years old, a teenager at the height of adolescence, trying to navigate the complexity of identity, self-worth, and relationships. Brand New’s music defined that time for me, and like so many others, I idolized Jesse Lacey. His lyrics spoke to the vulnerability of youth, the pain of growing up, and the confusion of unrequited love. To be seen by him as someone worthy of his attention was intoxicating — it felt like a validation of my worth, my place in the world, and my identity as a young woman.

The entire thing is worth your time. And the words toward the end have stuck with me since I first read them:

To those who feel that people like me demanding accountability want Jesse to “burn” or have his life ruined — this was never about destruction. It’s about responsibility. No one is asking for his exile, only for an acknowledgment that goes beyond vague apologies and self-preserving statements. True accountability isn’t just admitting to “sex addiction” or “manipulation”; it’s about recognizing the full extent of harm caused and taking meaningful steps to repair it. Jesse has never done this. Defending him by claiming he’s “done his time in therapy” suggests that personal growth absolves public harm, which it does not. […]

If you truly believe Jesse has changed, ask yourself: why has he never directly addressed the people he harmed? Why, in 20 years, has he done nothing to make things right? And why are you more comfortable questioning his victims than questioning him?

I’ve said what I want to say about the band’s return at this point, but I think this is important to share.

My Life In 35 Songs, Track 4: “Wheel” by John Mayer

My Life in 35 Songs

And if you never stop when you wave goodbye, you just might find if you give it time, you will wave hello again…

I was a man on a mission. I had about 20 minutes to myself in the local mall while my mom and sister went off to shop for something, and I knew I was going to need every one of them to accomplish my task.

Walking briskly, I dodged around families with young children and groups of lackadaisical teenagers, making my way across this crowded retail mecca to find my destination: FYE, with its rows and rows of pristinely shrink-wrapped CD and DVD cases. The album I was looking for had just dropped that week, so it was right there at the front of the shop, just waiting for me to pick it up off the shelf. Then, I made my way to one of the listening stations, where you could scan the barcode of the CD you were thinking about buying, put on a pair of communal over-the-ear headphones (in retrospect, eww!), and sample the tracks. A quick listen through various clips from the album confirmed that it had more to offer than the lead single I’d had stuck in my head for weeks. And so, convinced, I marched up to the checkout counter and handed the cashier $15 or so of my hard-earned cash. It was the first CD I’d ever bought with my own money.

The date was Sunday, September 14, 2003, and the album was Heavier Things, John Mayer’s sophomore follow-up to the 2001 smash Room for Squares. At most, I’ll say I’d been a casual fan of Squares: I liked most of the songs, but none of them had become obsessions in the year or two since my sister had gotten a copy of the CD for one of her birthdays. But “Bigger Than My Body,” the lead single from Heavier Things, had absolutely become an obsession since it had dropped on August 25. That song had a dynamite earworm chorus and some of the coolest guitarwork my 12-year-old ears had ever heard on a pop single, and I was tired of holding my breath and hoping I’d hear the on the radio or catch the video while flipping channels after school. I needed to be able to hear “Bigger Than My Body” whenever I wanted, and it led me to do something I’d never done before, but would do many, many, many times in the decades to follow; it led me to buy the album.

For the next two months, I listened to Heavier Things every single day when I got home from school. It was just part of the routine: get home, fire up my portable CD player, hear those opening piano strains of “Clarity,” and do my homework while the album played. I loved Heavier Things right away, but I came to develop an extremely meaningful bond with it over the course of that fall, as I listened over and over again. I was particularly taken with a pair of songs in the second half: “Split Screen Sadness” and “Wheel.” Both are ballads and both are songs about goodbyes – albeit, different kinds of goodbyes.

Read More “My Life In 35 Songs, Track 4: “Wheel” by John Mayer”

Billie Joe Armstrong Buys Stake in Minor League Baseball Team

Billie Joe Armstrong

Green Day’s Billie Joe Armstrong has purchased a stake in Oakland’s minor league baseball team:

The Green Day icon is joining the ownership group of the Oakland Ballers, the new (and as of this coming season) only professional baseball team in Northern California’s East Bay. Armstrong and legendary Oakland rapper Too $hort are climbing aboard the independent Pioneer League team ahead of the 2025 campaign, giving a celebrity boost to a club that in its first season already attracted plenty of grassroots interest.

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