2016)

Drew Beringer Dec 15, 2016

I’ve been listening to Jimmy Eat World for over half my lifetime. Crazy enough, the last (and only) time I attended a Jimmy Eat World show was in 2005 when they were opening for Green Day on the American Idiot tour. That’s pretty sad! Fortunately, I made some sort of amends this past Thursday when the Arizona quartet made their way through Indianapolis. Headlining one of those radio station holiday shows, the band played a 20+ song set that included a well balanced mixture of hits, deep cuts, fan favorites, and new songs.

2016 Holiday Gift Guide

Jason Tate Dec 5, 2016

With the holidays rapidly approaching, I wanted to steal an idea I’ve seen on other websites and put together a few gift ideas that I think are pretty great to give and receive. Since I already have recommendation posts for albums, movies, tv shows, books, software, podcasts, blogs, audio-equipment, and random miscellaneous tech and around the house items, this list is focused mostly on things not included in those posts and more geared toward things I’ve come across in the past year or so that I think are worth checking out and that I think would make good gifts. As always, I only recommend things I’ve personally used and loved.

I used my Amazon affiliate link when the product showed up there, which gives our website a slight percentage back if you make a purchase, and therefore helps fund our continued existence. I hope you’ll find something cool, and feel free to drop your own recommendations in the comments.

The Killers’ ‘Sam’s Town’ and The Hold Steady’s ‘Boys and Girls in America,’ 10 Years Later

Craig Manning Oct 4, 2016

Between 2002 and 2009, Bruce Springsteen released five studio albums. Rather remarkably, that statistic made the aughts Springsteen’s most prolific decade ever. The Boss fired off four straight classics in the 1970s (Greetings from Asbury Park, The Wild, The Innocent, The E Street Shuffle, Born to Run, and Darkness on the Edge of Town) and put out four more in the 1980s (The River, Nebraska, Born in the U.S.A. and Tunnel of Love) before faltering in both quality and output in the 1990s. (The last decade of the millennium only saw Human Touch, Lucky Town, and The Ghost of Tom Joad, all of which are among Springsteen’s weakest LPs.)

The 2000s, though, brought the man back to life. Suddenly, Springsteen albums (and good ones) were a regular occurrence again. During the seven years that elapsed between 2002 and 2009, we got three E Street Band records (The Rising, Magic, and Working on a Dream), one acoustic album (Devils & Dust), and one tribute record (The Seeger Sessions). Four of those five records are worthwhile (Working on a Dream is the dud), and two are genuine classics (The Rising and Magic both recapture the…well, “magic” of the E Street Band’s golden age). However, there’s still an argument to be made that the three best Springsteen albums of the 2000s weren’t even written by Bruce, but by guys named Brandon, Craig, and Brian.

Always Summer: A Farewell to Yellowcard

Craig Manning Sep 29, 2016

The first time I heard Yellowcard was sometime in the summer of 2004. I think my sister and I were packing for our annual trip to visit my grandparents in New Hampshire and I had the radio on. (This event is notable because I can legitimately not remember the last time I had the radio on of my own accord.) I had my radio tuned to the local “modern rock” station, which played about 50% Staind and 50% everything else. They also had this feature called “the Buzzcut,” where they’d play an up-and-coming song from an up-and-coming band and ask listeners to call in with feedback. If listeners liked the song, it got added to the playlist. If they didn’t, it never got played again.

The Buzzcut song on this particular morning was “Ocean Avenue,” Yellowcard’s breakout hit single. At this point in time, the song was almost a year old, because it inexplicably wasn’t the lead single from the album of the same name. (More inexplicably, Capitol Records officially released “Ocean Avenue” as a single in February, the least appropriate month of entire year to be listening to “Ocean Avenue.”)

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The Best Albums of 2016 (So Far)

Jason Tate Jul 5, 2016

As we pass the midway mark of 2016, it’s nice to sit back and reflect on the great albums that have come out so far this year. Below you’ll find a compiled list that looks at the selected albums from contributors and moderators to this website, as well as all of the broken down individual lists. Maybe there will be some albums you’ve heard of, hopefully there will be quite a few you haven’t checked out yet, and maybe there will be a few you’ll want to give a second look. I think it’s been a pretty damn good year for music so far and there’s quite a bit to still look forward to as well.

There’s a thread in our music forum where we’d love to see your lists.

Singles Club: Taking Back Sunday – “Tidal Wave”

Drew Beringer Jul 4, 2016

To say that Taking Back Sunday is a polarizing band is an understatement. For nearly 15 years now the Long Island-based band have gone through it all – inter-band drama, outer-band drama, more member changes than they’d like to admit, and the transition from emo darlings to bonafide rock stars. And while not every fan has always enjoyed every change the band has gone through musically and professionally, Taking Back Sunday has always stuck to their vision. And the same can be said about the band’s latest song, “Tidal Wave,” the first single from the band’s upcoming seventh LP of the same name.

Singles Club: Touché Amoré – “Palm Dreams”

Drew Beringer Jun 24, 2016

I’m lucky. I’ve never lost anyone close to me during my adult life. My grandfather died when I was very young and my six-year-old brain really didn’t understand what was going on. I’ve never gone through what Jeremy Bolm has. The Touché Amoré frontman lost his mother to cancer in the fall of 2014 and much, if not all of his band’s upcoming new album, Stage Four, revolves around processing her death and remembering their life together. The album’s first single, “Palm Dreams,” is a soaring piece of post-hardcore that showcases the continual growth of the band’s songwriting while Bolm attempts to learn even more about his mother even after her passing. In the song premiere’s accompanying article, Bolm tells NPR that “’Palm Dreams’ was written around the realization that I never had a full understanding why my mother moved from Nebraska to California in the ‘70s.”

Steven Hyden’s ‘Your Favorite Band Is Killing Me’

Craig Manning Jun 7, 2016

If you’ve ever told someone they’re a fucking moron for liking band X more than band Y, or for otherwise disagreeing with your obviously superior musical opinion, then Your Favorite Band Is Killing Me is the book for you. Written by Steven Hyden, a former contributor for Pitchfork, the AV Club, and Grantland (RIP), Your Favorite Band Is Killing Me is a thoroughly entertaining excavation of artist-versus-artist pissing contests. The subtitle says the book will teach us What Pop Music Rivalries Reveal About the Meaning of Life. Hyden’s thesis is that, depending on which side you take in any given pop music war, your choice says something about you. Something like Oasis vs. Blur might seem pretty trivial for anyone who wasn’t actively paying attention to Britpop in the 1990s, but in the pages of Hyden’s book, these battles mean everything.

Ten Best Things We Saw At Shaky Knees Festival

Craig Ismaili Jun 3, 2016

A few weekends ago, I was able to attend Shaky Knees Festival in Atlanta, Georgia. In addition to being held in one of the best cities I have visited on the East Coast thus far, Shaky Knees also had the added benefit of putting on the most killer festival lineup this side of Riot Fest. With fantastic sets across all of the days and stages from the earliest Sunday doldrums (more on that later) to the main stage headlining acts. Below you’ll find my 10 favorite things from the festival along with some photos I took over the weekend.

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Defend Girls, Not Pop Punk

Anna Acosta Jun 1, 2016

Over the past 12 months, as one of its primary proponents, I have spent a lot of time thinking about call-out culture. Or, as some industry heavyweights have phrased it, the trend of “witch hunts” that has been plaguing our scene as of late. I have spent a lot of time frustrated by the perpetuation of the idea that says the call-outs are the problem, instead of the abuses that said call-outs address. I’ve been upset because we know that statistically when an accusation is finally made, they are are overwhelmingly true; however, the opposite manages to live on in the minds of so many. It’s a problem, because as long as the focus is on whether or not call-out culture ought to exist, the real problems and abuses plaguing our scene fail to get properly addressed. As such, it’s a problem I want to solve.

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Noah Gundersen Live in Grand Rapids

Craig Manning Apr 26, 2016

Last Friday night I saw Noah Gundersen do something I’ve seen very few artists do: walk out onstage alone, with no backing band and no opening act, sit down in a chair, pick up an acoustic guitar, and start playing. He’d interact with the audience more—and make a surprising number of jokes—later in the show, but for now, he wanted to get right to the point: the music.

There’s something to be said for a concert with high production values. There’s something to be said for light shows and setlists where every moment has been meticulously planned — right down to the dialogue between songs. But there’s also something to be said for a show where an artist just comes out and acts like he’s playing songs in his living room. As someone who just made an entire album in his living room, that was something I appreciated about Noah’s show on Friday.

Moonlighting: The Get Up Kids

Adrian Villagomez Apr 25, 2016

By their nature, musicians are creative. Just because they find success doesn’t mean they don’t like to explore new genres or shake things up. Sometimes their new music doesn’t gel with their current band. Sometimes a band goes on a Ross and Rachel type of break, but the music has to keep flowing. Moonlighting is all about the side projects, the passion projects, the weird and wacky that branch out from the original act.

The Get Up Kids are your older brother’s emo. In their early years, the band members looked like they walked on stage immediately after bagging groceries or tutoring middle school kids. This was long before emo became associated with Hot Topic or bangs. Matt Pryor certainly has some growl to his vocals, but overall the band’s music is approachable, agreeable, heart-on-your-sleeve rock. This is music you wouldn’t be afraid to play in front of your mom. With a catalog featuring grainy distortion (“Coming Clean”), acoustic sing-alongs (“Campfire Kansas”), and new-wavey exploration (“Shatter Your Lungs”), it’s clear The Get Up Kids have never been worried about creating one type of music. The other projects from these members reflect that versatility.

To Write Love on Her Arms 10th Anniversary Concert

Gregory Robson Apr 20, 2016

Ten years ago, 19-year-old Renee Yohe was just another addict struggling with her pain. As fate would have it, a journalist, Jamie Tworkowski, caught wind of her plight and offered his support. That encounter would eventually pave the way for the Florida-based nonprofit To Write Love On Her Arms (TWLOHA). In a decade, the organization has offered help to nearly 200,000 people and raised more than $1 million towards counseling and professional solace for those battling depression, self-injury, suicide and more.

Earlier this month at Orlando’s House of Blues at Disney Springs, a sold-out crowd helped fete TWLOHA and its founder Jamie Tworkowski as part of its 10th anniversary Heavy and Light celebration. With a headlining set by Jon Foreman of Switchfoot and support from Arizona’s The Summer Set, Nashville’s Matt Wertz and Renee Yohe herself, the event proved to be a rousing success.

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Preparing for Record Store Day

Jason Tate Apr 15, 2016

This weekend is Record Store Day. A time for vinyl nerds to rejoice in a weekend dedicated to their passion, or wax poetic about how it was so much better before it got so popular. Thomas and I discuss this on the podcast this week, but, in preparation for the big day, I asked our friend William Angelos from Creep Records in Philadelphia to put together a write-up of the releases he’s most looking forward to and what to be on the lookout for as you make your way to your local shop.