This week on Encore the pop-punk ladder explains to me what it means to be “posi.” I learn something new about all these youngins every day. This week’s topics include: Basketball is back, the Star Wars trailer was released and watched, some bands do “follow backs” on Twitter and that’s kinda weird, music being listening to exclusively on YouTube, advice for someone wanting to be a music producer, Spotify vs Victory Records vs Streetlight Manifesto, Adele, Google Play Podcasts, the new Apple TV, and favorite singles so far in 2015. Please note: This is the last week you can get a t-shirt if you want one! So pick one up. You’ll find show notes, ways to subscribe, and links to stream and/or downloaded this episode in the replies.
I’m not sure I’m used to typing Encore yet when introducing the new podcast episodes. However, here we are with episode 101. Just a quick reminder that there are 12 days left to pick up our limited run of Encore t-shirts on teespring and thank you to everyone that has ordered one so far. I can’t wait to see pictures of people wearing the new logo. This week’s episode has us discussing some football, talking a little about other podcasts we like to listen to, the idea of “self-titled” albums and if they should have a certain “feel” to them or not. Then we discuss Thrice’s Vheissu turning 10 and how much that album in particular meant to me, Fall Out Boy’s re-release of “Irresistible,” some Panic! at the Disco stuff, and other random things spliced in there. Note: This episode features special guest Drew Beringer as Thomas had some family commitments this week. You’ll find show notes, ways to subscribe, and links to stream and/or downloaded this episode in the replies.
We made it to the 100th episode of our podcast — now it’s time to shake things up. Today we’d like to introduce you to the new podcast: Encore. We’ve undergone a name change, a little re-brand, and we’re coming at you with a brand new special episode this week. This week’s topics look at the reasons we decided to make this change, the process we went through in picking our new name and logo, the announcement of a special teespring campaign for limited edition Encore t-shirts, a special segment with guest Drew Beringer (where we talk about new music, what Drew’s been up to, technology, and all kinds of stuff), and then — of course — we end talking about Jesse Lacey’s emotional speech and the thoughts of Brand New calling it a day. We think it’s an episode worthy of this milestone.
I’d just like to take a moment to thank each and every one of our listeners for going on this journey with us. When we started the podcast I had no idea what it would be or become. I had no idea that I would end up looking forward to recording an episode each week. I had no idea we’d be able to grow it to the audience we have. It sounded fun to try and it has ended up being one of the highlights of my entire career here on the website. So, from Thomas, Drew, and I — truly thank you. I hope you enjoy this episode, and maybe the next 100, as much as I know I will recording them. We’re very excited about the new launch, logo, and t-shirts — they’re only available for about three weeks, so act fast. And if you like our show, we’d love it if you could help spread the word. Maybe tell a friend about the podcast, post about it on Twitter or Facebook, share our new logo, recommend it on Overcast or rate it in iTunes. Any of those things really would go a long way in helping us continue to grow the show and reach even more music fans. If everything goes to plan you won’t need to re-subscribe to the podcast (the new version should show up in your podcast player of choice). You’ll find show notes, ways to subscribe, and links to stream and/or downloaded this episode in the replies.
Lead singer Paul Meany details the four-year process behind Mutemath’s upcoming fourth album Vitals, continually chasing the euphoric feeling of finishing a record, why the band has come full circle creatively after 10 years yet still pushes forward, and how writing songs that embody a spirit of life has helped him navigate as he’s grown older.
Last week, I got the chance to spend a half hour chatting with Seattle-based folk singer/songwriter, Noah Gundersen. Fresh off the release of his 2014 debut album, Ledges, and already gearing up for the release of the follow-up, Carry the Ghost, Gundersen spoke candidly about the collaborative nature of his new album, about keeping the intimacy of his earlier music alive whilst moving into full-band territory, about exploring difficult subjects like religion and existentialism in his lyrics, and about why we’ll probably be hearing yet another new album from him sooner rather than later.
I recently came across this Italian pop-punk band called NOW.HERE. Usually when I hit play on a band labeled “pop-punk” cynicism gets the best of me. My history with the genre is as old as my history online and most of the time I just sort of feel like I’ve heard it all before and that nothing can excite me in this space anymore. Then I stumbled onto the new EP by NOW.HERE. These four songs, crafted by 5 kids from Italy, hit me in a way that very little in the genre has in years. There’s an urgency and energy that reads as authentic and fresh to me. I went from “man, this would be my favorite find if I was in high-school” to “I keep coming back to this more than I expected” to “fuck, this is really good” to “see, I still do like pop-punk” to “yeah, this is one of my favorite finds in a while.” If you’re looking for a great pop-punk EP or maybe just looking for something to relight that air-guitaring jump-kicking part of your soul — start with NOW.HERE.