Review: Katie Pruitt – Mantras

Katie Pruitt - Mantras

What do you do when all the things you thought you could count on betray you? Your religion, your family, your significant other, your society, your own mind? On Mantras, Katie Pruitt finds herself grappling with precisely that question. It’s an album about trying to find a new way to exist and thrive – or maybe just cope – in a world that repeatedly insists on ripping the rug out from under you. It is provocative and relevant and unflinching and so very human. And it is the first genuine masterpiece of 2024.

Pruitt arrived on the scene four years ago with her debut album Expectations, a sublime disc about self-discovery, coming-of-age, and reckoning with a world that is a whole lot darker and crueler than you thought it would be when you were young. Pruitt, who is openly gay and making music adjacent to the infamously conservative and old-fashioned country music industry, wrote candidly on that album about her sexuality and how she’d navigated years of fear, guilt, and yearning for acceptance. Expectations ultimately seemed to sketch out a happy ending to that turmoil: Of the last three songs, one was about her parents accepting her for who she was and the other two were earnest love songs for the woman she was sharing her life with.

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Interview: Anthony Raneri of Bayside

Bayside

Recently I was able to catch up with Anthony Raneri of Bayside to discuss everything that went into their new album, There Are Worse Things Than Being Alive, that just dropped today. The latest record, Bayside’s ninth in total, is a great mix of all the elements that made the band rise to fame in the genre, and as Anthony puts it in the interview, “It sounds like Bayside, but better.” Bayside are currently on tour in support of the new album, and tour dates are below.

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Review: Sum 41 – Heaven :x: Hell

Sum 41 - Heaven :x: Hell

There’s something to be said about going out on your own terms. Over time there have been plenty of athletes, actors, artists, and bands who have hung on too long to try and recapture that early spirit found in their careers, with mixed results. Sum 41 announced that Heaven :x: Hell, their eighth studio album, would be their final record in their career, and what a hell of a way to “call your own shot” by leaving behind a bulletproof discography. This double album plays out like a greatest hits compilation in the way that they touch on various stages of their career. The early songs, found on the Heaven side, lean closer to their pop-punk roots, while the back half (Hell) relies on heavy riffing and metal-tinged elements. By delivering what I consider to be their finest and most complete work of art to date, Sum 41 can look fondly back upon their legacy.

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