Tom DeLonge Directing Sci-Fi Film

Tom Delonge

Deadline:

Tom DeLonge, former frontman of punk rock band Blink-182, is to make his directorial debut with a coming-of-age sci-fi feature film Monsters of California.

DeLonge, who has, in recent years, been getting more attention due to his passion for UFOs, is directing the film based off an original script that he wrote with Ian Miller. […]

Monsters of California is a coming of age adventure with a science fiction twist that follows teenager Dallas Edwards, played by Samson, and his derelict friends on a quest for the meaning behind a series of mysterious, paranormal events in Southern California.  The truths they uncover begin to unravel extraordinary secrets held tightly within the deepest levels of the Government.

A Message From Jason; Because He Has No Other Title Ideas

Years from now, I’m not sure I’ll be able to adequately explain to someone that didn’t live through 2020 precisely what it was like. It’s been a year unlike anything I’ve ever experienced in my lifetime. Things I never thought I’d see are happening on such a regular basis that I feel myself fluctuating between numb anxiety and flashing white-hot anger. When the pandemic began in March, I reacted by tackling some projects I had on my list for a long time. I redesigned and rebuilt the entire main website and launched that in May; I then brought back hundreds of pieces of old AbsolutePunk content and got that part of the scene history back in our database. Over the past eighteen or so weeks, I’ve also been writing weekly articles that first re-ranked all of the “best of” lists from 2005 through 2015, and then deconstructed my entire musical journey starting in 1998 and tried to tell the story of how I fell in love with music and the history of beginning AbsolutePunk. These have been welcome distractions in these weird-ass times.

Usually, in August, I do some kind of “supporter pitch” on the website. I’ve done it the past three or four years to remind people about our membership program and talk about how it’s because of the supporting members that this website can exist. I try not to be too annoying about this because I’m not great at self-promotion, but if I don’t do it, I always feel like I’m not trying as hard as I could be. This year, with all of the racial injustice, pandemic, and so much more going on, I never could find the time that felt right to do it. After finishing my article project last week, I spent some time brainstorming what other kinds of articles I could write that I think would be fun to tackle, and I also did my annual deep dive on the state of the website and how I’m feeling about everything. The bottom line is the pandemic really fucked with my plans.

From the end of March through this month, on average, the website’s ad revenue was basically cut in half. We saw more traffic than usual, and virtually half the income from the ads. That’s not great. I don’t know if, or when, the ad revenue will return to something resembling what it looked like at the beginning of the year. So I realized before I can start thinking about my next article series, I have to write up some pitch about our membership program. So here I am.

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Pay-for-Play Was Banned From Radio — But Texts Reveal It May Still Be Thriving

Rolling Stone

Elias Leight, writing at Rolling Stone:

In June 2019, Mitch Mills, a senior vice president of radio promotion at Elektra Records, sent an urgent text to Steve Zap, an independent radio promoter who works with a number of stations in the adult contemporary format. The pair are both longtime players in the music industry, and have texted each other periodically about Warner Music Group acts, including Panic! at the Disco, Twenty One Pilots, and Fitz and the Tantrums. The June 2019 text shows that Mills was worried because Panic! at the Disco were receiving fewer plays than they had the previous week on a station Zap oversaw. “Stevie … [down] 11 in panic,” Mills wrote. “I just did a 2k deal with you … I need Panic back up.”

The text is one of more than 2,500 messages involving Zap that have been obtained by Rolling Stone. A number of these texts, covering 2018 to July of this year, refer to conversations with major label executives about promotional giveaways and payments to a radio station in connection with airplay – practices that have supposedly been banned.

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Review: Luna Aura – Three Cheers for the American Beauty

Luna Aura - Three Cheers for the American Beauty

On the latest EP from Luna Aura, she explores the female identity and the relationship to American culture and society. Three Cheers for the American Beauty is a hard-hitting record that leaves you wondering whether it’s time to dance, take notice, or join her army of followers. With the pompous stomp of electronica acts such as NIN, to the riot girl approach of bands such as Hole and Garbage, Luna Aura is starting to emerge as a true artist to watch as the year unfolds. With a voice that is equally sweet as it is powerful, she tackles an array of topics on this record that hits its mark more often than not.

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